Angie's album

ChartList - part 3

ones I liked from YouTube mixes

Seawolf

F V2

Kid Cudi - Cudderisback

If you enjoy this song you can purchase it here:

http://www.themorningbenders.com/store.html

ITUNES: http://bit.ly/ePJpJX

Excuses

Debut Sea Wolf EP "Get To The River Before It Runs Too Low"

You're A Wolf

Middle Distance Runner

"Sparks" from the 8/28/15 Beach House album 'Depression Cherry'
Order now 
Sub Pop Mega Mart http://u.subpop.com/1effnQr
Amazon http://amzn.com/B00ZIAODGE
iTunes  https://itunes.apple.com/us/album/depression-cherry/id997913392

Beach House  http://www.beachhousebaltimore.com/
Facebook https://www.facebook.com/beachhouse
Twitter https://twitter.com/BeaccchHoussse
Instagram  https://instagram.com/beaccchhoussse/

Sub Pop Records  http://www.subpop.com
Twitter  https://twitter.com/subpop
Facebook  https://www.facebook.com/subpoprecords
SoundCloud  http://soundcloud.com/subpop
MegaMart https://megamart.subpop.com/


 

Depression Cherry

Sparks

Beach House - Sparks

Dilettantismi spaziali prima di andare a dormire

Beach House - Space song (cover/mash-up).MP3


cigarette ash like wildfire
burning holes in the nighttime
open scars cut like barbed wire
white lies flying high like a ceasefire
dropping flags on the shoreline
this is as far as i can feel right
cos what you dont know
can haunt you

and all we ever wanted
was sunlight and honesty
highlights to want to repeat
lets get away from here and
live like the movies do
i wont mind when its over
at least i didnt think for a while

so lets run
make a great escape
and ill be waiting outside for the getaway
it doesnt matter who we are
well keep running through the dark
and all well ever need is another day
we can slow down cos tomorrow is a mile away
and live like shooting stars
cos happy endings hardest to fake

sunsets on power lines
making a break for the otherside
heading out to where that sunshine
45 millimeter rolling like we lost time
polaroids and outcast
rather burnout young than grow up fast
and we could be forever futurebound
cos all i need is time and now and i could leave this past behind me
and maybe ill see a way for me to stay
when theres so much out there
so ill live forgetting for the time being
[and all we ever wanted]
[was sunlight and honesty]
[highlights to want to repeat]
[lets get away from here and]
[live like the movies do]
and i wont mind when its over
at least i didnt think for a while
so lets run
make a great escapeand ill be waiting outside for the getaway
it doesnt matter who we are
well keep running through the dark
and all well ever need is another day
we can slow down cos tomorrow is a mile away
and live like shooting stars
cos everything was never the same

and i want to let you know
i want to let you go
but i just cant bring myself to speak
but this is how it goes
the end credits the roll
this bridge was built over kerosine
but we can watch it
[burn down]
[we can watch it burn down]

and all i ever wanted
was sunlight and honesty
highlights to want to repeat
lets get away from here and
live like the movies do
i wont mind when its over
at least i didnt think

so lets run
make a great escape
and ill be waiting outside for the getaway
it doesnt matter who we are
well keep running through the dark
and all well ever need is another day
we can slow down cos tomorrow is a mile away
and live like shooting stars
cos you can wish away forever but youll never find a thing like today﻿

End Credits (Feat. Leah Kelly)

Free Download

Novo Amor
https://soundcloud.com/novo-amor
https://www.facebook.com/novoamorsongs
https://twitter.com/nvoamr
https://www.youtube.com/user/novoamoroffical

Picture by Rosie Anne Proser
https://flic.kr/p/oeeEt1
https://www.facebook.com/RosieAnnePhotography
http://www.rosieanneprosser.com/

