Name: Betrayed by Sean Ferree in Was war noch?
Duration: 5 min 2 s
Description: Rock song written, performed and produced by Sean Ferree

Yeah exactly 90's grunge feel for sure...my era of rock...

Was war noch?

recorded with 424 mkii.  this is the first single for my upcoming album. 

get out

Track I made, yes I made it, yes I made it
hope you enjoy

HATREDfirstPersonMod.EXE

This song is one of my first real featured-artist collaborations for me as a producer. My talented and wonderful daughter sang the lead vocal and helped me co-write the melody to better fit her performance style. As a producer, I like to include the vocalist's input to better serve the performance.  

Produced By Brenda Doss using Cubase
Mixed By John Fields
Mastered By Rareform Mastering

Lead Vocal by Lindsey Kay Scott
Bass By Randy Tico
Guitars By Peter Sprague
String Arrangement By Mike Lewis
Piano, Background Vocals By Brenda Doss


© 2024 Lyrics & Music By Brenda Doss (BMI) and Lindsey Kay Scott (ASCAP)
Lyrics:
I want to live
I want to love
I want to reach for all 
That I’ve been dreaming of

I want to sing
I want dance
And lift my life above 
The sorrows of the past

What are the reasons that we live 
If not for joy
If we can make it 
Through the darkest hours
We’ve made it through the storm
But when the morning comes 
And there is light
In just a moment
It could be gone

All we have 
Is here and now
The only chance 
To make it count
I want to make 
My life count here with you
The strength that lives 
Inside my dreams
Is knowing you’ll 
Be there for me
And I am not alone
You’ll always be my home
My home

You are my love
You are my life
And I’d give anything 
Just to keep you at my side

All we have 
Is here and now
The only chance 
To make it count
I want to make 
My life count here with you
Maybe all 
The strength I'll need
Is knowing you’ll 
Be there for me

And I am not alone
I know I’m not alone
I know I’m not alone
I know I’m not alone
Where ever you are 
That will always be
My home
My home

All we have 
Is here and now
So short a time 
To make it count
I’m going to make 
My life count here with you
The best that I will ever be
Is all ‘cause you’ll be there for me
And I am not alone
You’ll always be my home
My home
You’ll always be 
My home

My Home

My Home -  Original Mix - ft. Lindsey Kay Scott

Theme to 'Hello The Fuck Out There'

My cover of the classic tune Mamma Mia by the one and only Abba.  I MAY have taken a few liberties in song structure and style.

https://youtu.be/mj6qqu2KJUQ

Mamma Mia - Abba Cover

L’observateur observé. Un genre de méditation sonore où J’ai voulu mélanger différents genres musicaux avec vers la fin une intervention de Taf, mon ami Sénégalais qui a posé sa très belle voix, c’est un voyage « Inside » car il se passe beaucoup de choses à l’intérieur de notre cerveau humain, entre le conscient le subconscient, le supra conscient, à la fin ça fait beaucoup de monde et ils ne sont pas toujours tous d’accord, on dirait même que des fois il se prennent la tête l’un dit quelque chose, l’autre dit autre chose.
Mais puisqu’en nous subsiste un infini espace d’une grande profondeur où règne la paix, le calme, le silence parfois comme un guide qui nous emmène ailleurs, vers l’invisible, peut être vers cette énergie cosmique, vers les étoiles, vers la lumière, plus haut, plus loin….  

Paroles, chant et musique : Steph Ouna
Cœur et image : Lena https://soundcloud.com/user-262019520
voix Sénégalaise à la fin du morceau : Taf

Une initiative, émotive, passive
Un rêve éveillé
Une bouée qui dérive
au flux et courant des marrées
Sans jamais s’échouer

Croire à son étoile
Connecté à ses pensées
La main posée sur la toile
Libre et se laisser guider
Retrouver un peu d’espoir
De magie de coté

C’est vrai, tu as raison
Je vais maintenant, t’écouter
Si mes tourments te gênent
Je les enverrai en recommandé

