DUNGEON ACID "LIVE AT FYLKINGEN" Cassette released on iDEAL Recordings in 100 copies. Recorded at Fylkingen, Stockholm on March 20th 2010.

DUNGEON ACID - LIVE AT FYLKINGEN

Ahead of a couple of sets at Spirit of Eden Toby has kindly made us a mix which is loosely an extension of his Dub & Bleeps Oddities series. It really shows the breadth of his musical knowledge and mining skills as after the last 2 we were thinking surely you can’t have another 2 hours of unheard gems yet he delivers here in style. There are a couple of really fun oddball covers amongst some bassy deepness and a beautiful Bill Nelson track that we didn't know, to open with.  xxx

Toby Tobias Spirit of Eden Dubs

| LIVE FROM HIGH NOTE | w/ Chico G

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-22nd-july-2025

Pender Street Steppers w/ Khotin 220725

Balearic Disorder Nr. 62 (25/07/25)

Breakfast, in Flo motion - served by Flo Dill, every Monday to Wednesday. 
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/the-breakfast-show-flo/episodes/the-breakfast-show-flo-29th-july-2025

The NTS Breakfast Show w/ Flo 290725

Eirwud Mudwasser at POINT 19 07 25

A morning mix that perks up, you don't know what you'll like until you hear it!

You Don't Know

@arthurlastmann, full summer mode
Soundtracking the sunset and later on the fireworks from Île Degaby, Marseille on August 15th 2025.
With a 4h selection of old and new favorites on a dreamy and breezy tip.

Behind its ramparts—built by order of Louis XIV to defend Marseille’s harbor—the Île Degaby shelters a military fort, named in honor of Admiral Costentin de Tourville. It retained its military purpose until the early 20th century, before being sold by the State to a Marseille industrialist. He gave it its current name, as a tribute to his mistress, the dancer Liane Degaby. The island has been the subject of countless dreams and unfinished projects, changing hands several times without ever truly opening itself to the people of Marseille. Until May 2024, when its pop-up bar and restaurant finally opened!

Arthur Lastmann @ Île Degaby, Marseille, 15/08/2025

make you move, regardless of genre.

https://www.instagram.com/are_you_roedy
https://soundcloud.com/benjamin-roeder



Benjamin Roeder @ The Lot Radio 08-18-2025

Some kind of Paradise

Neurotic Drum Band remix of Chris Carter's 1985 track 'Moonlight', taken from the forthcoming release on Optimo Music. Other tracks include a remastered original version and a brooding Oneohtrix Point Never remix.

Please note that the tracks aren't remixes but rather reinterpretations as there were no parts to work with and they had to start from scratch.

Available soon on Optimo Music, please visit http://www.facebook.com/pages/Optimo-Music/195709266632 for details.

Chris Carter -  Moonlight (NDB Remix)

Last piece on the upcoming POGROM - Electronic Music by Jan Svensson LP on iDEAL/UFO MONGO. Limited edition of 300 copies. White vinyl and b/w inlay. POGROM was recorded in 1990 in the excellent Studio Styrka in Johannishus, Sweden but abandoned for some reason. I think we planned to release it as a cassette. Jan Svensson is the man behind Börft Records, and is a member of the synth trio FRAK and psychedelic analogue drone duo Alvars Orkester. POGROM is released in December 2011. 

JAN SVENSSON/POGROM - HAPPENING

"Rough" - taken from the DIMITRIOS K untitled debut album on iDEAL (iDEAL094)!!! Dimitrios K is a legendary techno dj based in Gothenburg, Sweden and the man behind a line of classic dance clubs from the mid '90s till now. He is a man breathing deep electronic rhythm rituals. The LP is pressed in 500 copies only, on pitch black vinyl of course.

DIMITRIOS K - Rough

Episode 2 of Séance Centre Radio on NTS, with a very special guest mix from Jed Bindeman (Freedom To Spend / LIttle Axe Records) to launch his new label Concentric Circles!

