Pan Daijing - Jade 玉观音
Format: LP / DL
Cat.No. PAN 113
Release Date: 4 June 2021
Purchase: pan.lnk.to/Jade

What if a song was not a culmination but a singe, an imprint, or a crater left in the wake of creative process? On her new record “Jade”, Pan Daijing composes at a different scale than that we’ve come to know. Since the release of her groundbreaking LP “Lack” in 2017, Daijing has expanded her operatic vision into a series of major commissioned exhibition-performances at institutions including the Tate Modern, Martin Gropius Bau, and the Haus der Kulturen der Welt. Developed for full casts of opera singers and dancers, and reaching for an all-encompassing durational experience of intensity for both performer and audience, the development of these works was for Daijing as emotionally disarming as it was thrilling. In order to continue accessing her own limits, Daijing had to develop a place of sanctuary within her own practice.

Its nine tracks written and recorded over the last three years, “Jade” is the sound of solitary release and refuge, of creative self-sustenance. Written without the imperatives of direct address to performers or audience, “Jade” speaks inward, while inviting a kind of rhetorical listening. The artist draws on materials familiar from her previous work: namely, ascetic electronic textures that rumble and pierce, and voice bent in irreverent directions. In place of catharsis, however, her arrangements here linger in tension, extending curiosity towards the delicate void that nourishes extremes. They toy with the minor capacities of song: repetition, chant, observations that conclude without resolving.

“Jade” comes from a vulnerable place, tender as in an undressed wound caught in the midst of healing over. Vocals, mostly Daijing’s own, arrive as wordless sequences of notes soaring alongside a drone, or plain laughter, or in a few places spoken word. What is said or sung provides fragments of experience and reflection. In the process of piecing together these fragments, the listener is confronted with the tender parts of her own. “Solitude is like an immense lake you’re swimming through,” says Daijing of these songs. “Sometimes you dip your head in and sometimes you lift it above. On album centerpiece “Let,” she speaks to us over the sound of rippling water, returning between anxious scenes to a refrain: “I take my bath in the ocean.” We are not just consuming Daijing’s story; we are being invited to join her in the water.

The album is mixed and mastered by Rashad Becker, featuring artwork by Pan Daijing, cinematography by Dzhovani & design by NMR.

@pan-daijing

Jade 玉观音

Pan Daijing - Clean 一月 (PAN 113)

6G is the child of a hollow moon, unwritten histories of permaculture deities in the levant, pagan conspiracies about haunted birthrights, texts buried in lunatic obscurity, communication with the evil smile of a goddess, bells designed to be wrung three times in the night, childish blood games, farmers with occult crops.

The duo of Oxhy and Susu Laroche have chosen the name The Fertile Crescent, evoking one of the cradles of human civilization as much as a (un)healthy devotion to the power of the lunar cycle. Musically, it reeks of post-industrial folklore ripe with solemn tones and conflicting bits, combined via the mocking dream logic of a trickster spirit. A skeletal presence of melody in a sparse, ceremonial ambiance that can even welcome thunderous rolls of breakbeat, like tapping from the energy of every ritual that has scarred the land in time. Following the record is like attempting at drawing a psychic topography of those same rituals, manifestations, tragedies and games, it’s like mistaking the broadband network for the Ley lines but still succeeding in conquering its occult power.

Written & Produced by Fertile Crescent
Mastered by Tapewave

All profits go to: www.islamic-relief.org.uk/afghanistan-emergency-appeal/


https://soundcloud.com/oxhy
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the fertile crescent - cant let you live again

The Rituals series rises again — a fresh strike carved deep into black wax. RITUAL12 summons an international assembly of techno insurgents from the OMEN roster, each delivering their own sonic rite. Across two sides, the intent is absolute: raw, unfiltered power pulled from the shadows and unleashed on the dancefloor.

[SIDE A]
SWARM INTELLIGENCE – Inexorable
Berlin’s Swarm Intelligence ignites the record with precision-tooled percussion and fractured basslines. Polyrhythmic tension winds tighter with every measure, industrial grit locking into a cybernetic march toward total hypnosis.

B.A.R.K – Shikijitsu
A bone-rattling invocation of distorted low-end and ceremonial drums. B.A.R.K drives forward like ancient machinery grinding to life, a Japanese primal energy sharpened to a deadly edge.

AXKAN & DUELLIST – Resilience
Mexico meets Scotland for a brutalist assault: hammering kicks, serrated synth textures, and walls of analogue saturation. No safe passage here — only forward momentum into the heart of chaos.

[SIDE B]
EAS – Honored One
From Los Angeles, EAS delivers a tense, ritualistic construction where a subterranean EBM bassline pulses through metallic drones. Hypnotic, uneasy, and charged with controlled dissonance.

HATELOVE & OGMAH – Hanged Bodies
A dark ceremonial groove heavy with ritual percussion and spectral synth chants. The layers rise to a fever pitch, blurring the line between transcendence and collapse.

CRYSTAL GEOMETRY + AXKAN – Kratom
France’s Crystal Geometry joins AXKAN for a militaristic strike of modular chaos and pummeling drums. EBM-infused basslines drive beneath razor-sharp synth fire, rallying the midnight faithful to the front lines.

RITUAL12 is not a compilation — it’s a convocation. Forged in analogue heat, drenched in distortion, and aimed directly at the heart of the floor, this record demands full surrender. Step in. There is no turning back.

All tracks written and produced by the featured artists.
Mastered by Tim Vitek (Chicago)
Artwork by October Midnight
Design by Feder Sanz

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RITUAL12

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A2 - B.A.R.K - Shikijitsu

4021 EDM

Yo, sometimes I'm feelin' fiery, sometimes icy... This New Album, 'FIRE&ICE' is all about expanding your mind and ditching those messed-up social norms!

We start by helping others one at a time! PEAC3FU1WARRI0R is on #SoundCloud https://on.soundcloud.com/YIExmy757wAWJ1G0Vh 🤝🕊️🎧

FIRE & ICE

CONNECTED

That's Harakiri

Percressing

Peaked

Remote Heaven

You Were Wrong

2;ep1 (SINGLE)

Produced and written by LA Timpa
Mixed and mastered by Jim Anderson, LA Timpa

Music Video: https://youtu.be/pr-fMKGKYHU

2;ep1

RIFT One is the first instalment in a series of releases curated by YEAR0001, featuring contributions and commissions by a variety of highly innovative and influential artists.

By releasing this compilation ahead of schedule and donating all proceeds from purchases directly to community bail funds, mutual aid funds, and racial justice organisers we hope to make a small contribution towards awareness and change, and encourage our community to act against injustice and stand together in solidarity. 

Racial injustice, white supremacy and all forms of discrimination simply has no place in the culture we represent; we will continue to educate ourselves, listen, learn and find more ways to support both in a short and long term perspective.

All future entries of the RIFT compilation series will also donate to humanitarian organisations and funds.

Please also consider to donate further & educate yourself through the link below

https://blacklivesmatters.carrd.co

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Remote Heaven

Sd Laika