Really clean instrumental work.  Loving how the guitar riff just keeps changing constantly

You know I think this has a lot of structure. And I keep thinking it should be a little looser and drawn out and casual. It’s like it’s running through too quickly and offers a lot more than I’m hearing. Plus I think it’s a real shoe in for some vocals. This is a cool song. It has theme it has Melody it has meat hooks… Looking forward to hearing more of it.

Love this so much, this has such a nice vibe to it. Just getting ready to smoke and my ears are blessed. Thank you, sir or u guys. The art is amazing 🎨

stuff on Soundcloud

Original song written and performed by Indio Romero

Self Sabotage

Self Sabotage (acoustic demo)

Best That I Knew How was included in the shortlist for the ROCK/INDIE category of the 2022 Australian Songwriting Contest. 

================================

Best That I Knew How was re-mixed and re-mastered June 2023.

===============================

Verse 1:
We started talking about nothing at all
We shared a bit of something and I started to fall
A little bit in love I guess I answered a call
Made her more than a friend

So we got married in a rush of youth
Feeling so free, playing fast and loose
I always meant well you know that's the truth
But I stuffed it up in the end

Chorus:
Wish I could say that I did my best
But it's simply not true
I could have done a whole lot better
If I'd known what to do
I did as much as who I was at the time would allow
I'd like to think that whatever I did, I did the best that I knew how

Verse 2:
We brought you home your mum and me
You entered our house turned two into three
So I went to work thought my job was to be
Bringing home big buckets of security

Who knew back then what a father should be
Who knew what a little boy or girl might need
I learned too late what I needed to see
More than anything you needed more of me.

Chorus:
Wish I could say that I did my best
But it's simply not true
I could have done a whole lot better
If I'd known what to do
I did as much as who I was at the time would allow
I'd like to think that whatever I did, I did the best that I knew how

Bridge:
That's not to say that I didn't try
That's all I ever did and that's no lie
If I didn't live up to the standards I had
I never thought that I was doing all that bad
The only life I've known has been in my own skin
I've never been the man I wish I'd been

Chorus:
Wish I could say that I did my best
But it's simply not true
I could have done a whole lot better
If I'd known what to do
I did as much as who I was at the time would allow
I'd like to think that whatever I did, I did the best that I knew how

================================

This is another take on the song previously released as The Best. The Best was reworked as a ballad and worked well.  This version is my attempt to reproduce the sort of song that I was thinking of when I wrote it.

Best That I Knew How

Monumental Times was inspired by my dear cat, Ziggy. Overcoming unexpected challenges, evolving from mistakes, crazy worldly affairs. 

Written, arranged, produced, mixed, mastered: Daniel Lars 
All instruments and vocals: Daniel Lars

Monumental Times

Higher Than Imagined

The Chronicles of Manimal and Samara
“Feed the Beast”

🔗 Stream on all platforms: https://tcomas.com/feedthebeast

Music and Lyrics by:
Daphne Ang
Andrea Papi

Performed by:
The Chronicles of Manimal and Samara

Recorded and Produced by TCOMAS Studio
Mixed and Mastered by Ergosphere Studios

© 2024 The Chronicles of Manimal and Samara
℗ 2024 The Chronicles of Manimal and Samara

The Chronicles of Manimal and Samara: 
‣ Official Website: https://tcomas.com
‣ Spotify: https://open.spotify.com/artist/2V3zzIcq2sbRbaEjbGypc8
‣ Apple Music: https://music.apple.com/artist/the-chronicles-of-manimal-and-samara/1521325813
‣ YouTube: https://www.youtube.com/c/TheChroniclesofManimalandSamara
‣ Instagram: https://www.instagram.com/tcomas.music
‣ Facebook: https://www.facebook.com/tcomasmusic 
‣ Twitter: https://twitter.com/tcomasmusic

#FeedtheBeast #TheChroniclesofManimalandSamara #TCOMAS

Feed the Beast

⚡️Watch Video⚡️

Artist Name
Polvojack
Record Label
Polvojack
UPC
198595086735
Release Date
Jun. 20, 2024
Primary Genre
Rock
Secondary Genre
Electronic
Primary Subgenre
Hard Rock
Secondary Subgenre
Electro
Mood/Style
Mood: Dreamy
Album Language
French
Artist Location
CANADA - Québec

Dans une vallée aux 9 soleils, naquit l’éternité. Elle bâtit un passé oublié dans les cendres de minuit. Les feuilles tombèrent jusqu'à l’hiver de ces pétales gelés. Mon purgatoire n'était pas la gloire d'une victoire qu'elle voulait avoir. Ces moments où le temps passe et fige le temps de ces feuilles de cendres dans une pellicule. Elle marchait pour chercher une vérité qu'elle seule pouvait trouver. Comme une liberté vers un long ruisseau qui coule autour de la putréfaction d’êtres végétaux qui se font raser par millier pour construire des immeubles condamnés à être abandonnés Elle s’affolait quand je criais, elle hurlait quand elle n’avait pas ce qu'elle voulait. Elle finissait par être dans ce couplet à force de voyager dans mes pensées. Je n'arrivais pas à expliquer pourquoi elle n'existait qu'à travers le temps. Elle transcendait chacun d'eux parmi les cieux d'un monde sans feu bleu, elle brûlait dans un froid intense et incompris de son âme. Une cantatrice si belle et où certains rapaces venaient lui faire la cour. Peut-être dans cette année de démence, elle finira par voir les couleurs du feu d'un abîme qui s'enterre avec le temps. D’une beauté dans laquelle je ne verrais pas la couleur de ces moisissures qui essayent de regarder la nuit sous tous ces yeux.

