I Don’t Believe - Young Thug

ULTIMATE APARTMENT

orbit

kapjav - orbit / she's bending .:. [prod.kapjav]

Corner Bending

Bishop 🐝 - Bending 🚘

Make America Kreep Again

Bending 4 You (feat. Jodot Kreep, Bizzy Banks)

T2 - BENDING BLOCKS (OFFICIAL MUSIC VIDEO)

Presenting my debut album, Mirage.

Over the last few years, I've been experimenting with different sounds, genres, and styles. I firmly believe trying to create music that fits into a single one of those things, is impossible. Music is art, and art is subjective to everyone. The album Mirage is an ode to that. Lines can be blurred, genres bended, and sounds evolved, to create something new.

I am so proud to finally have this out, and I can't wait to share more of my music with you all. Until then, take 30 minutes out of your day, and enjoy this album it its entirety.

Bandcamp/DL

Bending

Filth on Acid is excited to welcome Cari Golden for a new collaboration with label honcho Reinier Zonneveld. "Bending The End" is the second track they recorded together and the follow up of the enormous hit "Things We Might Have Said", which was one of the biggest electronic hits of 2016.

That being said, Cari and Reinier wanted to bring something new to the table and started with a white canvas when composing "Bending The End", and because of that they ended up taking a totally different direction. This time the track comes in two variations, the melody centred original mix and a dancefloor orientated 4AM mix. 

The original mix starts out with a throbbing, deep Moog bassline, and a round, deep bassdrum, while at the same time blending soft, haunting effects and a fragmented, distorted melody. Cari Golden's voice, deep and beautiful, comes in and sets the mood for a hypnotic slow burner. The bassline initiates a subtle chord progression and delicate production skills elevate the mood of the track. Powerful but stripped back drum programming along with short bursts of white noise bring impact for the dancefloor. A long breakdown starts the orchestra by three of the big classic synths - Oberheim, Moog and Juno - and pave the road for unimpeachable ear candy with Cari's angel like voice as the centerpoint of the attention. All the elements come together and form an indisputable peak; without building up too obvious. In the vein of bending the end to the beginning again, the track's outro ends as it started: deep and delicate. The second version in the package - 4AM Mix - has a definite peaktime feel to it. Powerful driving drums and a heavy bed of sub bass kick lead the way to the introduction of looped elements of Cari's voice. Colossal, bassy stabs hint to original in a disrobed way. Long synth notes lying somewhere between bass and melody introduce the harmonies of the original during the breakdowns and translate it to demanding dancefloors in a profound way.

Early feedback (in random order)
Monika Kruse: does reiner ever sleep? nice track again! 
Victor Ruiz: Reinier is on fire!!!!!!! 
Karotte: original and 4AM mix are great. love it.
Gabriel Ananda: Nice one! I am not exactly an vocal fan, but its really well made and a nice track. thanks
Sasha Carassi: good stuff!
Umek: top work 
Oliver Koletzki: 4AM mix is amazing!!
Coyu: 4AM mix sounds good
Noir: Nice tracks guys ;)
Chus & Ceballos: Beautiful vocal, great production! thanks 
Franky Rizardo: Supporting

Get it here

PREMIERE: Reinier Zonneveld & Cari Golden - Bending The End (Original Mix)

prod/mix/ft @anxietyattackss

lyrics:

93:
Never feel the same
Never feel okay
Hit me up to take 
Always fade away
I’ve been hittin dabs
Til the panic takes
You can’t have my heart
But we can share the pain 

You can’t have my word
But we can still exchange 
Left her in the past
With my bad jacket
Hex across my neck
Like she’s black magic 
I fell out of love
With bags of plastic 

So what’s it take 
Yeah I’m begging you
To leave me alone
Im better alone anyways 

Where will it break
Yeah I’m finding out
I’m bending to grow 
The stress is my home anyways 

So what’s it take 
Yeah I’m begging you
To leave me alone
Im better alone anyways 

Where will it break
Yeah I’m finding out
I’m bending to grow 
The stress is my home anyways 

AA:
Spend another night alone up in my hometown 
just let me leave there’s nothing left for me to hold down
Spend another night alone up in my hometown 
just let me get away there’s nothing left to hold down 
On the back roads smoking on a backwood
Playin sad songs, sitting in a parking lot 
We live in shadows, don't matter if it’s dark or not
But it gets dark a lot, ya ya 
It’s bad enough, i know the pressures adding up 
And if you feel like giving up
Just know the story never ends, it’s all a dream

So what’s it take 
Yeah I’m begging you
To leave me alone
Im better alone anyways 

Where will it break
Yeah I’m finding out
I’m bending to grow 
The stress is my home anyways

bending to grow w/ Anxiety Attacks!

