Rocket & Ponies have put together a special vinyl release for Record Store Day 2017 that finds Timo Maas & James Teej and Sebastian Mullaert serve up fantastic new remixes of classic Moby track ‘Porcelain’. These tracks released on a white label during Record Store Day 2017 sold-out within days, adding further weight to the Rockets & Ponies catalogue, which has been pioneering quality electronic music for almost a decade now.

Timo Maas is the long-time techno titan behind this label, and has partnered up with Canadian artist James Teej to great effect over recent years with a string of collaborations including the Grammy nominated reworking of Paul McCartney. Now the duo hook up again to serve up a Broken China Dub of Moby’s ’Porcelain’. Moby needs little introduction, as one of the figureheads for global dance music he has been pivotal in its development over the years and his seminal 1999 album ‘Play’, from which ‘Porcelain’ is taken, is an undeniable classic.

Maas & Teej’s vital new version is a trippy nine minute symphony of rubbery drums and synthetic synth sounds all run through with the smeared and heartbroken chords of the iconic original. The vocal cries and one finger piano notes also bring real emotion to the supple, rubbery groove and, as a result, this one is sure to make for plenty of teary-eyed moments on dancefloors, beaches, boat parties and terraces this summer.

Then comes Swedish artist Sebastian Mullaert, who has been turning out quality techno, minimal and IDM since the 90s both solo and as one half of Minilogue. From Mule to Hypercolour, Cocoon to Drumcode, he has recorded for the scene’s leading labels, never failing to deliver with each release. Mullaert is also a renowned vintage hardware junkie & sound engineer, who works from an incredible studio space on the edge of a nature reserve in Southern Sweden.

His masterful Transformation Mix is a fourteen minute opus that takes the listener on a trip through organic sound design, summery grooves and loose rhythms. It’s airy and feel good, dubby and infectious, and takes you ever higher with sumptuous strings and synths all oozing warmth and feel good vibes.

Beatport

Moby - Porcelain (Sebastian Mullaert's Transformation Mix)

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When you listen to Sebastian Mullaert’s music you will feel something enchanting, a resonance that delivers truth, integrity and reminds us to simply be. The Swedish artist has a distinct approach to life, as well as music, which is centred around tranquillity, stillness and the convergence of Zen meditation, nature and creativity. Known for his work as one half of Minilogue, Sebastian is also an accomplished solo artist with new material ready to roll. As an artist that is constantly evolving he has taken a bold new direction in his sonic exploration, immersing himself in the neo-classical scene and joining forces with one of the top 10 philharmonic orchestras in the world - Tonhalle Zürich. Working with great care and innovation he has created a truly immersive audio-visual performance experience, combining a mesmerising integration of electronic and classical instrumentation, with a visual art installation based on breath taking nature landscapes shot from a helicopter perspective. With such an innovative approach he aims to bridge the gap between classical and electronic music and introduce a whole new generation to the neo-classical concept. 

Sebastian's deep connection with music can be traced back to his formative years; from playing the organ and violin as a child, to performing in orchestras, string quartets and pop band, progressing into electronic music in his late teens. Discovering house and techno in the mid-nineties was the catalyst behind a revolution in his life, he set out on a new musical pathway, to promote the simplicity of being. Throughout the late nineties he experimented with electronic sounds, forming cult duo Minilogue with a friend and releasing with Crosstown Rebels, Traum Schallplatten, Wagon Repair and more, plus two albums via Cocoon – ‘Animals’ (2008) and ‘Blomma’ (2013). In 2014, the duo decided to take a break and invest their time in solo projects and Sebastian has since been hard at work cultivating a collection of new music already snapped up by hugely influential labels such as R&S sub-label Apollo, Drumcode, Hypercolour and Minus.

Sebastian Mullaert’s live performances are awe-inspiring, combining technical wizardry with energy, atmosphere and euphoria, you only have to watch his “Interpretations” performance for XLR8R or Boiler Room appearance for examples of his prowess. Recognition of his aptitude has led him to perform at institutions and festivals such as Panorama Bar - Berlin, Labyrinth Festival - Japan, Fabric - London, Concrete - Paris, The Block - Tel Aviv and Blackmarket - NYC. 

Sebastian’s collaborative work runs parallel to his solo endeavours and he has teamed up with several figures in the techno world to produce some unforgettable releases. Collaborators include Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, and releases have come via underground platforms such as Hypnus, Mule Musiq and Kontra Musik. He also produces under the alias Wa Wu We, offering a serene, understated take on the techno aesthetic. Furthermore he is involved in the new Be Yokai project, a trio formed of Sebastian, Douglas Holmquist and Kristoffer Ström. The three men formed a natural alliance, finding their flow after several sessions together. Their first EP is signed to Hypercolour sub-label Space Hardware, with a live show and more music in the pipeline.

Sebastian Mullaert is already established as a potent force in the world of electronic music. Serious about reminding people to BE on the dance floor, or in the comfort of their own home, the music he makes is deep, progressive and utterly unique. Whatever the future holds, you can be sure he will continue to channel the infinite energy that surrounds us into every facet of his life.

Lover of various types of electronic music, as well as many other genres. Here to help share great music from artists from around the world, and hopefully give them more exposure for their hard work in creating these melodic sounds, grooves, and moods.
~When we listen to music that moves us, the dopaminergic circuitry of the brain is activated, which opens the mind to wonder and exploration. In this bodily state of musical awe, we often tear up and get the chills, those embodied signs of merging with others to face mysteries and the unknown… Music breaks down the boundaries between self and other and can unite us in feelings of awe… When we listen to music with others, the great rhythms of our bodies — heartbeat, breathing, hormonal fluctuations, sexual cycles, bodily motion — once separate, merge into a synchronized pattern. We sense that we are part of something larger, a community, a pattern of energy, an idea of the times — or what we might call the sacred. ~ Dacher Keltner

Nothing to prove - I'm just here for the music. 🪩