Out via Bandcamp on the 25.10.21 https://moving-still.bandcamp.com/

Moving Still is back with three Egyptian bangers for a freebie EP called Ouddy Bangers Vol.1. It follows on from his infectious disco floor-filler Sidi Mansour (Moving Still Edit), which took the festival circuit by storm, and his italo-esque edit of Egyptian pop star Azza Kamal's 'Maadna Bkra' in collaboration with Dutch producer Tjade. Both edits reached #1 in Rush Hour's best sellers chart and played out across the world with support from Palms Trax, Hunee, Skatebård, David Vunk, CC:DISCO!, Esa Williams and Nabihah Iqbal.

The A side is a love letter to Hamid El Shaeri, king of Westernised synth-pop in Egypt. A1 features Cheb Arab who was the protege of Hamid, sadly making only one album before dying in mysterious circumstances. “Lo Kan”, from the album of the same name, tells the story of love, patience and passion. The track features Moving Still’s signature arpeggiated bassline and pitched down vocals to add depth to the passionate lyrics. The resulting edit is dancefloor ready, whilst still retaining the emotion of the original. Meanwhile the A2 is the last track from the first album of Magdy El Shaeri, composed by his older brother Hamid. Western pop with a Middle Eastern twist, the Arabic maqam trills are at home with the funky guitar and synth sounds. The saturated TR707 gives the track a grittier feel, and a reverb-heavy Roland JX3P motif is carried through the song.


The B side is Egyptian pop royalty Simone, produced by one half of Germany’s Modern Talking, Dieter Bohlen. The lyrics reflecting on life are unusually emotive for an Italo disco-esque banger, and these act as inspiration for the recreation of the song. The dialogue between the 303 and ARP bass provides the track with a distorted core, and the mournful lead in the outro is recreated and repeated to amplify the melancholy of the track. This infectious upgrade is sure to be in your ears for long after the last note ends.

“The idea of the edits is that they are my favourite Egyptian artists and the songs are really personal to me. I always imagined these musicians to have worked together at some point because of their shared connection to Hamid El Shaeri and possibly gone out together for a bit of argila (shisha) and some vino.


I wanted to share these tracks with everyone for free as a thank you for the enduring support I have received over the last number of years. I hope it gives you the same HI-NRG and joy it gave me while editing them!”


Moving Still has collaborated with two Lebanese artists on the artwork for this EP release. The illustration for the EP has been created by Tracy Chahwan and will be available to buy with profits going to charity to benefit Lebanon. The 40 x 40 Giclée print on cotton rag paper will be packaged and distributed in partnership with Hen’s Teeth, a creative studio in Dublin, Ireland.


Edited & Mixed by Moving Still
Mastered by Rhys at Optimum Mastering Graphics by Tracy Chahwan
Promo video by Carla Aouad
Poster printed and distributed by Hen’s Teeth

Cheb Arab - Lo Kan (Moving Still Edit)

HARDWARE TRACK for upcoming LA shows :) 
3/18
3/24
3/25

ELEKTRON SYNTAKT - ROLAND TR8- NOVATION CIRCUIT TRACKS 




;0

IF 4 YOU (HARDWARE)

Crustation were a short-lived trip-hop group with ties to Portishead and Massive Attack; their 1997 single "Flame" was a perfectly nice, totally innocuous, and mostly forgettable contribution to the drowsy downbeat catalog. The journeymen producers Mood II Swing put their characteristically light, funky touch on a club-friendly remix of the song, as they did hundreds of times during their run as New York's most dependable remixers. But Mood II Swing also had a murkier, more abstracted side; you can hear it in productions like "Move Me," "The Slippery Track," and the eerie "Inhale," which sounds like Gary Numan's "Cars" being sucked through a Teflon wormhole. But they outdid themselves on the "Borderline Insanity Dub" of "Flame," lacing a skipping, proto-U.K.-garage beat with hiccupping vocal loops and a lithe, shadowboxing bass line; the icing on the cake comes courtesy of a swirling fog of vocal harmonies that pans from speaker to speaker. Running out of phase with the beat, it lends a sense of tidal ebb-and-flow, throwing the time deliriously out of joint. The fact that Mood II Swing never produced anything else quite like it only makes this fluid, enveloping tune all the more irreplaceable. P.S.

Crustation - Flame (Mood II Swing Borderline Insanity Dub Mix)

Our latest Reword, Cheb Arab - Law Kan I (MANQO Rework), is out now exclusively on Bandcamp. 

link in the description 

Thank you for your continued support. Enjoy the vibes!"

Bandcamp

Cheb Arab - Law Kan I (MANQO REWORK)

Ugasanie knows for his freezing desolate soundscapes is back with a new album taking us even further north to explore the concept of the unusual and mysterious phenomenon known as arctic hysteria (also known as menerik and the call of the North Star). It manifests itself only in the polar night, and only when the northern lights shine. Man, as if under hypnosis journeys north. In this state of trance he is almost impossible to stop, he becomes aggressive, sings a song, mumbles, experience hallucinations and persistently continues towards the polar star. It is not uncommon that these people end up freezing or starving to death. 

In track 5 the voice belongs to an old yakutish man. The recording was made during an attack of polar hysteria. This field recording was recorded in a Yakutia group of researchers led by Eduard Alekseev in the 60s.

Ugasanie - Cold Wasteland

first ever attempt at a live set, recorded entirely from my mpc live 2

Debuted at Certified Groovers: NYE ‘24 Closing party in LA

big thanks to shyam & garrett

Hush Hush Live (2025-01-16)

Totally revamped the studio setup. This is the first jam with it all set up. Played around with the Edge for drums/kick, Crave and E330 for a lead sound and the Neutron for a bass. Ditched the Edge cos I couldn't solve latency issues with the internal sequencer going into the DAW, replaced all the drums with some midi-programmed Battery stuff. Happy with that "rominimal" feel in the drums even if the rest of the elements aren't much in that style.

Got a wonderful source of interference showing up at the headphones, luckily not in the recording I think (although still need to test that).

Untitled (2025-02-10 rack it all up)

part of a split EP with @mynameismapili

https://mapili.bandcamp.com/album/hella-ep

Untitled (2025-02-10 rack it all up)

screamish