Bonnie Raitt’s career began with her self-titled release in 1971 and for five decades now, her distinctive mellow voice and slide guitar skills have influenced folk, rock, country and blues. Her 10 Grammy awards, including wins as Top Female Pop Vocalist, Best Rock Vocal and Rock Instrumental Performances, are a testament to her versatility. Bonnie also came in at 50 in the top 100 singers and at 89 in the top 100 guitarists. Her early success gave way to a less prolific period in the 80s. She began a comeback when she appeared as one of the female background vocalists for Roy Orbison on a well viewed television special. Work on a Disney compilation album led her to producer Don Was, and she made a roaring comeback with her 1989 album Nick of Time, which won the 1990 Grammy for Album of the Year. The album’s title song, along with singles "Have a Heart," and "Thing Called Love," all spent time on the Billboard charts. Her Grammy win that same year, for Best Traditional Blues recording, was awarded to her collaboration with John Lee Hooker for the song "In the Mood." Their duet appeared on his album titled The Healer. Raitt continued on a successful path in the 1990s and early 2000s, and she was recognized by the music industry in early 2000 when she was inducted into the Rock and Roll Hall of Fame. Since then she has released Slipstream in 2012, for which she won a Grammy for Best Americana Album.

“The California Honeydrops...evoke the greasy rumble of Booker T and channel the spiritual ecstasy of Sly and the Family Stone.” -Rolling Stone

Formed in the subway systems of Oakland, retro-soul outfit The California Honeydrops are an electrifying group that defy convention at every turn. They’ve become a mainstay at festivals including Byron Bay Bluesfest (Australia), Outside Lands, Monterey Jazz, Lightning In A Bottle, and touring with B.B. King, Dr. John, Bonnie Raitt, Buddy Guy, and Allen Toussaint. Led by the enigmatic and energetic frontman, Lech Wierzynski, and drummer Benjamin Malament, each member of the band is a virtuoso in their own rite — Yanos “Johnny Bones” Lustig on saxophone, Lorenzo Loera on keyboards/guitar, Beaumont Beaullieu on bass, and regularly accompanied by Oliver Tuttle on trombone, Leon Cotter on saxophone/clarinet, and Miles Lyons on trombone/sousaphone — navigating through a vast repertoire of original songs and timeless classics every night. But what truly sets them apart is their unwavering commitment to the art of improvisation - a skill so finely honed that they have completely abandoned the use of set lists and no two shows are ever the same. Off stage, their music has been streamed more than 200 million times, and placed in a variety of TV and films, including “Dead To Me,” “Alaska Daily,” “Black-ish” and more. They are currently touring North America in support of their new deluxe album, 'Soft Spot'.

https://ineffable.to/softspotdeluxe
 

The Honeydrops have come a long way since guitarist and trumpeter Lech Wierzynkski and drummer Ben Malament started busking in an Oakland BART station, but the band has stayed true to that organic, street-level feel. With the additions of Johnny Bones on tenor sax and clarinet, Lorenzo Loera on keyboards, and Beau Bradbury on bass, they’ve built a powerful full-band sound to support Wierzynski’s vocals.

 

Listening to Lech sing, it can be a surprise that he was born in Warsaw, Poland, and raised by Polish political refugees. He learned his vocal stylings from contraband American recordings of Sam Cooke, Ray Charles, and Louis Armstrong, and later at Oberlin College and on the club circuit in Oakland, California. Bringing all those influences together with the rest of the band’s diverse experiences into a unified musical vision, the California Honeydrops expect to play parties for a long time.

 

 Discography:

    Like You Mean It (2013)
     Honeydrops Live (2012)
    Spreadin' Honey (2010)
    Soul Tub (2008)

The James Henry Morgan Gang hails from the 7Cities that make up Coastal Virginia with a little sprinkle of Northeast North Carolina thrown in.
 Their sonic territory tickles Blues, R&B, hints of Jazz and other Psychedelic Investigations of the 4th Kind that land on a solid Rock and Roll platform.
Heading up the crew is James (Jay) Morgan on lead guitar and vocals. Jessie Huard and Gillian Young cover the backing vocals and have been known to  step out front— when the spirit moves ‘em—to assist with pushing the larger flavor palette wherever it needs to go.   Bassist Paul Jarman handles the robust and bouncing low end.  On keys, John (Bubba) Wilkins brings his years of playing on the road with the likes of Bonnie Raitt & other legends to tie those melodies together with a neatness and sass that are unmatched.   With Andy Rexroat on drums and Eric Talley on hand percussion, the rhythm is birthed & the beat laid.
 This train has left the station!

