Masked Dedede returns...Also, Shadow Dedede...

Masked Dedede Battle

Sadness – A deeply introspective piano piece capturing profound melancholy and vulnerability. The expressive dynamics and subtle pauses create a natural emotional narrative, conveying the feeling of a wounded heart. Ideal for TV, film, and advertising scenes that require reflection, loss, or intimate emotional depth. Its clear production and evocative atmosphere make it highly adaptable for sync placements in media.

Sadness

The Subcon Forest (Masked)

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Let's get this out of the way first. Breath of the Wild is a great game, possibly the best Zelda game ever made. The world is expansive and allows so much freedom, self-discovery, and experimentation. However, I felt that Nintendo really dropped the ball on the story and music. The Switch Presentation Trailer Nintendo showed gave me such hope for the epic music that would assault my ears, but sadly we were all misled.

To me the soundtrack is only half-complete. The tracks are all atmospheric, and fit the setting really well, but ineffective in describing the context. The whole world has been plunged into darkness. Ganon's calamity infects the landscape, and yet all the inhabitants feel like they're at peace with it. Link has woken up from a hundred year slumber, and the world barely reacts to his return. What I had hoped to see was Ganon reacting to Link's presence. As Link defeats each divine beast, there should be a great escalating response from the opposing forces. But the world stays pretty much the same. The sense of adventure I felt in the beginning of the game sort of faded away. Instead the world felt more like just a playground for Link to play in until he decides to go save Zelda.

The music for the enemies on the world map all have this playful silliness to it, which I felt was in contradiction to the context. Hence, this arrangement I made for the guardian battle, I consider more of a REVISION. I referenced the tone of the trailer music heavily in trying to come up with my version. For the percussion, I used a lot of wood and metal knick knack sounds to preserve the idea that the player is free to be creative with his/her strategies in fighting the guardians. When encountering these for the first time, most players probably fail and die quickly. The thrill you get from defeating these for the first time is very exhilarating, and I wanted the music to convey that. I borrowed the main theme of the game and injected it into the track to give it more emotion. Even though the end result is a lot more heavy highs and lows, I feel I still was able to keep the lightness of track intact.

Revision of the Wild

Guardian Battle & Main Theme Orchestration - from Breath of the Wild

A Hat in Time OST

Picture Perfect (A Hat in Time OST)

Puzzle Plank Galaxy

I do not own this track and only uploaded this because of the lack of this track in other's collection of A Hat in Time's beautiful soundtrack. Original composition is by Pascal Michael Stiefel.

A Hat In Time - The Windmill Peak (OST)

A Hat in Time (Original Game Soundtrack)

Murder on the Owl Express

I do not own this soundtrack, all credit goes to the original owners and composers.

A Hat in Time is now available on Steam and Gog, get it here; https://store.steampowered.com/app/253230/A_Hat_in_Time

The soundtrack is composed by Pascal Michael Stiefel and features AdulescensFMusic, Carlos Eiene, Qumu and Grant Kirkhope as special guests

Every copyrights belongs to Gears by Breakfast, Pascal Michael Stiefel and guests.

The Subcon Forest (Masked)

Sean Howland (OverFritz)