@inneroceanrecords
@chillhopdotcom
@chilledcow
@chillbeats

French-American Rapper who escaped the U.S.A. to search for a better life. Influenced by Beatsmiths like Madlib & J-Dilla and Rappers like Blu, Vast Aire & Prodigy. Viktor tries to convey honest bars executed through a variety of flows and styles. Follow his journey through mental health, relationships, and spirituality. 

Homies:
@Chip-and-Chop
@Touch-The-City
@Areobeats
@CollarID  
@i-6-6-i-e
@KiemSan
@lilexitwound
@yung-seth
@Oblique-ANGLS

https://soundcloud.com/steeloscalpel < 2nd account

what it do dirty

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https://open.spotify.com/album/0S1k4c3bJXJ0aZOwqOF4vG

http://paypal.me/GrizzlySteelo

Vessels of Flesh. 

Lust Canisters. 

Embellish flesh. 

Fancy Flesh

° Love for the fusion of technology and creativity.

° Tribute to the artists using the machinery to its full potential.

Akai MPCs (originally MIDI Production Center, now Music Production Controller) are a popular series of electronic musical instruments originally designed by Roger Linn and produced by the Japanese company Akai from 1988 onward. Intended to function as a powerful kind of drum machine, the MPCs drew on design ideas from machines such as the Sequential Circuits Inc. Studio 440 and the Linn's own Linn 9000, combining a powerful MIDI sequencer with the ability to sample one's own sounds. A major influence to Roger Linn's design was his love of rubber pads and how they could be pushed, prodded, and banged; this can be seen clearly in his designs especially from the MPC-60 onwards. Linn also had a passion for squares: thus, no round pads on the MPC Series. Later models feature increasingly powerful sampling, storage, interfacing and sound manipulation facilities, which broaden the use of instrument beyond just drum and rhythm tracks.


Seanhammer is following