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Anchor

Download

Novo Amor - Anchor

mini-album soon

years ago when i had a chance
i couldve held your hand
but i was young and then i blew every circumstance
yet i still think
i dream of

dancing, dancing
ohh with you, with you
and maybe even share a drink or two while i tell you the truth
that i dont even care what this is for
as long as i get to share the floor
with you with you
with you

in my thoughts and dreams
i do a lil swayin away with you
even if i know it'll never realize

maybe one day i'll wake up
maybe someday it'll be true
maybe that day i'll be
i will be

dancing, dancing
ohh with you, with you
and maybe even love you a little more
while we tango across the floor
and i dont even know when i'll see you again
but i'll just keep living this dream til the end
with you with you
with you

dancing

Produced by Luca Fogale 
Mixed by Chris Sorem (Rufus Wainwright)
www.lucafogale.com
Listen to his whole catalog on Spotify: bit.ly/LucaFogaleSpotify

I Don't Want To Lose You

Stream/Download: https://fanlink.to/wtw

Lyrics:
Welcome to Wonderland, we've got it all
Potions and pastries that make you grow tall
Forests and cottages, castles and cards that can talk. 

Welcome to Wonderland, look where you're at 
Maddest of hatters, the Cheshire Cat
Magical cabins and lovely white rabbits with clocks.

Dancing through a dream underneath the stars
Laughing 'til the morning comes
Everyone that leaves has a heavy heart, oh, Wonderland I love.

Welcome to Wonderland, I'll be your guide
Holding your hand under sapphire skies
Let's go exploring or we could just go for a walk. 

Welcome to Wonderland, where should we go
There's a tea party along down the road
Make an appearance and maybe they'll sing us a song. 

Dancing through a dream underneath the stars 
Laughing 'til the morning comes
Everyone that leaves has a heavy heart oh, Wonderland I love.

Nothing around here is quite as it seems 
Not sure if anything's real or a dream 
And the only thing sure from the start 
Is the song that's inside of your heart 
Don't let it leave.

If this was a dream, then at least I’ve got
Memories for when morning comes
Now that I must leave with a heavy heart oh, Wonderland I love.

STREAM / DL

Welcome to Wonderland

Download my 'A Place We Knew' album RIGHT NOW from the link below!!!!! 🧡 https://deanlewis.lnk.to/apwk-out-nowSC 

Website: https://www.deanlewismusic.com/
Instagram: https://www.instagram.com/deanlewismusic/
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VEVO: https://www.youtube.com/DeanLewisVEVO

Be Alright

One by One / Do You?

One by One

Buy "Old World Romance" on iTunes: http://smarturl.it/oldworldromance

Buy iTunes

Changing Seasons

Dear Fellow Traveler

Miracle Cure

Whirlpool

Catch

Through A Dark Wood

Back to the Wind

Yesterday Is Gone

What We Had

Good Instead of Bad

Beach House's "Zebra" is off of their 3rd album Teen Dream on Subpop Records.

Zebra

Taking its name from novelist Jack London’s 1904 seafaring adventure, Sea Wolf has evolved organically from its hermetic origins in Alex Brown Church’s living room into a muscular, full-bodied musical entity with passion to burn. After adopting the sobriquet, Church burst onto the music scene in two-fisted fashion with the EP, Get to the River Before It Runs Too Low, and the subsequent full-length debut album, Leaves in the River, about which Interview magazine observed, “His music is both erudite and unvarnished, a blend of swirling melodies, literary balladry and damaged art-rock composition.”

And now, Church’s singular vision has led to the creation of the eloquent and expansive new album White Water, White Bloom, which not only fulfills the immense promise of the initial musical diptych but conjures up its own cosmology. This is one of those rare and mysterious records wherein, the first time you hear it, you can’t shake the feeling that it’s always been part of the soundtrack of your life. You intimately know its ups and downs, its melodies and cadences, its settings and characters.

“I couldn’t have known beforehand what the next record would sound like,” says Church, “but I did know I wanted it to be bigger, with a band feel, rather than another series of intimate confessionals.”

