stable motive of fluctuations in turnover

vandrarhem

Nordic Horn Ballad IV - Bone Percussion

Dystopia  Untergang

Recorded live at Home Studio.

Gear used: Roland Juno-106, Yamaha DX7, ЛМ 1229, DL-301A, Alesis Midiverb 2, Mackie CR-1604, Tascam Portastudio 424 MK3.

Open for release proposals. More records on request.

August 2019.

Abiocoen — Inhale

deadpan robotic

Each Morning of the World #04
South American Phonographic Mornings #03/20
Puerto Saavedra ~ South Chili
Lafken Kürüf  de Julie Rousse

~~~~~~~~~~~~~

The piece - Lafken Kürüf - has been composed from recordings taken in the south of Chile in 2015. Mixing various sounds of the wind and the ocean, as well as glimpses of voices, those emblematic sounds from my stay there are composed in a short piece transcribing the powerful sonic landscape that has accompany me during the three months spent in the Mapuche Lafkenche community of Traïtraïko Leufu. The noise of the wind on the rooftop of my house and the rumble from the Pacific Ocean close by kept me from sleeping at night as i would imagine it coming out from its bed, like in the Mapuche Lafkenche mythology.

~~~~~~~~~~~~~~

Crédits
de l’album South American PhoNographic Mornings
ce titre est sorti le 6 mai 2018
Credit photo : © Julie Rousse 2018

Lafken Kürüf

LAFKEN KÜRÜF

Vinyl version: https://comphol.bandcamp.com/album/worn-2

~'Worn' was written in the summer of 2019 and was recorded using a Yamaha MT3X multitrack cassette recorder.
The cassette tape itself was an old cassette tape which I used to record voice memos on when I was little.

The recording process involved the recording of several sketches, which I then revisited and overdubbed every week over the course of 2019's summer.

Worn

Wading

Loop 34 (Bucles)

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

Kerley - G Trk (Senglar Rmx)

GOD 61
Peter Ablinger
Orchesterstücke, 
excerpts
www.godrec.com

GOD 61 - Peter Ablinger - Orchesterstücke, excerpts

Latest Albums :
https://senglarbraille.bandcamp.com/album/jt-chapman-senglar-susurrus
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https://elmuellerecords.bandcamp.com/album/hum
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https://martinhoogeboom.bandcamp.com/track/fearless-senglar-version-a

Loop 34 (Bucles)

Senglar

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