Tous ces déserts, amers
N’auront plus aucun effet
Dérision d’éther
Etrange et sur mon caractère

inside

Time to get satirical with the US political dystopia, or maybe I'm just a  little touchy after all the threats to Canada, both political and economic (not pondering the military  threat to allies)
Sorry if this is offensive to any US-based listeners. Sorry, not sorry ;)

Track 2 from a new 2025 collection of ideas called FRINGE found at https://www.terrywigmore.com/wigmore-allen-gibbons

 Lyrics:
They've all come around on bended knee
Kissing the a-a-a-ass of a once and future king
They fought a war to get rid of a crown
Only to give it away to an autocratic clown
(how come you misjudge me so...

Pick on immigrants, round them all up
Doesn't matter if they're the ones who fill your shops
With all the merchandise and food that you just can't ignore
So you haul them off to a foreign shore - a foreign shore -a foreign
(how come you misjudge me x2   ...so...)

I take a little salt, not on the tail
I like my golden jets, like my foreign jails
I talk of the land, the land of the "free"
Whatever you've got, just give it to me


How did you misjudge me (x3)
I am the claw, in the white flabby hand
(how could you misjudge me (x2)
Autocratic clown (x3)

* samples... "I am Oz, the great and powerful, who are you?", "I could shoot somebody on Fifth Ave..", "China has total respect for Donald Trump and  for Donald Trump's very, very large uh, brain"

Note: No salt on the tail - https://en.wikipedia.org/wiki/Salting_a_bird%27s_tail

Wigmore: music, production, main lyrics and vocals
Allen: additional vocals and lyrics, bass, guitars

Autocratic Clown

hello friends, since I'm taking a break from german lyrics, I'd like to try something I know nothing about that will probably backfire: english lyrics (I wish I were just a fraction as talented as my fabulous friend terry reeves). 

I've chosen an instrumental piece I wrote 13 years ago as my very first upload to soundcloud under the name roth whyler. at the time, I had in mind the story of a woman who remembers the love of her life to whom she never confessed her feelings: her boyfriend's girlfriend. I had the machine create a playback based on my original piece as a test. after heaps of attempts, the result expressed such weird chaos of emotions that I left everything as it was. 

why bluegrass? because I just massively love the longing way of its dealing with 3/4 time.

©music & lyrics written by Hans-Michael Albers. Backing tracks and vocals by suno.4.5+

hopefully reasonably correct english:

Did you know that I loved you?

I am walking down Shepherd’s Alley
Yet I know that dreams never last
Every step will tell me a story 
After millions of stories have passed

Since those days when life felt like dancing
To the sultans of Friday night’s swing
As we raced through times full of madness
In the loop of an endless spring

You and Davie, me and Sebastian
Two and two, an immortal four
Til there was a growing sensation
Ever harder to ignore 
Such an overwhelming emotion
Never felt such before
While it got evermore

Did you know?

Did you know that I loved you?
I don’t think, babe, that you knew
That I secretly loved you
I so deeply did and still I do love you

Did you know that I loved you?
Much too late now to tell you
Was so crazy about you
A quiet truth and it’s still true

Things went on and we finally broke up
All our dreams sank into the past
Only one remained, never gave in
Still too strong to ignore 
Still an overwhelming emotion
Never felt such before
Will remain evermore

Did you know that I loved you?
I don’t think, babe, that you knew
That I secretly loved you
I so deeply did and still I do love you

Did you know that I loved you?
Much too late now to tell you
Was so crazy about you
A quiet truth and it’s still true

Did you know that I loved you?
I don’t think, babe, that you knew
That I secretly loved you
I so deeply did and still I do love you

I will always, always do.

Did you know that I loved you?