Booking/mgmt: mayplemusic@gmail.com
Booking: furtherfrequencies.jcubz1@gmail.com

Freeform Bass Music

Michigan based artist Mayple, aka Jaemes Chouinard, has quickly become a known name in the freeform bass community. His ability to create lush atmospheres while still delivering hard hitting basses and frequency bending subs is what elevates his project to the next level. He takes inspiration from a multitude of artists spanning genres of 140 and halftime to create his own style of  bass.

For the last few years he has had releases with labels like 19k Records, Sweet Sounds Collective, Aspire Higher, Hemi.Wav, No Hype Music, and more, and is quickly gaining support from numerous larger artists. He has played direct support for heavy-hitters Saturna, Artifakts, ATYYA, Thought Process, Potions and more, and has played festivals from Michigan to Colorado. With a handful of EP's, and numerous originals, flips, and bootlegs already released, it's safe to say that Mayple is the one to watch.

19k Records | Hemi.Wav | Sweet Sounds Collective | No Hype Music | Aspire Higher | Make Wavs | Serotonin Signals | many more!!!

Multi instrumentalist songwriter from Austin Tx. Looking for someone to collaborate with, mainly a vocalist. Check out some of my hastily recorded demos 😂

Bookings Worldwide: alex@fckng-serious.de
Reinier Zonneveld's label: @filthonacid

Reinier Zonneveld Bio
When it comes to stadium-sized techno, Dutch tastemaker Reinier Zonneveld reigns supreme. Over the past 13 years, he’s emerged as one of the Netherlands’ most prolific producers, DJs, event organisers, and label founders. He’s become a beacon for a new generation of ravers, drawn to his fast-paced, bruising beats that fuse the sensibility of techno’s past with the cutting-edge sound design of its future.
But there’s more to Reinier Zonneveld than just a leading producer of acid techno. He’s the founder of the acclaimed Filth On Acid record label, who’s ranked #22 in DJ Mag’s Top 100 DJs and previously the highest new entry of the year, a Guinness World Record holder, an Edison Pop Award winner, and one of the most in-demand live acts in electronic music. Regularly performing in venues with over 25,000 visitors, his live shows have become a benchmark for the modern techno experience, powered by classic machines like the Roland 909, 101, and other synthesizers, which he manipulates in real time to create his signature soundscapes.
Reinier’s reputation as a visionary and pioneer extends far beyond his production. He’s the creative force behind the technologically forward-thinking R² Festival, where he became the first artist in the world to perform back-to-back with his own AI, just trained on his own music, enabling him to experiment with wild new technics on stage while he performs on his synths and drum machines. In 2025, he’ll take this groundbreaking concept even further with a 10-hour AI B2B live performance, featuring a holographic version of himself with real-time audio-visual manipulation — redefining what it means to perform live in the age of AI.
Classically trained on piano from the age of three, Reinier studied econometrics and earned two master’s degrees at Erasmus University in Rotterdam, where his devotion to electronic music first took shape. He began releasing minimal, experimental club cuts in the early 2010s — including ‘Vuur’, ‘Flashers’, ‘Find Muck’, and ‘Remember’ before unveiling his debut album, Reverse Psychology (2013).
By 2015, his sound evolved toward the darker, faster side of techno, showcased on Make Me A Promise and Final Judgement, and cemented with his 2016 album Megacity Servant on Stil vor Talent, featuring the hit ‘Things We Might Have Said’ with Cari Golden. His monumental fourth album Heaven Is Mad (For You) pushed him to new heights, featuring some of his biggest tracks to date — including ‘Dance With The Devil (The 6th Gate)’ (16M+ streams) and ‘Move Your Body To The Beat’ (29M+ streams).
Since founding Filth On Acid in 2017, Reinier has continued to shape the global techno scene, consistently holding the #1 position on Beatport’s techno charts and collaborating with artists ranging from Carl Cox, Speedy J, and Angerfist to Armin van Buuren and Oliver Heldens. Now approaching its 200th release, the label remains synonymous with innovation and quality, balancing underground credibility with global reach.
Recognised as one of the most productive producers in the scene, Reinier has amassed over 83 days’ worth of his own released music, a staggering testament to his creative drive and output. He has also played a pivotal role in shaping the sound and tempo of modern techno, being one of the first artists in the scene since to push BPMs beyond 140 to 145 in the second decade of the year 2000, setting a trend that has defined the genre’s energy since 2018.
In a live setting, Zonneveld is renowned for his marathon performances from a 12-hour set at ADE 2019 to the record-breaking 11-hour, 11-minute show at his own Karren Maar Festival in 2023. His technical mastery, fearless experimentation, and relentless energy continue to redefine the limits of what’s possible in live electronic music.
Reinier Zonneveld stands as one of the most forward-thinking and influential figures in contemporary techno — an artist who continually pushes boundaries, challenges convention, and leads the evolution of the global electronic scene.