Read more on THUMP: http://bit.ly/1mLvXun

EDUARDO DE LA CALLE ‘SANSKRIT VEDA’ EP [ENDLESS] 
Release: 
Late September (vinyl) 
6 October (digital) 

https://www.facebook.com/EduardoDeLaCalle
https://soundcloud.com/eduardodelacalle
https://soundcloud.com/endless-worldwide


Eduardo De La Calle - Narada Das

exploring harmonies of a cumbia song, cloaked in dub techno deep house

screen (sunday jam)

Etapp Kyle returns to Klockworks for their 16th release. Since the label’s inception almost a decade ago, it’s chartered the signature sound that has filled Ben Klock’s DJ sets, and echoed throughout many a dimly lit, dusty/sweaty warehouse.

Etapp’s latest contribution is as stripped back, melodic and functional as you’d expect. With the producer's natural affinity to sculpting atmospheres shining through.

KW16 drops on 24 November.
Pre-order: http://klockworks.de/shop/kw16/

Etapp Kyle "Luna" - Boiler Room Debuts

Patrick Siech And Sebastian Mullaert - Rivers Will Turn (Mist Version)

Thrill

Ray Kajioka - Thrill (ka155)

Obscure Shape - Mind

permvac 167-1 Tuff City Kids Remixes Vol.2

Tuff City Kids - Scared - Marcel Dettmann Remix

1st June 2018 sees Croatia's esteemed DJ/producer Petar Dundov return to Belgium's iconic Music Man Records with his brand new Dalmatina / Once We Were Here EP. 

The essential 2-track offering sees the sophisticated melodic Techno pioneer deliver one of his finest EPs in recent times, following his acclaimed fifth LP At The Turn of Equilibrium (released on the aforementioned label in 2016) and more recent releases on imprints such as GTO Recordings, Last Night On Earth, MOOD and Systematic Recordings amongst others.

The EP's lead track 'Dalmatina' kicks things off, taking the listener on a 9-minute melodic trance-esque journey that boasts a sublime evolving arrangement encompassing, a solid four-to-the-floor rhythm, intriguing percussive elements and a distinctive arpeggiated synth melody that takes centre stage.

Petar Dundov - Dalmatina

OUT NOW: lnk.to/redaxesPH84 
A Sound Test
B1 Shabak Shalom
B2 Kookoo Papa

Following their hugely well-received, refreshingly outlandish debut EP for Phantasy, Israeli club outsiders Red Axes return to the label with another three-track delight of leftfield dance entitled ‘Sound Test’.

Debuting on Phantasy in 2018, ‘Sipoor’ by Red Axes was massive. The release received critical acclaim, not to mention heavy support within the club realm from DJs like Call Super, Jennifer Cardini, Ewan Pearson, Fort Romeau, Massimiliano Pagliara, Chloe, and many more.

Highly soughtafter by those who’ve heard Erol Alkan unleash it in recent months, ‘Sound Test’ kickstarts Phantasy Sound’s 2019 - a rolling tool for a dance floor sliding into another dimension, constructed around a dramatic, numeric countdown. A minimal, skeletal build builds (and builds!) throughout to one of the most out-there breakdowns in recent rave-blotted memory, as the Axes slowly but surely rebuild their house to even more outlandish new proportions. Ten, nine, eight, seven...

‘Shabak Shalom’ quickly snatches the record back from outer space and drags it deep into the basement, zoning in on the gritter, strobe-ready sound that defines the duo’s most club-ready work. All of the Axes’ weapons of choice are deployed as unusually as per usual; militant drums, battered electronics, fucked- frequencies, wiry post-punk guitar lines and lovingly drowned traditional instruments blend to create their own special, slightly-menacing interpretation of hi-NRG.

Finally, on the unapologetically sprawling and immediately effective closing number, ‘Kookoo Papa’, Red Axes demonstrate their inherent talent, if proof were ever needed, of conjuring rolling, simmering tension in otherworldly shades. Those who enjoyed the cartoonish motor FX of ‘Teroof’ will be delighted to find themselves found into an even wackier race this time round, hitting on the origins of Chicago jack, acid meltdowns and screeching no-wave.

Buy link: lnk.to/redaxesPH84

Label: Phantasy Sound
Cat No: PH84
Artist: Red Axes 
Title: Sound Test
Release date: 01.02.2019

A1 Sound Test
A2 Shabak Shalom 
B1 Kookoo Papa

Subscribe: bit.ly/SubscribeRedAxes

Follow Red Axes:
Facebook: www.facebook.com/redaxesmusic
Instagram: www.instagram.com/red_axes_we_are/
Soundcloud: @redaxes
Spotify: open.spotify.com/artist/5Owm9QgL9…15TZaU6BV7RQlnPg
Beatport: www.beatport.com/artist/red-axes/208430

Buy 12" + Download

Shabak Shalom

Sum Over Histories head honchos Frankey & Sandrino have been making waves since their partnership first yielded fresh fruits back in 2010. For their latest outing, the duo turns to Cin Cin with new material primed for delivering some high-intensity moments. A transfixing assembly of delicate electronics, celestial IDM elements and captivating melodies, as they share the record label’s 16th split outing, alongside Simian Mobile Disco member Jas Shaw and Fort Romeau.

