Many Worlds Interpretation is a collection of cosmic Americana for electronics, guitar, and percussion culled from Jon Iverson’s extensive home-studio archive.

1984, Los Osos, California. In a small cinderblock cottage, hand-painted with bright psychedelic flora, Jon Iverson created vibrant new worlds. He spent long days and nights immersed in sound, perfecting home recording on his 8-track reel-to-reel, combining his love for kosmische and Berlin School electronics with an infatuation with ethnographic sounds and expansive guitar music. In a duo with fellow sonic traveler Thomas Walters, Iverson released missives from the studio on a self-titled LP released on country legend Guthrie Thomas’ Eagle Records. That release featured three electro-acoustic compositions (“Naningo”, “River Fen”, and “Fox Tales”) as well as a gathering of guitar duo tapestries. Many Worlds Interpretation re-imagines those interplanetary works alongside several unreleased compositions that also feature synthesizer, guitar, and percussion, creating a re-visioned album which leans into Iverson’s electronic studio wizardry.

All songs have been carefully transferred from analog tape to high resolution digital, retaining their vintage studio warmth, but mixed and mastered for modern ears and audio systems. The album is pressed at 45rpm, further enhancing the audiophile experience.

RIYL: Innovative Communication, Eblen Macari, Priscilla Ermel, Popol Vuh, Steve Tibbetts

BUY PHYSICAL: https://www.seance-centre.com/shop/jon-iverson-many-worlds-interpretation

BUY DIGITAL: https://joniverson.bandcamp.com/album/many-worlds-interpretation

Jon Iverson - Naningo (34SC)

Buy at: luridmusic.bandcamp.com

Alex from Lurid Music:

'Aggelos first approached Lurid Music with the idea for this project a few months ago. We agreed on one condition, that all proceeds be donated to refugee causes, like we did with his Black Sea EP which supported the Syrian refugee crisis. When Russia invaded Ukraine, we decided our focus had to be helping the Ukrainian refugees who were forced to leave their homes in search of safe havens abroad.

We discussed this with most contributors to the project and the consensus was that donations should strictly go to humanitarian groups and not any armament funds. There were also some thoughts about helping conflict-affected peoples in other parts of the world but we decided it was too much to tackle for a relatively small project like this one.

Therefore, donations stemming from the sales of this release will be distributed to the following humanitarian groups currently active in Ukraine or neighboring countries welcoming refugees:

- International Medical Corps: internationalmedicalcorps.org/emergency-…n-ukraine/
- Urgent Action Fund for Women’s Human Rights - Ukraine Urgent Response Fund: urgentactionfund.org
- Polish Humanitarian Action: www.pah.org.pl/en/donate/
- World Central Kitchen: wck.org/relief/activation-chefs-for-ukraine
credits
released April 1, 2022

Original tracks written and produced by Aggelos Baltas.

Remix duties handled by the following, thank you for bringing your "A game" to this project: A Hand, Adhémar, Aditya Permana, Anna vs June, Ayaz, Black Seed, Bunzinelli, BXP, Cantillate, Christian Coiffure, DimDJ, Facets, Frank Butters, GK Machine, Infuso Giallo, Itzel, Jacques Satre, Krokakai, Komodo, Koyil, Misha Sultan, Mr. TC, NVST, Pannotia, Petros Spatharos, Philipp Otterbach, Poperttelli, Sepehr, Skynet 75, A Strange Wedding, Sun Genam, Tadan, Tagliabue, Tassilo Vanhöfen, T.D.O.S., Théo Muller, Vidock, YNV, Zillas On Acid.

We were fortunate to receive pro bono contributions from four highly-esteemed mastering engineers: Taylor Dupree (www.12kmastering.com), Brian Kage (kagemastering.squarespace.com), Dietrich Schoenemann (completemastering.com) and Tim Vitek (timvitekmastering.com). We are thankful for their meticulous work, especially to Dietrich for enlisting his fellow engineers to help with the massive remix load, 44 tracks are definitely too much for one person to listen to in such a short span.

The artwork was provided by Bill Brown, a Maryland native who lives and works in Ukraine. When the war started, he made his way safely to Germany via Poland. This illustration is an homage to Maria Prymachenko’s “May That Nuclear War be Cursed!”, which also inspired the title of this release. You can follow him on Instagram at www.instagram.com/takomabill/.

