𝗧𝗿𝗮𝗰𝗸 𝗼𝗻 𝗦𝗽𝗼𝘁𝗶𝗳𝘆, 𝗕𝗲𝗮𝘁𝗽𝗼𝗿𝘁, 𝗕𝗮𝗻𝗱𝗰𝗮𝗺𝗽 & 𝗦𝗼𝘂𝗻𝗱𝗖𝗹𝗼𝘂𝗱:
https://hypeddit.com/link/2mivu4

«YOU LIKE MY STUFF? FOLLOW ME!»
• bit.ly/GrothYouTube
_____________________________________
«MUSIC»
• Spotify: bit.ly/GrothSpotify
• Soundcloud: @sebastiangroth
• Beatport: bit.ly/GrothBeatport
• YouTube: bit.ly/GrothYouTube

«SOCIAL MEDIA»
• Facebook: bit.ly/GrothFacebook
• Instagram: bit.ly/GrothInsta
• Twitter: https://bit.ly/3adjZq7

«MERCH»
• Merch: bit.ly/GrothMerch

«BOOKING»:
the Act - Artist Booking
E-Mail: Booking@the-Act.net
www.the-Act.net

#getmoreplays #hardtechno #techno #darktechno

Niko Kolbe - Pusher (Sebastian Groth Remix) [Rewasted]

«𝘼𝘽𝙊𝙐𝙏»
Welcome to the hardness level 1,000 of electronic music, welcome to the world of: Sebastian Groth. As a DJ and producer, he is an integral part of the German techno scene. As the label operator of ReWasted, one of the main addresses for hard techno worldwide, he is also one of the most influential players when it comes to the defining sound and trends of the last ten years in the field of hard techno. With a mix of uncompromising techno, his own edits and special old-school vibes, he skillfully generates his very own genre on the edge of madness by using classic hardcore and schranz elements: power techno!
It is this tendency to DJ as a true entertainer with contact to the crowd, a smile on his face and a slightly ironic attitude to his own work that characterizes Sebastian. The Westerwald (Germany) native discovered his passion for electronic music early. At the age of 14, he bought his first DJ set-up and organized his first illegal rave at the age of 16. His first own release in 2008 found its way straight to house music pioneer George Morel, who gave him the opportunity to remix his 1993 classic "Let's Groove". This first major success paved the way for a great career.
Since then, Sebastian has made himself a name as a workaholic, not only as a producer and remixer. His discography includes countless releases on some of the most important labels for hard techno and includes remixes for the who's who of the top league. So, it comes as no surprise he's received a multitude of awards for his work over the years, including the award for "Best Techno Producer".
Since his beginnings, the techno scene has changed many times, many artists have come and gone, but Sebastian has stayed, because: His heart beats 150 BPM and faster.
"Very few artists polarize the German techno scene as much as Sebastian Groth. Love him - or hate him!" - Faze Mag


«𝙔𝙊𝙐 𝙇𝙄𝙆𝙀 𝙈𝙔 𝙎𝙏𝙐𝙁𝙁? 𝙁𝙊𝙇𝙇𝙊𝙒 𝙈𝙀!»

Listen to Techno Music artists, Tech House, Deep House, Melodic Techno, and more. Download Techno Music and listen to the best Techno Sets for free.
👇🏻Promote your music here👇🏻

Energetic. Powerful. Impulsive.

Playing: 
ACID/Hardtechno/Schranz/Hardcore

Listening: 
ACID/Techno/Early Rave
Hardtechno/Hardtrance/Psytrance
Gabber/Hardcore/Frenchcore/Terror
Synthwave/Dark Synth/Nerofunk

Hi My Name is: A-S-N-Sound 
I Start Mixing 2003, oldschool, Tuntable  Vinyl Techno, HardTechno Schranz.
2010-2019  full Digital on four Decks. After a  four - year brake from  Mixing, I missed it so much. that I have decided to Start again with Hardtechno,Schranz Hardgroove. My Mix Setup is Back to the Roots  Tuntables and CDJ's in Kombination. 
you can catch my Sets here on Soundcloud .
when you like it, leave a comment or a message.
or you write me a PN..

Audiø Session 666 is a hardtechno/techno producer from Dortmund, Germany, known for his hard-hitting and uncompromising sound. Born and raised in the heart of Germany's techno hub, Audiø Session has always been surrounded by the sounds that would come to define his career.

With a deep passion for electronic music and a talent for crafting immersive and driving beats, Audiø Session has quickly made a name for himself in the hardtechno and techno scenes. His music is characterized by its powerful rhythms and aggressive sound design, creating a raw and intense listening experience.  👁️⃤

@audio_session

A native-born Texan, John Michael Pekowski, PhD (b. 1975) began composing music at age 11. Simple improvisations on the family upright piano were followed by electronic compositions in BASIC code on the TI-99 computer.

In Junior High (1988) he was elected President of the Science Club, served as Social Chairman of the band, was awarded the John Philip Sousa Award, and was a featured soloist on trumpet. In High School (1994) John was section leader, co-principal trumpet of LYSO, Jazz One soloist (TTU Band Camp), and TMEA All-State Concert Band participant.

He was a member of the Texas Tech University Jazz One, Symphonic Band (1994-2002), recorded with the fee-improvisation ensemble YATE, his dissertation greatly advanced our understanding of the hierarchical organization of pitch-interval cycles within a voice-leading context, and was in contention for the Graduate Achievement Award.

The world premiere of his composition Jest of Moonlit Point for Pierrot Quintet, took place in 2024 and was performed by the Texas New Music Ensemble conducted by Bill Tacket. In 2021 Forest of the Birdsong for soprano sax (David Dees) and piano (Nataliya Sukhina) was premiered at Crickets Theater / Buddy Holly Hall.

Dr. Pekowski continues to compose classical instrumental. Recent works include String Quartet Suites No. 1-9 (2019-2022), Jest of Moonlit Point for Pierrot Quintet (2024), Brookhollow Bayou for Solo Flute (2024), and Suite for Orchestra No1-No2 (2023-2025).