A song cycle set against the changing of seasons, this timeless work unfolds like an epic poem, yet resonates with thematic elements that speak, elliptically yet unmistakably, to the world we live in. Pulsing with evocations of nature at its most elemental, Church’s songs are flooded with vivid imagery, carried along on torrents of sounds as majestic as a mountain stream swollen with the bracing, crystalline runoff of spring’s first warming breath. What’s more, he sings these songs with newfound power, the result of extensive roadwork behind Leaves in the River, while deepening the mesmerizing expressiveness with which he made his initial mark.

Opening track “Wicked Blood” begins with what sounds like an orchestra tuning up before surging to glorious life, the rhythm section shaping itself into a propulsive groove accented by delicate piano notes, carrying along the opening chapter of the saga: “We met in the East/ poured in like a flood,” Church begins, shadowed by the breathless wheeze of an air organ, “You’re the whispering kind/dark sapphire blood/A vision of veils/all shimmery white/like a backdrop of sails/all aglow from the light/of the wonder behind/at a starry night.” And with that, we’re off into an adventure of cinematic immediacy, as befits the sensibility of this onetime film student, who’s clearly found his natural medium of expression.

“Lyrically,” says Church, “I like to incorporate what one would construe as classic imagery, and even infuse the songs with elements of mythology, but also delve into more contemporary themes. I’m interested in the way words look and feel, not just when you hear them but also when you read them.”

Church’s verbal acuity is mated with bold, vibrant soundscapes set off with thundering drums, stabbing, reverb-soaked electric guitars and ghostly keyboards, resulting in such memorable pieces as the mythological tale “Orion & Dog,” ornamented with strings right out of a John Ford western; the folk-noir fable “O Maria!”; the surging title song, burning with Byronic heat; the fever-dreamscape “Spirit”; the muted, idyllic, “The Orchard”; the Dylanesque roundelay “The Traitor”; and the closing “Winter’s Heir,” with its life-embracing denouement.

“When I write a song,” says Church, “for me it’s always associated with a specific place and time. For example, ‘Orion & Dog’ was written during the summer, and ‘Winter’s Heir’ is about coming out of the long Montreal winter and experiencing a sense of rebirth.”

The album has a back story: “I met and fell in love with a girl in Montreal while on tour with Irving, and just before signing with Dangerbird,” Church recalls. “And then, while touring behind the Sea Wolf record, I spent most of my time off in Montreal with her. Apart from ‘Wicked Blood’ and ‘O Maria!,’ which I wrote in Los Angles, everything on White Water was written in Montreal, holed up in our little apartment, a block away from the river. That was all of last fall, winter and spring, so I was very much influenced by that experience, and a lot of the record is set there in my immediate surroundings, along with remembrances of being home on the West Coast.”

White Water, White Bloom was recorded at the Omaha studio of Mike Mogis (Bright Eyes, M. Ward, Monsters of Folk), with Church handling vocals, acoustic and electric guitars, as well as some of the air organ and pump organ sounds that were such a big part of the sonic signature of the earlier records. Joining him were the three core members of the six-piece Sea Wolf touring lineup: keyboardist Lisa Fendelander, bassist Ted Liscinski and drummer Joey Ficken. The remaining slots were filled by Mogis on lead guitar and an assortment of other instruments, with his Bright Eyes cohort Nate Walcott filling the role of the cellist, arranging strings for a quartet, sometimes working from cello parts originally created by Catherine Odell, who’d been part of the initial Sea Wolf touring lineup, with Church’s input.

They arrived with a full set of song demos, providing a detailed blueprint for their subsequent expansion into widescreen anthems that reshape the classic aspects of traditional folk, folk rock and chamber pop—but these bucolic elements are intercut with aggressive bursts of raw emotion sharpened to a serrated edge—making for a rich, vibrant sound that is virtually unprecedented.

Church is working in the most personal of mediums, and that results in constant self-questioning. “Every time you make a record,” he says, “you invariably think, ‘Oh, I wish I’d done this differently,’ or ‘Next time I want to do this.’ But if you get to the point where you don’t think that, then it’s time to quit. In terms of aspirations, as long as I’m constantly having new ideas and finding new places to explore with the music, I’ll be satisfied.”