T-shirt screen printing was kindly provided by Nolan, a grindcore bassist from Washington DC. You can follow him on Instagram at www.instagram.com/malokul202/'

Vol.3

Black Sea (GK Machine rework)

Recently released on Düsseldorf's Candomblé, the Das Wettbüro band from berlin drops a great debut-EP. Made of funny sonic experimentations and groovy weirdo disco enhanced by entertaining rhythms, "Gewinnt Immer" EP (literally 'always winning') also includes this epic piece of dronesque kosmische kraut. You know, under the sun and LSD, everything melt together at the beach. Sweet ice cream and salty, sweaty bodies, eyes lost in the sea or the horizon (isn't it the same after all?), both kind of waves taking control of your mind.

Available now in 12" vinyl and digital at: 
https://candomble.bandcamp.com/album/gewinnt-immer

------
FEEL THE SPIRIT
Bandcamp:  https://bambooshows.bandcamp.com/
SoundCloud:  https://soundcloud.com/bambooshows/
Facebook:  https://facebook.com/bambooshows/
Instagram:  https://instagram.com/erevan_bamboo/
YouTube:  https://bit.ly/YouTubeBambooShows
Spotify:  https://bit.ly/SpotifyBambooShows
Web: www.bambooshows.com
Discogs:  https://bit.ly/DiscogsBambooShows
Mixcloud:  https://mixcloud.com/bambooshows/
Contact: bambooastruth@bambooshows.com

℘ཞɛɱıɛཞɛ ≈ Das Wettbüro - Ungerade 19 36 [Candomblé]

Simon Crab's Invisible Cities album explores the outer edges of ambient, electronic, soundscapes, industrial, dub, and beyond.

Recorded at Simon's Hastings studio in 2021.

Additional percussion from Fritz Catlin & David J Smith, vocals by Ksenia Sadovski.

300 Copies 2 x 12" Vinyl

Simon Crab Invisible Cities LP (SR006)

https://soundcloud.com/mecanicaclasica
https://soundcloud.com/abstrakce
🛒 https://abstrakce.bandcamp.com/album/danza-sin-nexo
🔊 https://youtu.be/JAuTf_I1AVg

A new mutation on Mecánica Clásica's sound, preserving the essence of previous works: ambient inspired by electronic pioneers such as Craig Leon, K. Leimer, Marc Barreca, Jon Hassell or Cluster. Continuing with their contemporary update of these sounds, this new delivery evolves to more rhythmic tracks, oriental influences and percussive sequences that bring it closer to leftfield vibes, with a wide range of textures and details that appear and disappear. The title of the album "Danza Sin Nexo" refers to this: a rhythm that forms and deforms without an apparent link, but ends up forming a coherent whole.

Tracklist: 

A1 Mantra De Felpa 
A2 Una Dimensión Nítida 
A3 Danza Sin Nexo 
A4 Diseñado Con Un Fin
B1 El Mundo Se Vacía De Cosas 
B2 Reliquias del Futuro 
B3 En Otra Ocasión
B4 Nova

PREMIERE: Mecánica Clásica - Danza Sin Nexo [Abstrakce Records]

PREMIERE COMME DES LARMES – CDL

PREMIERE CDL || Aboriginal Voices - Voices In The Memory [Dee Dee's Picks] (2023)

Artist » Aboriginal Voices - https://www.discogs.com/artist/1203735-Aboriginal-Voices

Ep Name »  The First Album

Label » Dee Dee's Picks - https://soundcloud.com/deedeespicks

Amsterdam, Netherlands

Format: Digital Album

Release date: March 21, 2023 

BUY HERE >>>> https://deedeespicks.bandcamp.com/album/the-first-album

"ab"; a formal element occurring in loanwords from Latin, where it meant “away from”. Consider its significance when applied to words such as "above", "abdicate" and "abolition". When expanding this idea through sonic form, you could think of the paired words "Aboriginal Voices". This also has been the chosen band name for this couple in the Zurich eighties scene. Coming from a classical or Jazz background as well as being part of some of the more successful 80s Zurich punk bands, the pair's knowledge in pop songwriting did not convince them into stapling this format for their creative endeavours.

