sounds like a natural/digN it/a hit/soft  & sweet/nice flowN beat

.nediul nekkolk teod kilb raaH

dac insomniac + r.s.stropharia - răgaz pe culmea suferinței - impro-set live (30.06.2020)

TREDO

Azure Deja Vú

so I don't forget

Endless

sitting in my brothers car soon we drive 8-9 hours to Austria for holidays
i stop releasing until 20.08 because im on vacation,
A good time to you! ☻

noxpox - Goodboy

Prairie Haunted

Disquiet Junto Project 0606: Three to One 
Compose a piece of music with three times as much silence as sound.

More about this week's Disquiet Junto Project: https://disquiet.com/2023/08/10/disquiet-junto-project-0606-three-to-one/

Process notes: I used a probability gate (Count Modula's Chances module)to block 75% of clocks to the voices, on average over time. I took it as ok to let reverb tails count as silence. The resulting clip was brought into Reaper where I used a limiter on the master channel.

chances are (disquiet0606)

Spacetech

This one began life on a 𝐅𝐞𝐛𝐫𝐮𝐚𝐫𝐲 evening in 𝟏𝟗𝟗𝟒. I was on my way home, on leave from military service. As I sometimes would, I stopped by a music shop on 𝐊𝐚𝐫𝐥 𝐉𝐨𝐡𝐚𝐧𝐬 street called 𝐌𝐮𝐬𝐢𝐤𝐤𝐡𝐮𝐬𝐞𝐭 ("House of Music") and tried out some keyboards. I wasn't in there long, but toward the end of my pit stop, I struck a chord that sounded fantastic. I was simply trying to place my fingers to make things interesting, so I couldn't tell you exactly what it was anymore, but I believe it's close to, if perhaps not quite, a major thirteenth chord.

I let it sit in the back of my mind for a long time until I found a place for it in 𝐒𝐞𝐩𝐭𝐞𝐦𝐛𝐞𝐫 of 𝟏𝟗𝟗𝟓 when I quickly composed a piece of music I felt evoked a special feeling and atmosphere. At the time, I liked the title "Ablaze." The music suggested something fiery to me, a slow burn. But when I'd finished it, I found it described more a sense of floating, of standing on a beach watching the heavens, or on a cliff overlooking the ocean, or of soaring into space. So I programmed the 𝐑𝐨𝐥𝐚𝐧𝐝 𝐉𝐕-𝟑𝟎 to make the chords subtly fade in and out of each other while I played, and then fed it through the "Ping Pong Delay" setting on my 𝐀𝐥𝐞𝐬𝐢𝐬 𝐐𝐮𝐚𝐝𝐫𝐚𝐕𝐞𝐫𝐛 to increase the effect.

𝟑𝟎 years on, I still think it works well, and I frankly don't think I could ever recreate it. What I did seems to belong to that one moment. It'll always be special to me. Oh, and the chord I played back in '𝟗𝟒 is the last thing to be heard on the track as it swings like a pendulum into eternity.

𝐑𝐄𝐂𝐎𝐑𝐃𝐄𝐃
September 3, 1995

𝐅𝐎𝐑𝐌𝐀𝐓
Recorded directly to 𝐒𝐎𝐍𝐘 stereo cassette deck

𝐀𝐃𝐃𝐈𝐓𝐈𝐎𝐍𝐀𝐋 𝐄𝐐𝐔𝐈𝐏𝐌𝐄𝐍𝐓
Alesis QuadraVerb Plus Reverb Unit

𝐈𝐍𝐒𝐓𝐑𝐔𝐌𝐄𝐍𝐓𝐒
Roland JV-30 16 Part Multi Timbral Synthesizer
(𝘚𝘸𝘦𝘦𝘱 𝘗𝘢𝘥)

© 𝟏𝟗𝟗𝟓 & 𝟐𝟎𝟐𝟒 𝐑𝐢𝐤𝐚𝐫𝐝 𝐁𝐚𝐤𝐤𝐞 | 𝐇𝐨𝐥𝐨𝐠𝐫𝐚𝐦 𝐌𝐮𝐬𝐢𝐜

The First Chapter

Spacefarer

lofi oddities since 2018 -- collected ambient tracks remastered for Solemn Music for Practical People, out now and among many great artists at Atlantea Records on cd, digital and Bandcamp:

so I don't forget

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