Forgotten Pages

Forêt En Feu

Witching Hours

' Holly Says' is from the upcoming album 'Songs for the Swung' 
Pre-order here: https://kentonhallthenecessarymeasures.bandcamp.com

Kenton Hall: Guitars, Bass, Vocals
Chris Ilett: Guitars
Mark Haynes: Drums

Produced by Kenton Hall, Chris Ilett & Brett Richardson
Mixed by Chris Ilett
Mastered by Brett Richardson

Holly Says

"1708" By Long Haul Drive

In the year of 1708
The sun was out on the clearest day
The Spanish fleet fought with all it’s might
Was a ship called the San Jose

The gold and silver were there in sight
The true treasure were the stories told
Now they lie at the bottom floor
They sit still while the pages turn again

All was lost in the deep blue sea
And now it rests, in eternal sleep

They were no match for the British forces	
Nowhere was safe within the seven seas
The enemy had failed their duties
When all the gold was lost beneath

The sunken souls still haunt the waters
And 20 billion reasons why
Some would say there are secrets hidden
Only to be seen in the dead of night

All was lost in the deep blue sea
And now it rests, in eternal sleep

As cannons roar, and swords they clash
600 souls without a name
No way that they would see tomorrow
In the year of 1708

All was lost in the deep blue sea
And now it rests, in eternal sleep

As cannons roar, and swords they clash
600 souls without a name
No way that they would see tomorrow
In the year of 1708

1708

"Waves" is a chilled lo-fi track that flows like the ocean, blending smooth beats with mellow melodies. Perfect for relaxing, studying, or just letting your mind drift.

Waves

First recorded in December 2022.
From the album Salt.

It's a song about the castle.

This new version was mixed and mastered by
Woods Studio Norway Mixing and Mastering 
www.soundcloud.com/woods_studio 

LYRICS

There's a castle that stands,
on a hill, above the sands,
while the people below,
hatch some plans. 
Though the fields and the trees,
are packed with stupidity.
Might be you, could be me,
naturally.

These were the ways.
That they kept you in place.
These were the ways.
Back in the days.

As the castle looks down,
ashen faced, in the town, 
oh, the people they frown,
looking down.
And they never glance up,
at these rocks they've piled above, 
piled for years, piled with tears,
piled with love. 

These were the ways.
That they kept you in place.
These were the ways.
Back in the days.

The castle surrounds, 
a cliff top, above the town, 
seabirds cry,
as they circle around 
Control has no bounds,
like a face in the clouds,
looking down at the state of the town. 

And what will we be.
For one thing, were not free.
There's a castle, 
which watches, 
you go.

Castles [2024 Remaster]

This is a 2024 remastered version of "Overlearning Part II", an instrumental track from my first solo album "Migration" released in 2009, it is a piece for four instruments, two guitars, a bass guitar and a drum kit, I recorded this in January 2009, the general concept behind this track and the yet to be released EP by the same name, is a society or a person which are fed things they don't need to learn but other entities do force them to learn them for their own benefit, so that person or society becomes overwhelmed by non beneficial pseudoscience and can't function properly.

Overlearning (EP)

Overlearning Part 20091

I hate my parents 
They did harm to me
I hate them far more
When I see you happy

The family business is a damned lottery
Winning the big prize is aleatory

You grew up with love. 
It seemed so pretty.
Self-taught badly
I became angry

I envy you 
Your life is easy
I struggle each day 
For serenity

The family business is a damned lottery
Winning the big prize is aleatory

You grew up with love. 
It seemed so pretty.
Self-taught badly
I became angry

Family Business

Another jam session. Improvising on keys, bass & drums.
Enjoy!

Rock Suites, shorts

Trios, Jam Session #341, jazz*

Winter Solstice (Into the Fog Again)

A 90s new man called Stan - The Intro (so near, so ska remix)

dack

Atomic Cataract is a creative  project bringing together songs written over a 3 year period by Adam Smallwood and Ryan Morse.  Themes range from Insomnia, dystopian worlds and social dysfunction with tracks typically starting as hour-long jams which are recorded then cut down, re-arranged and re-written before adding vocal parts.

All tracks are recorded at HP Studios in Ringwood and feature studio musicians Harrison Perks & Andy Smooth.



Seathrou (Raemin Aeroy) is a multi genre musical artist, producer, singer, poet, focused on experimental and avant-garde music and arts.

Overlearning Part 20091

Seathrou

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Atomic Cataract

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