Consisting of Heinrich "Wüste" Zwahlen and Micheline "Misch" Pfister, their music features themes in the likes of the need for constant creation, the dullness of routine in one's life, anguish, revenge and uncertainty. The story of a nihilistic couple that drives forward in self-expression away from their immediate surroundings.

“The First Album”  is the earliest work of the band’s artistic path. Haunting, eerie with punk tonality, the story behind this music is narrated by Magda Vogel, the lead singer of avant-gardist Zurich band UnknownMix. Diverging in various genres in the likes of synth pop and post-punk, “The First Album” is the snapshot of the musical accomplishment of a couple over the career span of three years. Organic and lush, rough and electric, Aboriginal Voices, primitives of Zurich.

A fever daydream with samba-like curious rhythms that waves towards what could be perceived as  the fundamentals of early techno music. Loops, diverse, repeat. A more naive approach to songwriting, as these were the first recordings by the Aboriginal Voices, resemble more to compositional experiments as to a means to a more familiar, pop-oriented structure that are more reoccuring in their later works. The music presented in front of you aims to create a meeting place, a scenario, where an outsider’s perspective can catch a glimpse into seeing the duo’s artistic synergy. To witness through a squint their environment. To see each other and hear how their stories intersect and interact with their own music. In addition to their EP, tracks I-VI are compositions that served as a soundtrack for an experimental film for a friend of Magda’s.

Vocals: Magda Vogel, Heinrich “Wüste” Zwahlen, Micheline “Misch” Pfister.

Composition and production by Heinrich “Wüste” Zwahlen, Micheline “Misch” Pfister. 


• https://www.instagram.com/dee_dees_picks/
• https://www.deedeespicks.com
• https://www.facebook.com/deedeespicks/
• https://echobox.radio/shows/dee-dees-picks/


Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST
• https://www.instagram.com/_rennst_


#premiere
#cdl
#electro
#leftfield
#techno
#commedeslarmes
#aboriginalvoices
#world
#deedeespicks
#electronicmusic
#amsterdam
#industrial
#minimalwave
#minimal
#idm
#experimental
#darkambient
#switzerland
#zurich
#synthwave
#world
#postpunk

The First Album

PREMIERE CDL || Aboriginal Voices - Voices In The Memory [Dee Dee's Picks] (2023)

https://soundcloud.com/cv-vision
https://soundcloud.com/bureau-b
🛒 https://orcd.co/cv-vision
🔊 https://youtu.be/tHYxecAVrd8

Taking inspiration from deep in the mediaeval mists of times long past, CV Vision comes riding over the hills like a knight to the rescue, and his new album Im Tal Der Stutzer is packed full of galloping drums, feudal prog riffs and poetic lyrics harking back to a golden age.

You might’ve caught CV Vision in Berlin, either on stage or behind the mixer at some of his favourite clubs like Arkaoda, Heiners or O Tannenbaum. He could be accompanied by synths, or drum kit, or even full band – channelling his love of Bo Hansson and Claude Larson, or Soft Machine and Picchio dal Pozzo. Always heavy on the backbeat, the songs awash with heady synths and expansive psych inversions.

For this record, CV Vision recruited two wayfaring collaborators in the form of songwriter and musician Martha Rose, and drummer Uno Bruniusson. They started the project at the dawn of the Covid outbreak, and it quickly became a coping mechanism against the lockdown. During those months of uncertainty, the collaboration blossomed into a sanctuary of psychedelic prog, acid folk and warped feudal weirdness, a refuge built on layered synth lines and reel-to-reel
delays.

Im Tal Der Stutzer invites you into its kaleidoscopic reality from the get-go – from the pulsating swing of Die Frommen Wanderer and frenetic synth arpeggios of Die Nachricht Schneller also der Wind, to the misty-eyed folk of Lichtermond. The whole record is punctuated with field recordings of ironmongers and cowherds and campfires, adding to the theatre.  

It’s a testament to the wide-ranging world that CV Vision has created, that he can at once invoke the Hildebrandslied while sounding like a library record that DJ Shadow might’ve sampled. In CV Visionverse, it all makes perfect sense.