Orleans got together in Woodstock, New York in 1972, its ranks including singer/songwriter John Hall and drummer Jerry Marotta. The band became a major draw on the Northeast circuit and was soon signed to Asylum by David Geffen. With Elektra/Asylum head of A&R Chuck Plotkin producing, Orleans created a body of work that defined ‘70s soft rock, beginning with the 1975 hits, “Let There Be Music” and “Dance With Me.” The following year saw the release of Waking And Dreaming, which featured the top 5 standard, “Still The One.”

Hall left the band in 1978 to concentrate on both his solo career as well as his burgeoning interest in anti-nuclear activism. Not long after 1979’s Three Mile Island nuclear accident, Hall teamed with Jackson Browne, Graham Nash, and Bonnie Raitt to co-found MUSE (Musicians United for Safe Energy), a group advocating against the use of nuclear power. In September 1979, MUSE organized a series of five benefit shows at New York’s Madison Square Garden known as “No Nukes: The MUSE Concerts For A Non-Nuclear Future.” The event – documented by Asylum on an RIAA gold-certified triple album – saw performances from an array of top stars, including Hall, Browne, Nash, and Raitt as well as The Doobie Brothers, Tom Petty & The Heartbreakers, Poco, James Taylor, Carly Simon, and famously, Bruce Springsteen & The E Street Band. A full-length film of the concerts, also entitled No Nukes, was released in 1980.

Hall reunited briefly with Orleans after the 1984 death of drummer/percussionist Wells Kelly and still continues to perform occasionally with his former bandmates. In November 2006, the longtime local activist was elected to the U.S. House of Representatives as a Democratic congressman for New York’s 19th congressional district. He was re-elected in 2008.

Along with Hall’s post-Orleans success, drummer Jerry Marotta went on to enjoy a long career as a sought-after session drummer, with notable stints alongside Peter Gabriel, Hall & Oates, and The Indigo Girls.

With his caustic wit and literate intensity, Warren Zevon stood apart from his friends and peers in the West Coast rock community, many of whom were signed to Elektra/Asylum. The classically trained, Chicago-born pianist cut his self-titled Asylum debut album in 1976, with his good friend Jackson Browne producing. Warren Zevon was an unqualified masterpiece, with songs like “The French Inhaler” and “Carmelita” exploring the dark, drug-fueled underbelly of the El Lay scene (ably represented on the album by such guests as Don Henley, Glenn Frey, Stevie Nicks, Lindsey Buckingham, and Bonnie Raitt). The album’s splenetic edge kept it from mainstream commercial success, though three of its songs were later covered by labelmate Linda Ronstadt, including her 1977 Top 40 hit, “Poor Poor Pitiful Me.”
Zevon’s popular breakthrough deservedly came with 1978’s Excitable Boy. The album – again helmed by Browne – made it to the top 10 on the Billboard 200 and earned RIAA platinum status on the strength of brilliantly macabre and sardonic rock ‘n’ roll tales like “Roland The Headless Thompson Gunner,” “Lawyers, Guns and Money,” and the all-time classic “Werewolves of London.” 1980’s Bad Luck Streak In Dancing School followed, further displaying Zevon’s tender heart and barbed humor on classics like “Jeannie Needs A Shooter” (co-written by longtime fan Bruce Springsteen) and “Gorilla, You’re A Desperado,” famously penned as a playful swipe at his pals, The Eagles, four of whom appear on the album.

Stand In The Fire, a ferocious live document, was followed by 1982’s The Envoy, the last album of Zevon’s long relationship with Asylum. Though it underperformed in its time, the powerfully cathartic collection eventually came to be appreciated as a lost classic and one of the finest of Zevon’s career.