Read more: http://liquidyouth.nl/music/premieres/frankey-sandrino-mira-cin-cin/
Buy: https://fanlink.to/MiraSaturnAscends

https://soundcloud.com/cin-cin-303122974
https://soundcloud.com/sandrino

Premiere: Frankey & Sandrino - Mira [Cin Cin]

Exclusive:  The Imbeciles - One Hand Tommy (DJ Tennis & Danny Daze Remix)

The fourth and final part of remixes for The Imbeciles' self-titled and self-released album is just around the corner. This time the artistic duo have chosen some of the electronic music scene's most exciting and relevant producers to take on remix duties for their One Hand Tommy track. Among them are Miami residents DJ Tennnis and Danny Daze. While the latter is the label head of Omnidisc, DJ Tennis runs the prolific Life And Death imprint, a platform which has been a relevant source for both: producers and lovers of the arts. While Manfredi Romano, DJ Tennis' real name, took on the responsibility for the melancholic synths and array, Danny Daze's influence on the remix approach can be heard in the 'razor sharp breaks'. A chuggling bass line in combination with partly glitchy vocals snippets, bleeping background sounds is enriched with elongated synth-sounds, which consciously drift off to cosmic spheres adding more deepness as well as edginess to Daze's and Tennis' musical melding.

The Imbeciles' EP One Hand Tommy Remixes will be released on July 17th, 2020.

Buy the EP
Beatport: www.beatport.com/release/one-hand-tommy-remixes/3025159

Artist information
The Imbeciles: www.facebook.com/TheImbecilesBand // @imbecilesband // www.instagram.com/imbecilesband
DJ Tennis: www.facebook.com/tennisdj // @djtennisdjtennis // www.instagram.com/djtennis
Danny Daze: www.facebook.com/DannyDaze // @dannydaze // www.instagram.com/dannydaze

Visit & follow Torture the Artist at:
www.torturetheartist.net
www.facebook.com/torturetheartist
www.instagram.com/torture_the_artist
www.twitter.com/TorturingArt
www.youtube.com/torturetheartist

One Hand Tommy Remixes

One Hand Tommy (DJ Tennis & Danny Daze Remix)

Buy here

EXCLUSIVE: The Imbeciles - One Hand Tommy (DJ Tennis & Danny Daze Remix) [The Imbeciles]

Bookings:
alma@lb-agency.net
ralf@vdhaardt.com (Classical Ensemble Requests)

Management: niko@starling.works

Music and more:  https://linktr.ee/sebastianmullaert

When you listen to Sebastian Mullaert’s music you will feel something enchanting, a resonance that delivers truth, integrity and reminds us to simply be. The Swedish artist has a distinct approach to life, as well as music, which is centred around tranquillity, stillness and the convergence of Zen meditation, nature and creativity. Known for his work as one half of Minilogue, Sebastian is also an accomplished solo artist with new material ready to roll. As an artist that is constantly evolving he has taken a bold new direction in his sonic exploration, immersing himself in the neo-classical scene and joining forces with one of the top 10 philharmonic orchestras in the world - Tonhalle Zürich. Working with great care and innovation he has created a truly immersive audio-visual performance experience, combining a mesmerising integration of electronic and classical instrumentation, with a visual art installation based on breath taking nature landscapes shot from a helicopter perspective. With such an innovative approach he aims to bridge the gap between classical and electronic music and introduce a whole new generation to the neo-classical concept. 

Sebastian's deep connection with music can be traced back to his formative years; from playing the organ and violin as a child, to performing in orchestras, string quartets and pop band, progressing into electronic music in his late teens. Discovering house and techno in the mid-nineties was the catalyst behind a revolution in his life, he set out on a new musical pathway, to promote the simplicity of being. Throughout the late nineties he experimented with electronic sounds, forming cult duo Minilogue with a friend and releasing with Crosstown Rebels, Traum Schallplatten, Wagon Repair and more, plus two albums via Cocoon – ‘Animals’ (2008) and ‘Blomma’ (2013). In 2014, the duo decided to take a break and invest their time in solo projects and Sebastian has since been hard at work cultivating a collection of new music already snapped up by hugely influential labels such as R&S sub-label Apollo, Drumcode, Hypercolour and Minus.

Sebastian Mullaert’s live performances are awe-inspiring, combining technical wizardry with energy, atmosphere and euphoria, you only have to watch his “Interpretations” performance for XLR8R or Boiler Room appearance for examples of his prowess. Recognition of his aptitude has led him to perform at institutions and festivals such as Panorama Bar - Berlin, Labyrinth Festival - Japan, Fabric - London, Concrete - Paris, The Block - Tel Aviv and Blackmarket - NYC. 

Sebastian’s collaborative work runs parallel to his solo endeavours and he has teamed up with several figures in the techno world to produce some unforgettable releases. Collaborators include Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, and releases have come via underground platforms such as Hypnus, Mule Musiq and Kontra Musik. He also produces under the alias Wa Wu We, offering a serene, understated take on the techno aesthetic. Furthermore he is involved in the new Be Yokai project, a trio formed of Sebastian, Douglas Holmquist and Kristoffer Ström. The three men formed a natural alliance, finding their flow after several sessions together. Their first EP is signed to Hypercolour sub-label Space Hardware, with a live show and more music in the pipeline.

Sebastian Mullaert is already established as a potent force in the world of electronic music. Serious about reminding people to BE on the dance floor, or in the comfort of their own home, the music he makes is deep, progressive and utterly unique. Whatever the future holds, you can be sure he will continue to channel the infinite energy that surrounds us into every facet of his life.