Track 7 from the 'Lullabies for Parasomniacs' album by Disco Outcast.

Amused bouche

it's all in your head

A Generative with Live Coding SuperCollider.

DRONEEER_WITH_LIVECORDING_2025SEP11_AT_FATLIZARD

SCscraper.py

Cnt Mastr2

Simon Whetham - (R)ASSEMBLE - YARMONICS 2020

notime funktion

Reading This Plan

1986754

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

GOD 61
Peter Ablinger
Orchesterstücke, 
excerpts
www.godrec.com

Simon Whetham - (R)ASSEMBLE - YARMONICS 2020

YARMONICS

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