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Randazzo I, II, III MIDI TEST

Octet, or, Music for 9+ Musicians (2025)

In 1978, at the University of London, the Physicist David T. Kemp made an unusual discovery. Kemp noticed that faint sounds, known as Otoacoustic emissions (OAEs), revealed the existence of the cochlear amplifier, a mechanism responsible for sound sensitivity and frequency resolution. This discovery proved that the ear is an active rather than passive organ. 

Following this discovery the experimental music world embraced these findings by incorporating them into sound works. Maryanne Amacher was a notable early pioneer of this technique resulting in large scale sound works, the likes of which audiences had never encountered prior. Since these early explorations the use of OAEs has spread more widely in the experimental music landscape, notably by Editions Mego artists Florian Hecker and Marcus Schmickler.

“I believe the kick of techno can be an agent to shapeshift sounds and infiltrate settings” - Jung An Tagen 

Stefan Juster aka Jung An Tagen is known for conceptual works and has a large back catalogue of intriguing ideas and sounds. Revenge of the Speaker People is another adventurous release, one which takes the Otoacoustic discoveries of David T. Kemp and applies them to a techno framework. OAEs are fragile and can collapse quickly when combined with other elements. Jung An Tagen’s success in combining OAEs with beats is therefore quite an achievement, without precedent. 

The first CD comprises the  results of Juster’s experiments, resulting in some of the strangest techno committed to digital since the initial burst of the Mego label. A series of head spinning, ear tickling extreme electronic miniatures bleed in a continuous form. This adventurous and playful music would likely have many a raver run to the bathroom. There is a tangible subversive delight in mixing in such sounds to what is ostensibly ‘club music’.

Because the record had this clear divide of beat + otoacoustics the idea came to see how the material would lend itself to a series of remixes. The second CD has remix contributions from a selection of artists from the Editions Mego stable alongside Juster’s own ETAT imprint along with DJ Nervoso from the Príncipe crew. The results are a headspinning variety of Otoacoustic mayhem as the likes of Evol, Thomas Brinkmann, Ellen Phan, Nik Colk Void and others fold these initial bizarre sounds into even more twisted shapes. Revenge of the Speaker People is a daring, playful and audacious release. One that will baffle your ears, neighbours and dancefloor clients.

Revenge of the Speaker People

Revenge of the Speaker People (Collage)

Obsession (2009/10) [MIDI Mockup]

Track from my album 'Embodied' 

Re - released for my friend Luke Deane who did production, played the Melodica solo. 

Christine Cornwell on Violin. 

Flower Of My Eye

Lomond (2020): Guildhall Experimental Music Marathon; London; 2025

Kontakt show, originally broadcast on CAMP radio, 29 July 2025.

http://listen.camp

Playing with the connective tissue between sound art, field recordings and composition with improvisations and interventions. With Anna Murray

Kontakt show - Sounds of Annaghmakerrig Lough, 29 July 2025

Using MuBu, I chopped up I Still Haven't Found What I'm Looking For into a dense collage of tiny fragments which I improvised with in Max/Spat/MuBu and then pieced together in Reaper.

I made this for the Chaire Supersonique project i did in collaboration with IRCAM and the Beaux-Arts de Paris.

Big nod to Negativland here!

I STILL haven't found what I'm looking for (BINAURAL)

A contemporary composition by English composer Martin Slidel, arranged for marimba and percussion. 

Anthesis (Marimba Version)

Join KFW for a regular survey of contemporary Electroacoustics, Minimalisms, and Decentralized Rhythm Structures from all-across the Global Spectrum.

https://www.instagram.com/keithfullertonwhitman

Alpha State with Keith Fullerton Whitman @ The Lot Radio 08-11-2025_1

Just found a rehearsal track I made for singers to practice my 'Snow Dance for the Dead'. I choose mad instruments for each voice part so they could hear the rhythms more clearly and it sounds like it's been covered by the coolest indie band of 2009.

Snow Dance Rehearsal Track

Things To Push Back

Speaking, running, field recording, hurling, pianoing, droning, humming,  concrèting, jumping, chanting... etc.  A ten minute edit of a forty-five minute piece, composed by Seán Clancy and Andy Ingamells.

Recorded live by BBC Radio 3 on 2 May 2019 in Royal Birmingham Conservatoire. Listen to BBC Radio 3 here: https://www.bbc.co.uk/sounds/play/live:bbc_radio_three

This Is About (Radio Edit)

This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes.

Népi Tánc - Waltz#1 | F-Minor | The classical Series. | Composed by CR(Ravi C Srikanth)

Snapshots - for string orchestra - 2003 recording of premiere by RIAM Chamber Orchestra, Dublin - in 4 movements.

Snapshots

Solo electronic music from Seán Clancy. 

Ad Astra Fellow Assistant Professor of Music at UCD in Ireland. Likes acoustic & synthetic sound, mostly minimal and experimental stuff, philosophising & so on & so on...

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Yuga Aoyama, Mina Ashido, Tsuyu Asui, Katsuki Bakugo, Toru Hagakure, Tenya Ida, Kyoka Jira, Denki Kaminari, Eijiro Kirishima, Koji Koda, Izuku Midoriya, Minoru Mineta, Mashirao Oijro, Rikido Sato, Hanta Sero, Mezo Shoji, Shoto Todoroki, Fumikage Tokoyami, Ochaco Uraraka and Momo Yaoyorozu and one more teacher Aizawa Shouta

This Is About (Radio Edit)

Sean Clancy (Elektronische Musik)

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