
Two very different versions of a techno soul. You can virtually feel him putting hands on knobs and twisting and bending the theme in his delicate and hypnotic way. Who ever has seen Minilogue play live this feeling is captured here by Sebastian in an authentic breathtaking way.

"Direct Experience" in its original version is an 11 minute voyage into Sebastian Mullaert's art of shifting and moving frequencies gently from one place to the other without ever loosing touch with the pulsating rhythms that carry all of it into your vein. The music is indeed trippy and demands an appreciation for a hypnotic state we happily approve of.

The Dub version on the flip side is even more loose and secluded you can feel the music not touching the ground for a bare millimeter.

For the digital release we added two remix versions by our Scottish artist Nick Dow and by Hamburgs analogue cyborg Hannes Rasmus as well as two alternative takes by Sebastian Mullaert.

Nick Dow's version is a post Detroit techno interpretation uplifting and dramatic. It has "Jupiter sounds" kicking in that give the track a touch of the "Night Of The Jaguar"!

Hannes Rasmus who has released the high acclaimed "Musik Für Fünf Machinen" on Traum moves the track towards a glitter ball of disco! Guitars are slashing and sound are clashing… Hannes at his best when he has melodies embracing themselves without any reluctance. 

Sebastian Mullaert on Facebook: www.facebook.com/sebastianmullaert

Sebastian Mullaert on Youtube: www.youtube.com/SebastianMullaert

Sebastian Mullaert on Resident Advisor: www.residentadvisor.net/dj/sebastianmullaert


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Sebastian Mullaert - Direct Experience (Remake) [preview]

Bookings:
alma@lb-agency.net
ralf@vdhaardt.com (Classical Ensemble Requests)

Management: niko@starling.works

Music and more:  https://linktr.ee/sebastianmullaert

When you listen to Sebastian Mullaert’s music you will feel something enchanting, a resonance that delivers truth, integrity and reminds us to simply be. The Swedish artist has a distinct approach to life, as well as music, which is centred around tranquillity, stillness and the convergence of Zen meditation, nature and creativity. Known for his work as one half of Minilogue, Sebastian is also an accomplished solo artist with new material ready to roll. As an artist that is constantly evolving he has taken a bold new direction in his sonic exploration, immersing himself in the neo-classical scene and joining forces with one of the top 10 philharmonic orchestras in the world - Tonhalle Zürich. Working with great care and innovation he has created a truly immersive audio-visual performance experience, combining a mesmerising integration of electronic and classical instrumentation, with a visual art installation based on breath taking nature landscapes shot from a helicopter perspective. With such an innovative approach he aims to bridge the gap between classical and electronic music and introduce a whole new generation to the neo-classical concept. 

Sebastian's deep connection with music can be traced back to his formative years; from playing the organ and violin as a child, to performing in orchestras, string quartets and pop band, progressing into electronic music in his late teens. Discovering house and techno in the mid-nineties was the catalyst behind a revolution in his life, he set out on a new musical pathway, to promote the simplicity of being. Throughout the late nineties he experimented with electronic sounds, forming cult duo Minilogue with a friend and releasing with Crosstown Rebels, Traum Schallplatten, Wagon Repair and more, plus two albums via Cocoon – ‘Animals’ (2008) and ‘Blomma’ (2013). In 2014, the duo decided to take a break and invest their time in solo projects and Sebastian has since been hard at work cultivating a collection of new music already snapped up by hugely influential labels such as R&S sub-label Apollo, Drumcode, Hypercolour and Minus.

Sebastian Mullaert’s live performances are awe-inspiring, combining technical wizardry with energy, atmosphere and euphoria, you only have to watch his “Interpretations” performance for XLR8R or Boiler Room appearance for examples of his prowess. Recognition of his aptitude has led him to perform at institutions and festivals such as Panorama Bar - Berlin, Labyrinth Festival - Japan, Fabric - London, Concrete - Paris, The Block - Tel Aviv and Blackmarket - NYC. 

Sebastian’s collaborative work runs parallel to his solo endeavours and he has teamed up with several figures in the techno world to produce some unforgettable releases. Collaborators include Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, and releases have come via underground platforms such as Hypnus, Mule Musiq and Kontra Musik. He also produces under the alias Wa Wu We, offering a serene, understated take on the techno aesthetic. Furthermore he is involved in the new Be Yokai project, a trio formed of Sebastian, Douglas Holmquist and Kristoffer Ström. The three men formed a natural alliance, finding their flow after several sessions together. Their first EP is signed to Hypercolour sub-label Space Hardware, with a live show and more music in the pipeline.

Sebastian Mullaert is already established as a potent force in the world of electronic music. Serious about reminding people to BE on the dance floor, or in the comfort of their own home, the music he makes is deep, progressive and utterly unique. Whatever the future holds, you can be sure he will continue to channel the infinite energy that surrounds us into every facet of his life.

Facebook:
facebook.com/wearesquaremusic

Bookings:
thisissquares@gmail.com

Do you remember the first albums of Depech Mode? Black Celebration, my favorite. Dark, electronic, with amazing sounds research. This pushed me to have Electronic Music inclination. Later on came the exact match with Techno sounds which are, i cannot explain otherwise, like a springboard to introspection, pure individualist pleasure, no strings attached, not to happiness, but to various emotional states, including Joy feeling of course. Techno is serious, man! Someone told me. Well no, but now that i am getting older, I understand the meaning of this statement. Techno is not futile, that's a bare and matured art, time independent.
TR@v

Hi, I'm Vela, in general ... fan / listener of electronic music. 

Techno, EBM, Industrial, Dub, House, Trance, Minimal, Punk, Trash, Tech -House, Deep House, Ambient, Psy, Trance, Organic, Experimental, Ambient... What I like and I find it interesting, I repost.

Good Music I Dance
#gmid