Zevon, who had long battled alcoholism, then took a five-year hiatus from which he returned sober and reenergized, releasing a new series of acclaimed albums. In 2002, he was diagnosed with inoperable mesothelioma. However, he refused treatment and set to work on what would be his final album, 2003’s Grammy Award-winning The Wind. Warren Zevon died at his home in Los Angeles on September 7, 2003; he was 56.

Chris "Zannman" Zann- Music  Industry Curriculum Vitae

•	Is an Independent Artist, Songwriter & Producer with co-production and engineering experience with Norbert Putnam (Jimmy Buffet, Dan Fogelberg, Kris Kristoffesen,Joan Baez), Steve Gibson (Michael Johnson, & the Music Director for Grand Ole Opry Television/Gaylord Entertainment), Phil Solem (The Rembrandts), the late Tom Tucker, Sr., (Prince, Paisley Park) Andy Dee (Molly & The Haymakers) J.D. Steele & Tarra Layne  at TarraLayne.com.

Artists produced include  Tarra Layne,  J.D. Steele, Billy Franze, Jonell Mosser, Karen Staley, Stella Parton, Debbie Duncan, The Warehouse Barbarians (with Steele, Solem, Tucker, Putnam,Gibson), G# Greg Sain, Sonny T. (Prince's NPG & Cory Wong & the Wong Notes) Emmy winner PaviElle French, Paul Mayasich, Paul Metsa, blues legend Willie Walker, Charlie Roth (w Andy Dee), Rachael Mead, Jonny Bartlett, Mark Licktieg. Chris Halberg, Andy Hartin, Egon Danielson (w Andy Dee), Deep River, Lauren Redpath, Brokenheart Jones, Deb Brown, Brandie Adams, Peter McQuaid (with Gibson/Putnam) 70's Ohio hit band Kiddog(with Stan Hutto).

•	Recording mix and mastering engineer, with work at Paisley Park, Wild Sound, Flowers, Shock & Audio, FlyteTime/MMI, Winterland, The Terrarium, The Bennett House, Quad, Digital Recorders, Fonogenics in Los Angeles, Thr Cabin Studios in St. Paul & Minneapolis, MN, and at numerous other studios in the Twin Cities, Nashville including The Church Studios, Pittsburgh's premier studio.

•	Studio bassist, guitarist, drummer, Keys. arranger. percussionist and background vocalist having session and production experience with Steve Cropper (The Blues Brothers, Ringo Star, Booker T & the MG’s) Leland Sklar (James Taylor, Carole King, Phil Collins, CSNY, etc), Larrie Londin (Elvis Presley, Journey), Norbert Putnam (Elvis, Jimmy Buffett, Muscle Shoals) Russ Kunkel (James Taylor, Carole King, CSN, Judith Owen, Tarra Layne) Joe Osborne (Simon & Garfunkel, The Carpenters), Steve Gibson (Reba McEntire, Neil Young, George Harrison, Randy Travis), Dave Hungate (Toto & Chet Atkins), Michael Bland (Prince, Soul Asylum, Nick Jonas, Dixie Chicks, Chaka Khan, Waddy Wachtel (Rolling Stones, Stevie Nicks, Linda Ronstadt, Keith Richards), Sonny T., Tommy Barbarella (tommybarbarella.com), Sam Bush (Multiple Grammy winner for O Brother Where Art Thou),  Jessy Greene (Foo Fighters),Dave Barry (Janet, Cher), Paul Peterson (The Family, FDeluxe) Billy Franze (Prince, Mavis Staples, Johnny Lang) , Donnie LaMarca (Bonnie Raitt, Johnny Lang, Whitney Houston), Andy Dee  (Molly & The Haymakers, Soul Asylum) Kevin Bowe (Jonny Lang, Paul Westerberg)  & Dr.Matt Fink (Prince & the Revolution)

•	Staff bassist for Jamboree USA radio show (1975-77), Wheeling, WV. Zannman worked as a staff musician with regional and on shows national artists, including Brad Paisley, Crystal Gayle, Charlie Pride, Johnny Cash, George Jones, Tammy Wynette, Loretta Lynn and Chet Atkins.