SUCH IS LIFE
Written, Performed & Produced
by Andrew Borderick Copyright 2025 AB Music

V1
IT'S ANOTHER ECLIPSE OF THE CITY
SOUNDS LIKE YOU'VE BEEN AWAY
S S SAILING AWAY
WHEN I FLOTE INTO YOUR EYE'S
LOOK'S LIKE YOUR FAR AWAY
THERE TO STAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
V2
WE ALL LIVE IN THE CRIME OF THE FUTURE
FEELS LIKE THE END OF TIME
REALING AWAY
NOW YOU'VE SLID INTO THIS STYLE
IT'S NOT THAT YOU HAD TO STAY
I'M HERE TO SAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
(BREAK)
(CHORUS)
END

SUCH IS LIFE

Moonrise (Inst.)

maybe it's just me, but the end of summer has always felt like someone suddenly flipped a switch and changed everything overnight. the light, the air, the mood, everything. of course, there's this spectacularly beautiful transition called indian summer in canada and north america, and simply "herbst" here. but the beginning of this magnificent end always feels abrupt to me. recently, it happened again. just like when I was a child, I felt a sense of melancholy, as if it were a permanent farewell. maybe for it will actually be that way. someday.

anyway, in 1981, I had the bizarre idea of writing a musical. I was attracted by the complex challenge. but, above all, it was because I had always been immensely impressed by the musicals of the 60s and 70s: just freaking divine melodies, usually too dramatic, playful and operetta-like for radio.

I got started and wrote a musical about mice (while in london someone way more talented was creating one about cats;-) of course, autumn had to play a role, with all the feelings I associate with it, which I also attribute to mice. scene: two mice sitting together, watching a beautiful sunset, one of them starts singing and dancing.

over the past 40 years, I have reinterpreted the theme of this special part countless times (just example in the case of massive curiosity: ( https://youtu.be/az0T2Uzkgk0?si=QLOK4hJ5i5GcsDbr ), but it has only now become a song with the vocals written once.

I’d also like to share the very first sketch on the subject, once recorded in my band's rehearsal room with a working text. we shared the room with a keyboardist with an unimaginable amount of money. this allowed him to afford things I secretly used for this recording: a brand-new wonder machine called the teac tascam portastudio 244 80s 4 track multitrack cassette tape recorder!!! a yamaha cp 70 grand piano!!! a korg cx-3 organ!!! and a roland tr-808 rhythm composer!!! absolutely insane!!! the rest is my “voice” and, of course, the strat.

And since I’m already at it, I created a template-free hip hop interpretation of the lyrics that more closely reflects my current mood, which is certainly age-related;-)

©music and lyrics written by Hans-Michael Albers, instrumental cover and vocal performance by suno 4.5+

One last warm ray of sunlight.
reflected in the leaves' dance.
A flock of birds flies away.
A sky full of differences.

Nothing blooms or sparkles in the air anymore.
Only the weary scent of farewell.
Of all the strength that once was.
Now, only memories remain.

A quiet dying, piece by piece.
Looking forward, we look back.
To everything light and carefree,
that returned every morning.

as if nothing was ever too late.
Because time turns in circles.
in a boundless world,
where nothing lasts forever.

Do you feel it, too?
Do you feel it, too?

Colourful and enchantingly beautiful to this day.
A play of colours, no farewell.
One last warm ray of sunshine.
There won't be another one.

There won't be another one.

Do you feel it, too?
Do you feel it, too?


Spürst du das auch? (Musical Version)

It’s My Medication

A dark, emotional rock piece about facing the fractures and flaws that define you, the scars that don’t heal, the choices that weigh heavy, and the parts of yourself you can’t outrun. With raw vocals and a mix of intimate verses and explosive choruses, the track blends vulnerability with fierce self-honesty. It’s about enduring with broken edges, not despite them.

Cracks in Me

Dawsy - Carnage
Official Audio
Vocals performed, engineered, mixed and mastered by Dawsy
Instrumentals produced by Yami's Sin
BANDBOY Records 2025

Dawsy - Carnage (Official Audio)

Alte Tante Acid

Rock song written, performed and produced by Sean Ferree

Betrayed

A nice zombie who honors the moment does not allow himself to be terrorized by the future and the past. While two guardian spirits shield him from good advice.

All tracks and Images by Heinz Kobalt  and Artificial Intelligence.

Sean Ferree is a Singer, Songwriter, Musician and Producer

Betrayed

Sean Ferree

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J O R D I

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