A year of nightmare for civilians. All proceeds from this EP will be donated to the humanitarian crisis in the Middle East through www.bonheur.ch/collectes/crise-humanitaire-au-proche-orient/

Ripperton - Overcome

Transition

Substak -There's no fuss

Step into a moonlit river of sound. Session XIX — Lanterns Over the Water drifts through the heart of Japan’s shrine and lantern traditions, weaving non‐lexical shrine chorus hums, shakuhachi sighs, koto glissandi, and taiko heartbeat pulses into a deep, meditative lounge journey.
Inspired by Kyoto’s Gion nights, coastal lantern festivals, and the still elegance of Shinto shrine waters, this session captures a ritual calm where fireflies, incense smoke, and floating lights move as one.

▸ REGION: Japan — Shinto shrine ambience, lantern festivals, Gion street nights
▸ VOCALS: nonverbal shrine chants, breath vowels (“aaa–ooo–eee”), whispered blessings (“mizu,” “tsuki,” “kokoro”)
▸ INSTRUMENTS: shakuhachi, koto, taiko, suzu bells, temple woodblock, night cicadas, water ripple field recordings
▸ MOOD: moonlit stillness • ritual elegance • drifting light on water

🎧 For meditative evenings, incense-lit moments, or midnight walks by water.

#LanternsOverTheWater #JapaneseChill #ShintoAmbient #BuddhaBarVibes #DowntempoBeats #WorldFusion #ZenChill #AmbientLounge #RitualMusic #GlobalLounge #TaikoBeats #KotoMusic #ShakuhachiFlute #LanternFestival #Ætherflux #ChilloutMusic #OpiumLounge #SlowBPM

Tsuki

I. HUMANS_No_Plan_B

Anzano Manila Gold VOW03

Field Records looks to L'estasi Dell'oro (Christopher Ernst, aka Penalune) for a new three-track EP for sound systems that once again takes us down the rabbit hole. Following on from his previous 'I Look Upon Nature While I Live in a Steel City' album in 2015, this is another masterfully drawn out and engaging affair.

Either to please or to educate is the intended purpose of this EP release, utilizing on guitar, tabla, and other electronic and acoustic instruments. The incessant movement of the metronomic tremors felt underneath our plains lay the rhythm. The threadbare dialogue we use to communicate frays slightly further. These spirals are given an explicit voice through leader Annabelle Kuwe's dispassioned public address to the remaining world at the Great Meeting of 2166, as recounted by Sadie LaPierre on closer ‘Achieve Ignition’.

Bandcamp

L'estasi Dell'oro - Achieve Ignition

A2 from Vice/Principle EP

http://smarturl.it/vice-principle

Melamed

Primary Colours adds yet another mouthwatering edition to the reserve series with another collaboration side-by-side with Insect O. This no nonsense track comes at you with sonic precision and attention to detail and of course the Mike Schommers reprise is a perfect ode to the original elements. Both sensational and ready for the floor.

Bribie Dub

Support us here

Echo Inspectors & Insect O. - Bribie Dub [Mike Schommer Remix]

https://who.boelja.com
https://fanlink.to/mullaert_who

Who is Boelja? Who is Sebastian Mullaert? Who are they really? Are they the finite body and a collection of thoughts? And who are you? Are you your memories or perhaps your projections of the future? Or are you this present moment?

What is silence? Is it solely the absence of sound? Or are all sounds springing out of silence and falls back into the same? And what is sound without context? Is it just nonsense? Or is there something more universal to it?

Where did the second vinyl go? Is it sitting in an attic or warehouse somewhere waiting to be discovered? Is it being played as you are reading this? Is all of this just a game? Are YOU being played?

Did someone make this music or did the music just happen? Where does the process of creation start? Where does it end? And who is the listener? How does the listener affect the music? Is there really any separation between the creator, listener and the music? Are they all one and the same?

What is next? Where is all this going?Is there an end? Or are your actions just another event happening in this never-ending stream of consciousness? And to whom is it happening?

12" + Digital

Did You Talk With The Ferryman? (Hypercolour)

Wired Thoughts

The Delph

El Colector

Bookings:
alma@lb-agency.net
ralf@vdhaardt.com (Classical Ensemble Requests)

Management: niko@starling.works

Music and more:  https://linktr.ee/sebastianmullaert

When you listen to Sebastian Mullaert’s music you will feel something enchanting, a resonance that delivers truth, integrity and reminds us to simply be. The Swedish artist has a distinct approach to life, as well as music, which is centred around tranquillity, stillness and the convergence of Zen meditation, nature and creativity. Known for his work as one half of Minilogue, Sebastian is also an accomplished solo artist with new material ready to roll. As an artist that is constantly evolving he has taken a bold new direction in his sonic exploration, immersing himself in the neo-classical scene and joining forces with one of the top 10 philharmonic orchestras in the world - Tonhalle Zürich. Working with great care and innovation he has created a truly immersive audio-visual performance experience, combining a mesmerising integration of electronic and classical instrumentation, with a visual art installation based on breath taking nature landscapes shot from a helicopter perspective. With such an innovative approach he aims to bridge the gap between classical and electronic music and introduce a whole new generation to the neo-classical concept. 

Sebastian's deep connection with music can be traced back to his formative years; from playing the organ and violin as a child, to performing in orchestras, string quartets and pop band, progressing into electronic music in his late teens. Discovering house and techno in the mid-nineties was the catalyst behind a revolution in his life, he set out on a new musical pathway, to promote the simplicity of being. Throughout the late nineties he experimented with electronic sounds, forming cult duo Minilogue with a friend and releasing with Crosstown Rebels, Traum Schallplatten, Wagon Repair and more, plus two albums via Cocoon – ‘Animals’ (2008) and ‘Blomma’ (2013). In 2014, the duo decided to take a break and invest their time in solo projects and Sebastian has since been hard at work cultivating a collection of new music already snapped up by hugely influential labels such as R&S sub-label Apollo, Drumcode, Hypercolour and Minus.

Sebastian Mullaert’s live performances are awe-inspiring, combining technical wizardry with energy, atmosphere and euphoria, you only have to watch his “Interpretations” performance for XLR8R or Boiler Room appearance for examples of his prowess. Recognition of his aptitude has led him to perform at institutions and festivals such as Panorama Bar - Berlin, Labyrinth Festival - Japan, Fabric - London, Concrete - Paris, The Block - Tel Aviv and Blackmarket - NYC. 

Sebastian’s collaborative work runs parallel to his solo endeavours and he has teamed up with several figures in the techno world to produce some unforgettable releases. Collaborators include Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, and releases have come via underground platforms such as Hypnus, Mule Musiq and Kontra Musik. He also produces under the alias Wa Wu We, offering a serene, understated take on the techno aesthetic. Furthermore he is involved in the new Be Yokai project, a trio formed of Sebastian, Douglas Holmquist and Kristoffer Ström. The three men formed a natural alliance, finding their flow after several sessions together. Their first EP is signed to Hypercolour sub-label Space Hardware, with a live show and more music in the pipeline.

Sebastian Mullaert is already established as a potent force in the world of electronic music. Serious about reminding people to BE on the dance floor, or in the comfort of their own home, the music he makes is deep, progressive and utterly unique. Whatever the future holds, you can be sure he will continue to channel the infinite energy that surrounds us into every facet of his life.