Dreamz

My Favs II

One Synth Challenge #189: Myth 1.5 by Dawesome

All Sounds created with AudioNebula Aurora fm Synth for kvr's OSC155 challenge.

Prelude to Aurora - OSC 155

Made with 11 x Sinmad synth  [https://nusofting.com/plugins/sinmad-synth]

DAW: Ableton Live : Ableton FXs: Delays, Reverb, Compressor, Equalizers
+ BeatSkillz Max 1

OSC 155

Sinmad The Shamest

An unmastered, slightly-mixed, last-minute track for OSC 155.
All parts played live.

—Synth—
Behringer Model D (5 instances)

—Effects—
ReaEq
TDR Molotok
Voxengo Tempo Delay
Xfer Dimension Expander

Recorded in Reaper

You and Everything (OSC 155)

DAW: Cubase 11 Pro
19 instances of Synister
19 instances of Valhalla Supermassive
Some Cubase native AutoPan, EQ and Compression

Synister - Winter In Berlin

My submission for OSC156, the One Synth Challenge for Februrary 2022.
All of the sounds were created out of the Synister synth by QUL at the University of Berlin.

This track was made with Reaper on Linux.
There are 17 instances of the Synister.

Ritual [OSC156]

KVR OSC 184
Reaper 6.83
20 instances
The organ patch near the end was made by Viroo. 
ReaLimit, Raum, Replica, ReEQ, LoudMax

Not really looking for comments this time though if you really want, feel free. 

OSC184 Missed (Tonez 21/32)

YouTube version has better streaming quality: https://youtu.be/ojxE-rMtfOI

Check out other music:

Danger Zone: https://youtu.be/cHsQFK1FK7E
Dystopia Today: https://youtu.be/EYnCzPoYtKo
Inevitable Progress: https://youtu.be/-Ty6KR55HXg
Mainframe: https://youtu.be/SUqTBtzuf2s
Horizon Drive: https://youtu.be/Us2tciU2ToM

Submission for One Synth Challenge #184 featuring "ToneZ" synthesizer: https://sites.google.com/site/kvrosc/2024/osc-184-tonez-v2?authuser=0

24 instances used to create a track.

This is mostly an experimental project to test my new audio interface. I wanted to make a really loud mix and master for a long time and it seems to be the right opportunity. The synth itself has a good sound with interesting possibilities, but it's very off putting in technical terms (very high CPU load, very long project loading time, frequent crashes etc.).

This instrument is really capable of abrasive overdriven tones, so I decided to make a darksynth track with a bit of acid techno influence.

Twitter: https://twitter.com/infravolt
Reddit: https://www.reddit.com/user/Infravolt
Patreon: https://www.patreon.com/posts/all-gunz-blazing-107141518

All Gunz Blazing

All Gunz Blazing (OSC#184)

DAW: Reaper (preview)
12 instances of Tone Z 2 by Retornz

1 instance each of:
Oril River Reverb
Rea Comp compression
Airwindows Cliponly2

Purchasingly - In The Night

Composed for KVR One Synth Challenge 184 using only sounds from ToneZ by Retornz.

All sounds made from scratch.

DAW: Reaper 7.17

25 x ToneZ

BootEQmkIV (Variety Of Sound)
Cramit (Sixth Sample)
Deelay (Sixth Sample)
epicPLATEmkII (Variety Of Sound)
FreeClip (Venn Audio)
GSatPlus (TBProAudio)
ISOL8 (TBProAudio)
IVGI2 (Klanghelm)
kHs Filter (Kilohearts)
kHs Ladder Filter (Kilohearts)
kHs Trance Gate (Kilohearts)
kHs Transient Shaper (Kilohearts)
Lens (Auburn Sounds)
MEqualizer (MeldaProduction)
MSED (Voxengo)
NastyDLAmkIII (Variety Of Sound)
Oculus Spatializer (Oculus)
Pancz (Spectral Plugins)
ReaComp (Cockos)
ReaEQ (Cockos)
ReaGate (Cockos)
ReaXcomp (Cockos)
Ripple Delay Free (Davisynth)
Solaris (Adam Szabo)
SPAN (Voxengo)
Spiral Delay (Davisynth)
SumChannel S2 (Tukan)
TAL-Filter-2 (TAL-Togu Audio Line)
TDR Kotelnikov (Tokyo Dawn Labs)
TDR Nova (Tokyo Dawn Labs)
Unlimited (Sonic Anomaly)
Youlean Loudness Meter 2 (Youlean)
ZL Equalizer (ZL)

JA JAJA [OSC 184]

My submission for the KVR One Synth Challenge #184.
All sounds created from init using free ToneZ synth vsti.

