Collaboration between Tube Tentacles and Garazi Gorostiaga for Hyperesthesia y Necropapiloscopía
https://hyperesthesia.bandcamp.com/

GABA - Tube Tentacles & Garazi Gorostiaga - Gritos En La Noche

My track for AFN003 - V/A - Irrational Dramas
@a-flooded-need

Nature tries to be itself and fails so it produces things it produces things it produces things...

Digital Naturalism [AFN003]

From the 2nd Album of NONSOUND : "Rock'n Roll Studies"
(Snow in Water Records, 2019)

ROCK 'N ROLL STUDY #4

artist : Filmy Ghost
album : The Phase
earS097 / 2020
archive.org/details/earsheltering097

Filmy Ghost is a dark experimental, atmospheric, ghostly music project created by Sábila Orbe
from Rancagua Chile. 

website: https://humanfobia.jimdo.com/filmy-ghost/
music webs: https://archive.org/details/fav-sabila_orbe02 https://hearthis.at/filmy-ghost/

track composed, cover artwork design by Sábila Orbe./ model in the cover: Mist Spectra.

The phase is the transfiguration of the body to other dimensions and planes of existence,
also to othe states of the human spiritual conscious.

The Phase

Filmy Ghost_-_Mutated Pineal Gland

marduk

Dark Hall.

This is the world premiere of the new work for double-bell horn, developed during the Virtual Brass Academy with Christine Chapman and Ensemble MusikFabrik, July 2020. This performance took place on July 30th, 2020 - in Cologne.
I am indebted to Ensemble MusikFabrik and the fantastic work they did with us in introducing us to the worlds of double-bell instruments, and to the ever-expanding repertoire of new music for these instruments they are bringing to the world.

The work explores a sense of dual forces that act and react upon each other, and how the relative mediator (the performer) indeed interacts with the score, the instrument and it's two bells, and finally how the theatre of the piece - both through actions and the position of the instrument - is transmitted to the audience. In the four sections of the piece that each explore a different facet of the manipulation of the horn - first through the use of a contra-bassoon reed to produce aggressive yet fulfilling multiphonics; then in the second and third exploring the two bells and their range of possibilities. The final section condenses the instrument down to only it's single-bell form and the mute and interacts briefly with it to express a settling within the performance. Gasping, grunting, growling and grandeur are all some of the ideas explored in this short miniature.

Image: LIGO/Caltech/MIT/Sonoma State (https://www.vox.com/science-and-health/2017/6/1/15721268/gravitational-waves-ligo-future)

Understated Matter - for solo double-bell horn [premiere]

I decided, after looking at several of Martin's paintings, that I wanted to focus on that precision repetition, the light/dark alternation, and the subtle gradations of field.

The track is an improvisation inside Live, with one instance of the Buchla Music Easel (providing the upper-register track) and one of ARP 2600 V3 (providing the lower one), with Live's BrainDance and Squishy Beat Repeat effects to put in additional emergent rhythmic effects. I potted down both synths, gradually faded them in, and then slowly tweaked the filter frequency and resonance on the ARP, gradually adding in ore modulation from the ring modulator, then slowly removing it. The Buchla's variations came from tweaking the effects following it, but basically leaving the patch alone to imitate the regular ruled lines.

The Tree, 1964 [disquiet0456]

Marco Lucchi : piano
Susan Matthews : electronics

a rework by Susan Matthews of some previous tracks by Marco Lucchi

for "piano patterns", a project by Marco Lucchi
https://soundcloud.com/marcolucchi/sets/piano-patterns

settembre 2020

Marco Lucchi & Susan Matthews - piano patterns (combinations)

Kerley - G Trk (Senglar Rmx)

Moonlight On Cold Bed

For more info, check out www.seanquinncomposer.com

Understated Matter - for solo double-bell horn [premiere]

Sean Quinn - Composer