Tracklisting: 

BH spins: 
XVARR - Know Thyself
Sugai Ken - SHIIHA
Cham-Pang - Bella V
David Cunningham - Circles

JB spins:
Norman D - Shadows
John Di Stefano - Ng's Office 
Cyrnai - Techno Guillotine (extended) 
Carola Baer - See the Light Again 
Chris Wind - Free People 
IXNA - Ridi Ridi 
Quality Tape Laboratories - We've Been Had 
Dead Goldfish Ensemble - Panda 
Omnicircus - Offering Part One (excerpt) 
Funharm - Ideal Planes 
Kevin Harrison and Steven Parker - Green Mantle on the Standing Pool 
David Chamberlain and Diane Gruver - When I Am Still

Séance Centre Radio Episode 2 NTS feat: Concentric Circles (Aug 22nd 2018) NO BANTER

Disquiet Junto Project 0036: Still Life 

<i>The painter Clyfford Still (1904-1980) was one of the great practitioners of abstract expressionism. The Clyfford Still Museum in Denver, Colorado, not only houses a wealth of his works, it also has on display artifacts from Still's daily life and practice, such as his smock, his old paint cans — and his record collection. These records, displayed behind glass, include pieces by Wagner, Mozart, Beethoven, and Bach, among others, and they're accompanied by a small note: "Clyfford Still was passionate about music, particularly classical music. Shown here are several samples from his record collection." In this week's project we're going to take that word "sample" literally. 

There's an interesting question inherent here about matters of aesthetic influence: how it is that the man who painted such massive and graphically evocative works was, in fact, listening to music far more figurative than the art he himself produced? The goal of this week's Disquiet Junto project is to take a shared sample of the sort of music that Still loved — a 78rpm recording of J.S. Bach's Brandenburg Concerto No. 2, II. Andante — and turn it into something that might be deserving of the term "abstract expressionism." 

So, the instructions for this week are as follows: 

Step 1. Please select part of the designated MP3 of J.S. Bach's Brandenburg Concerto No. 2, II. Andante.

 Step 2. Then transform that sample, through any methods you desire, into something that you feel meets the definition of "abstract expressionism" provided by the Clyfford Still Museum: "marked by abstract forms, expressive brushwork, and monumental scale." 

You cannot add any sounds to the sample, but you can manipulate the sample in any way you see fit.</i>
--------------------------------\

I looked at Still’s abstract work, alongside his earlier work, and I decided (conveniently for me) that he was doing with paint what I sometimes try to do with sound – going deep inside former works, digging out the hidden elements inside their representational exteriors… reaching into the fractal interior, if you like, trying to pull out and display on canvas the strange misery that is part of the human condition. One of his earlier works,  PH-79, struck me particularly. It is a grotesque Pieta, possibly inspired by the events of the Dustbowl, but presciently painted only four years before the outbreak of a war that would end with the revelations of the Death Camps and the generation of images that would change Art and Society forever.

Adolf Busch, whose Chamber Players recorded the piece we are using, was so revolted by the rise of Nazism that he left Germany in 1927 for Switzerland, migrating to the USA when WW2 erupted.

I chose the last twenty seconds of Bach’s moving piece to work with. More ambitious than usual, I wanted to recreate the almost unbearably sad mood of Samuel Barber’s haunting Adagio For Strings, so I stretched the sample using four different methods and tonalities and mixed them together. I then fed the sample into ambient v.3, rode the delay controls as carefully as I could and cut up the resulting track, rearranging it to suit the dynamics of the 8+ minute ambient version that the stretching and mixing had produced. I then interpolated the original sample, with its wonderful aged and shellac-surfaced ambience, near each end of the piece.

This track is a transformation, in honor of painter Clyfford Still, of a sample of J.S. Bach's Brandenburg Concerto No. 2, II. Andante, culled from this recording:

http://archive.org/details/J.S.BachBrandenburgConcertoNo2 ;

More on the Clyfford Still Museum at clyffordstillmuseum.org.

More on this 36th Disquiet Junto project at:

http://disquiet.com/2012/09/06/disquiet0036-cstillconcerto/ ;

More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/info


Andante [disquiet0036-cstillconcerto]

Séance Centre is a label, publisher, and distributor conjuring timeless music from the past, present and future.

For NA distribution contact: info@seance-centre.com
For EU distribution contact: info@rushhour.nl

Séance Centre Radio Episode 2 NTS feat: Concentric Circles (Aug 22nd 2018) NO BANTER

Séance Centre

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