Boopety Doopety (OSC 184 - ToneZ)

Future Is A Myth (OSC 189 - Dawesome Myth)

This track made for the KVR One Synth Challenge using only sounds from the VSTi Myth. Also, only DAW and free 3rd party FX used.

DAW: Reaper
Track Details:
50 * Myth
50 * ReaEQ
4 * kHz Transient shaper
4 * Twin Delay
2 * Oril River
9 * LFX-1310 (autopan)
1 * Bass Professor Mark 2
4 * TAL Dub Delay
Master:
SlickEQ
MSED
Limiter No. 6
Meter:
SPAN
Youlean Loudness Meter
Stats:
LUFS-I: -13.1
DR: 6

The Mythics play Techno - OSC #189 - Myth

"The Myth of Time"

November 2024 submission for One Synth Challenge #189

Synth: 12 x Dawesome Myth 1.5
Effects: ALL effects are synth-only.

Mastering: None. No limiter, so please dial up the volume a few dB.

----
DAW: Reaper 7
Synth: 12 x Dawesome Myth 1.5
DAW effects: None
Additional effects: None
Master bus: None

-----
Some of the fun experiments in this track:
* All effects in-synth. No mastering effects. LUFS low to minimize clipping.
* The track features 3 different main time signatures with some effort into seamless transitions.
* Melody / arp lines time warped with non-linear time-warping homebrew scrips (sinus and exponential time mapping).
* Multi-instrumental 1/8 echo delay. I.e. the delays are using different Myth instruments.
* Tempo is linearly changing between 90 and 135 BPM during most of the track.
* Sound design. Just random knob turning to taste, LFO stuff and effects.
* All EQs and reverbs are in-synth.
* Most volume mixing with MIDI velocity. (not 100% though).

--- 

Theme song to the sci-fi summer flick "The Myth of Time (2031)"
Oscar winner 2032 for best original soundtrack.

In a sprawling, dystopian future where the rich control the flow of time, Alex Kane, a hardened "Time Hunter," is hired to track down and eliminate rogue time manipulators—individuals who illegally alter the timeline for personal gain. Time is no longer a fixed constant; it has become a commodity, and those who possess the power to control it live like gods. When Alex is tasked with finding Evelyn Roarke, a mysterious woman who has reportedly discovered a way to break the time loop that has enslaved humanity, he uncovers a dangerous secret.

Evelyn, once a brilliant scientist, has become a fugitive after stealing the prototype for a device that could allow anyone to escape the corporate-controlled timeline. But her discovery comes with a chilling revelation: the timeline is not what it seems, and humanity’s history has been deliberately warped to maintain a cycle of oppression. As Alex dives deeper into the underworld of time manipulation, he begins to question his own past, unraveling memories that don’t seem to belong to him and discovering that his every decision may have already been made.

Haunted by visions of alternate realities, Alex must decide whether to follow his mission and kill Evelyn, or join her in her quest to shatter the myth of time itself. In a city where past, present, and future blur into a nightmarish kaleidoscope, The Myth of Time explores the boundaries of free will, memory, and the ultimate cost of controlling time.

Organic Synthesized Chaos

The Myth of Time [OSC189]

My Entry: "Centuries". Made of OSC 189

Style: Electronic Soundtrack Circa. With Pop, Classical and Drone
elements.

~8 instances of MYTH VST3 in EXT64 beta (see screenshot at KVR thread).
~1 custom sample imported in MYTH for 2 drums sounds.
~free VST effects:  RSS EQ302, EfektorGQ36, LoudMax64.

What about this MYTH synth? Surely it sounds good, but of the many
'mangling' resynthesis features some I found too grainy or useless, sounding to me
like many alternative types of harmonic distortions. Therefore too
expensive as CPU load for the actual results, those could be replaced
with focused external plug-in effects, in studio use.
What I liked most of MYTH is the easy adding of envelopes and
synced LFOs to modulate the parameters, very good.

Centuries

Atmospheres from Tibet with an Ambient sounscapes and heavy percussion.
Created with Myth 1.5 synthesizer from Dawesome

The Myth of Time [OSC189]

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