Tracklist:

01. Willkommen im Tal der Stutzer
02. Die frommen Wanderer
03. Die Nachricht schneller als der Wind
04. Die Königin weint
05. König Friedrich II.
06. Im Hühnerstall
07. Zauberer und die Hex
08. Bevor und nach dem Sturm
09. Die Reise ins Innere
10. Wald Melodei
11. Lichtermond
12. In der Schmiede
13. Der fröhliche Gaukler
14. Kinder des Müllers der am Waldrand wohnt
15. Über Liebschaften

PREMIERE: CV Vision - Die Nachricht schneller als der Wind [Bureau B]

TFGC023 - Grischerr - Symbiosis

In the Words of Mark Cremins:
E.P. of low slung and tripped out Cologne style mind melters. Grischerr achieves a live and open sound in these grimy productions which adds to the immersive atmosphere conjured up across all tracks. It's inspiring stuff!
Lucas Croon doses up the psychedelic measures with a flipped version of 'The Man That Never Smiled' topping off the E.P. just nice..

Out in all good recordshops around the world in September.
Distribution via Rushhour Distribution Amsterdam.

@grischgrisch
@lucas-croon

B2 Grischerr - The Man Who Never Smiles (Lucas Croon Remix)

point nemo

Oz Echoes: DIY Cassettes and Archives 1980​-​1989 out March 26  http://bit.ly/OzEchoes

Oz Echoes peels away another layer of Australia’s ‘80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psyche-electronics and agitated tape cut-ups.

From the Sydney cassette network, The Horse He's Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age’s pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf - the former’s worn out apparition hails from an instantly deleted 1981 7”, while Mr Knott entrust one of the compilation’s five previously unreleased tracks.

Matt Mawson represents Brisbane music media-printed matter collective ZIP, as Adelaide’s Three D Radio grants access to their vaults of live-to-air recordings and aspiring demo submissions, rescuing the slap-happy punk-funk of The Frenzied Bricks and Jandy Rainbow’s prodigious beginnings in Les Trois Etrangers and Aeroplane Footsteps. Synchronously in Melbourne, Ash Wednesday (Karen Marks, The Metronomes) leads Modern Jazz’ improvised proto-techno and EBM pioneers Shanghai Au Go-Go home record their sardonic synth-wave.

A cherry-picked cast of unusual suspects, Oz Echoes’ unfamed artist and non-band narratives are detailed by track-by-track liner notes with rarely published archival visions and artwork from Video Synth, prompting further rabbit hole ventures into this golden era of creative risk-taking and instant action.

Wrong Kind of Stone Age - Ravi Dubbi (ES018)

Pre-order Raudie's debut album here: https://superutu.bandcamp.com/album/now-the-spark-has-flown

Begin, a spark, ladybug, windowsill, notes app, eye, tap and touch, the ticking clock, somehow new, pleasure, distance, mud, patience, time, mystery, the flow, spirit, the phone, helixes, black tassels, Botticelli, Roman Bust, naïveté, Kronenbourg 1664, splinter, messages, salt, pepper, cherub, train, lake, Latvia, Airbus A380, Gare du Nord, memes, the planets, foolish, tender, summer, tears, romance, love, process, mirrors, blame, reflection, poems, sentences, pen, boy, man, ?, hourglass, exploding, hot, cool, dagger, death, life, the middle part, witness, hands, 10 fingers, hours, minutes, seconds, feel it, loser, blind, future, past, present, loneliness, friction, kismet, fiction, darkness, forever, Sisyphus, stuck, transience, change, constant, gilded, mountains, heavens, Venus, adore, doors opened, end.

All songs written, performed and produced by Raudie McLeod
Using a no-brand electric guitar, Nord Drum 3p, Korg Wavedrum, Shure SM58a, Ableton Live 10 and his voice

Mixing and mastering by Joseph Buchan.

Raudie and Super Utu operate on the stolen lands of the Wurundjeri people of the Kulin Nations. We pay our respects to elders past, present and emerging. Sovereignty was never ceded.

Now The Spark Has Flown

Raudie - 6 Helixes

Séance Centre is a label, publisher, and distributor conjuring timeless music from the past, present and future.

For NA distribution contact: info@seance-centre.com
For EU distribution contact: info@rushhour.nl

Jon Iverson - Naningo (34SC)

Séance Centre

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