Techno

With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.

The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops.
Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.

Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit.
It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. 
Once you're halfway in, there's no turning back; all you can do is keep moving forward. 

The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape.
Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. 

Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the "Tresor 31: Techno, Berlin und die große Freiheit" exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track.

Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.

BANDCAMP

Helena Hauff - Humanoid Fruit

Beacon

Buy/stream: https://kompakt.fm/releases/speicher_135

Two new faces on the label with the two-faced eagle! Both artists have been much respected forces on the international club circuit for a while. IDA ENGBERG is best known for her affiliation with Stockholm’s Drumcode and Truesoul labels. For her Speicher debut though, she’s tapping into a quite different sound territory. “Nothing Feels The Same” will go down in history as the first 2 Step track ever released on KOMPAKT EXTRA. It’s as sensual as it’s booming. Definitely one for those late morning hours. With “Pink Monkeys” is an EBM/sawtooth trance amalgamation of the highest order with enough psychedelic headroom for the festival season.

MARCO RESMANN’s deep involvement with the late Berlin club legend Watergate has made him one of the German capital’s beacons of house and techno. He’s one half of Lunar City Express and former member of Pan-Pot which speaks volumes about his stylistical versatility.”“RIMA feat. Laatz” he delivers a frenetic rollercoaster ride of a techno track. It’s radical, it’s menacing and super fun all at once – A truly one of a kind techno track. “Dimensions” is a low-slung electro bulwark full of intricate details to keep head and feet going in unison.

RIMA feat. Laatz

Marco Resmann - RIMA feat. Laatz

Loss

Loss (Mr. G's Raw Dub)

607 Sessions

Realize

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Orion - Kernel Ghost - H-Productions [HPX161]

Hybrid Productions Sound Architecture proudly presents: [HPX161] Kernel Ghost, written and produced by Orion. The captain of the Finish label Absence of Facts is back on Hybrid with a phantom 3 track release.

1. Stroke Mechanism
2. Guru Meditation
3. See It

Out in all portals 4th of August, 2025.

with peace from / Cari Lekebusch & Orion

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GTG Premiere | Orion - Stroke Mechanism [HPX161]

Split 3

Perk

Release date: 05/08/2025

"The Feeling That Brought Me Here" is Ackermann's second album. Effortlessly drifting between techno and house, the album eschews his usual EP minimalism in favor of a bold, hookline focused album. Gritty chord stabs, chunky pianos and jacked up grooves dominate the palate, whilst Ackermann's signature sample manipulation fuses deconstructed vocal chops that are used more like instruments or percussion elements instead of being the centrepiece of a song with razor-sharp drum edits and intricate sound design.

While his debut album "Stadium Techno" saw Ackermann's teenage incarnation smugly manning the controls of his 2020s studio (where he is currently known for immaculate mastering and A-List mixdowns) this sophomore collection offers a polished weaponry spanning 3 years of focussed collaboration integrating this adolescent dynamist with the guiding hand of an elder reaching their production zenith.
"The Feeling That Brought Me Here" channels the intrinsic urge of embodied music creation - fiercely somatic, unrestrained, physical, immediate and kinetic. Rogue sketches and intuitive vibe snapshots resist genre constraints to favor a dancefloor defined by polished 'f##k-you' tectonics and sleekly engineered attitude.

From the unapologetic feel-good opener "Good Times" via tougher chord slappers like "Click" or "Alter", a casual techno banger exclusively made with jungle sounds ("Now you know" with Vinicius Honorio), the deep techno bliss of "Noha", the cathartic "Let Go" or the disco infused outro "Gratitude" its all unmistakenly trademark Ackermann productions and all the various styles are firmly held together by his emotion over function approach to music production.

BCCO Premiere: Ackermann - Jack That Way [SAFESP035]

Out now: https://orcd.co/rspx80

Japanese Techno pioneer Ken Ishii returns to Radio Slave’s Rekids Special Projects with the ‘Autopilot’ EP, arriving 22nd August 2025. It follows his first appearance on the label in 2023, where he collaborated with Dutch duo Kamara on the ‘Powerplay’ single.

‘Autopilot’ kicks oﬀ with an unsuspecting, rolling groove while playful synths sneak up and bounce oﬀ its rhythm. The trip continues with ‘Sunset Flight’, lush chords washing over deep, subby low-end, rising high before delving back into the background while delicious percs play between its pounding kick drums. Closer ‘Grid Bounce’ then returns to mischief, machine-like sequences tumbling over an unrelenting beat, excellently building pressure for maximum dancefloor wonk.

“With this EP, I wanted to combine the funky and happy side of my music with driving techno elements. The EP and track titles were inspired when I was on a long-haul flight. So happy to release these three tracks in one EP.”
– Ken Ishii

DJ and producer Ken Ishii is one of the founding artists behind the Japanese Techno scene, he debuted on R&S Records in 1993 and quickly rose to global acclaim, releasing on labels like Harthouse, Exceptional, and now Rekids’ RSPX oﬀshoot, while collaborating with artists like Jeﬀ Mills, who remixed Ishii’s 2019 ‘MOBÏUS STRIP’ album on U/M/A/A.

He is also the founder of the 70 Drums label, co-brewer of KIKK IPA, worked on theme songs for the 1998 Winter Olympics and the Japanese government for the 2005 World Expo, and continues to innovate through projects ranging from video game and anime soundtracks to collaborations with Jazz artists.

Buy/Stream

Ken Ishii - AutoPilot

Circular Motion

Harvey Mckay - Hook Up - Hardgroove

Livin' in Hartley (The Edge)

Buy On Bandcamp

Red Richards - Livin' in Hartley (The Edge)

OUT NOW

44 Rollover (Simmo Remix)

Subframe

Released June 7, 2016
Label: Blueprint Records

Tessela - Rub

Mad System

Chi Boost

Scuba is a maker of music from the UK. He is also the founder of a record label called Hotflush Recordings.

Loss (Mr. G's Raw Dub)

Scuba

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