A Line Which Forms a Volume is a critical reader and symposium of graphic design-led research that is edited, written, designed, and published by participants of the MA Graphic Media Design (MAGMD) course at the London College of Communication (LCC). Each year, a different cohort of students works on the title.

With its ASCII-esque vector illustrations foiled onto the cover, this silvery seventh issue explores the role that emotions play within design research, with insights from students and external practitioners alike. In particular, the theme revolves around the notion of affective reading—a way to ‘engage with an increasingly networked and hypermediated world’ and ‘construct ways of living in the future, which are enabled by the bonds created through our emotions.’

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https://magculture.com/blogs/journal/a-line-which-forms-a-volume-7

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[A Line Which Forms A Volume 7]

Edit | Chengbo Yao, Yang Sun
Graphic Design | Cheng Chang, Sea Ho, Yankai Pei, Pauline Hill
Volume Advise | Paloma Moniz, Ricardo Gonçalves
Copy Edit | Bryony Quinn
Symposium & Communication | Huazheng Wang, Maja Rohde, Suting Chen
Proofreading | Amy Henry, Carlos Romo-Melgar, Tony Credland
Production | Hyowon Choi, Pauline Hill, Sea Ho
Printing | Tony Yard
Printing & Binding at | London College of Communication
Photography | Hyowon Choi, Yankai Pei,  Alexa Nikolova 
Photo Edit |  Hyowon Choi
Camera Assistance | Pauline Hill, Chengbo Yao, Cheng Chang
Motion Design | Chengbo Yao
3D Production | Yankai Pei
Sound Design | Sea Ho
Photography | Yankai Pei
Host | Shreya Tawade
Venue | Hattie Harding

A Line Which Forms A Volume 7 (closing set)

Mother ocean, petite.
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Visual Artist, Lighting Design, also DJ
Based in London
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@hh.0401