channeling some early Madonna with this stuff

Animals

Jucios

Michael Renkel - electronics and guitar
Nicolas Wiese - electronics and feedback

unmixed rehearsal recording (excerpt), May 2020

THE QUIET CUE - Renkel/Wiese - Rehearsal Excerpt May2020

Tracing Your Sulci - from the album 'Let's Be Happy!'.

Hot on the tail of Neuro... No Neuro’s full-on ambient onset - “A Particular Timeline” - “Let’s Be Happy” provides a mélange of arrangement techniques. Rhythmic, yet less percussive. Melodic, with broken pieces everywhere. Ambient without the long-form structure. Lowercase without the minimalism. Using the practical frameworks of “Scans”, the tracks take on the length of a pop-music track, but are full audio sculptures of a moment in time. Not fragments, but concise, complete builds. While completely without traditional percussive elements, “Let’s Be Happy” is abundant with rhythmic aberrations. Pulling from the looping elements of modern music, then breaking the traditional loop traditions. Beautiful melodies, gentle stop/starts, chattering, and positive harmonics are the specialty of the day. As before, these pieces are about prior and current neurological experiences. Epileptic auras, memory loss and its point of departure, visualizations, behaviors, and emotional content. This is a method of recall.

Neuro... No Neuro - Tracing Your Sulci

Memory Circle

Conscience Empty

Tutta

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

This is one of my iterations/interpretations of my dear friend, Kennedy aka Mad Composer Lab's composition: 
"to Harriet, is a short poem composed in gratitude of Harriet Tubman.
Compositionally, it utilizes both haiku and tanka poetry as form, process, and inspiration."
madcomposerlab.com/

To Harriet Kaleidoscope

GOD 61
Peter Ablinger
Orchesterstücke, 
excerpts
www.godrec.com

GOD 61 - Peter Ablinger - Orchesterstücke, excerpts

TR108 - United Bible Studies - The Night Fell Off Its Axis [excerpt]

Secret of Mana 3.0
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Trip in search of a mysterious law of nature

Memory Circle

waketakeshi

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halb laps

Oriental Force (Oriental Love a.k.a Kaya Takada)

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