•	Artist and songwriter development, including early artist development (1984-86) and co-writing with Karen Staley, writer of the 1995 Academy of Country Music song of the year, Keeper of the Stars and numerous country hits for Reba McIntire, Patty Loveless, Trick Pony, & Faith Hill . Additional co-writing in the Twin Cities with Phil Solem  (I’ll Be There For You – NBC “Friends” Theme), J.D. Steele , Andy Dee (Molly & The Haymakers), Billy Franze (Prince, Mavis Staples, Johnny Lang), Greg Sain (Grammy winner w/ Jimmy Vaughn and Prince's MD for Carmen Elektra),  Margaret Cox (Prince & NPG, Tamara & the Scene), Tarra Layne & Rachel Mead.

•	Studio background vocalist for Glen Campbell with Alan Jackson, Ricky Skaggs, The Gatlin Brothers, Kathy Mattea, The Whites and others (Jesus On My Mind- MCA 1989}, produced by Jimmy Bowen- see: http://en.wikipedia.org/wiki/Walkin'_in_the_Sun

•	ASCAP writer and publisher member since 1985, co-published by Glen Campbell Music & BMG/Sony/Universal Nashville.  Catalog recorded by Johnny Paycheck, J.D. Steele, with songs also used in film and on the Oprah Winfrey Show.

•	Nearly 45 years of experience as a studio musician, songwriter, producer, music publisher, engineer, event promoter and private music & technology educator.

If Prince and Bonnie Raitt had a lovechild, who worshipped Aretha: that would be soul singer Morgan James.  The sound is old and new: part blues, part R&B, part soul, part funk: and all her own.

DJ Kincaid fell in love with house music as a teenager at his first underground warehouse party in SF in 1992, and was immediately inspired! In 1996 he purchased a pair of Technics turntables with his saved up cash, and it was on from there. In house music and disco he discovered a huge love and passion for djing, and has been at it ever since. Kincaid's styles and vinyl collection ranges anywhere from reggae/dancehall, classic hip-hop, to disco, funk, and house music. Kincaid’s affiliations: About The Music, Groovin' In The Park, and Culture parties produce a some amazing parties including: park parties, night-clubs, undergrounds, boat parties on the SF Bay, community festivals (including The Annual Oaktoberfest stage in Oakland), and many other popular gatherings in Oakland and The SF Bay Area.. And, have been going strong since 1999. These popular events feature special guest dj’s from around the globe, dance, culture, art, and amazing crowds which continue to spread the music, vibe, and love today. Kincaid also shares his music at many venues out of state, and abroad, including being a special featured dj on Boiler Room. In his 20+ years of spinning records. Kincaid has worked alongside some of the most talented dj's and producers in the business. Always close to the music, he’s worked for the classic Tweekin Records in SF, and artist-relations for Om Records in SF. Kincaid proudly holds a bachelors of science degree in sound arts, and has many years experience working in the sound engineering field, which has landed him many gigs with artists such as: Carlos Santana, Bonnie Raitt, KD Lang, and George Clinton, to name a few. The love & passion for the music keeps him going. Kincaid is passionate about playing music, and is happily doing what he loves most!

-www.soundcloud.com/DJKincaid
-www.facebook.com/djKincaid
-www.Facebook.com/Kincaiddj 
-www.facebook.com/About.The.Music.247
-www.facebook.com/groups/AboutTheMusic
-www.facebook.com/groups/GroovesInThePark
-www.instagram.com/djkincaid

Jim Page was named by Seattle Metropolitan Magazine as “One Of The 50 Most Influential Musicians In Seattle History.”  He has recorded 21 albums over the course of a 40-plus year career and written a mountain of songs.  Originally a California native Page has called Seattle and the Pacific Northwest “home” since 1971.  His songs have been covered by The Doobie Brothers, Christy Moore, Dick Gaughan, Michael Hedges, and Roy Bailey.  He has toured in 13 countries including the US, Canada, Ireland, the UK, most of northern Europe, and Taiwan.  Renowned lyricist Robert Hunter says, “If Jim Page ain’t the bastard son of Woody Guthrie I’m T-Bone Walker,” and Bonnie Raitt says, “I'm a longtime admirer.”  The late Utah Phillips said it best: “If you’re ever going to get the message, this is the messenger to get it from.” 
