Bips along

Stream / Download on:

Spotify https://open.spotify.com/artist/5cKPK8DCxX1R5PwQOU1huv?si=Yg9y2LJtTIWFlGDsp8YUDw

Apple Music https://music.apple.com/gb/artist/sebastian-mullaert/190061084

Back Catalogue

https://sebastianmullaert.bandcamp.com/track/asked-quietly-of-the-night

More and more I’ve realising that as humans and artists we create space and also invite each other into these spaces. With space I’m referring to all dimensions; e.g. physical, emotional, psychological, mental. 
Some natural and highly relevant questions comes with this understanding: With what intention am I taking part in creating the world? How are my invitation affecting the world we live in? Can I contribute to the changes needed to allow balance and sustainability in the world? 

I strongly feel that all beings are fundamentally the flow of creativity and for all humans it’s essential to find one’s own way/channel to express this creativity. By doing this we naturally allow the balance needed to express in a sustainable way.
As an artist I know that I have potential to invite others to remember this. 

I’m so inspired and happy to see the Earth Percentage project taking form, making it possible for me as an artist to contribute to one of the most important challenges we as humanity are facing. 

It’s an honour to be part of this, thank you  🙏❤️

Sebastian Mullaert - Asked Quietly Of The Night [EarthPercent]

Petrovo Uho Remixes Part III/III

Katamaran (Sebastian Mullaert Remix I)

Katamaran (Sebastian Mullaert Remix III)

Katamaran (Sebastian Mullaert Remix II)

Sebastian Mullaert has always favoured the long arc: of tracks, of creative cycles, of artistic trust. His next chapter unfolds in the form of a new vinyl only label, born in close collaboration with Ulf Eriksson — his longtime friend, ally and the steady pulse behind Kontra Musik, a label that’s been both home and launchpad for many of Mullaert’s most vital releases.

K-Files is built on two foundations: singularity and multiplicity. Every release will present a single track refracted through three or four different versions — each one approaching the core idea from a distinct creative angle. These are tools not just for DJs, but for listeners who hear dance music as more than just rhythm — as mood, as exploration, as transformation.

The first release, KFILE 001, sets the tone: deep, dubby, and spacious, it invites patience and immersion. But like all good rituals, the process will shift. Future releases are already poised to explore other territories: sharper energies, stranger grooves, unexpected colours.

In an world increasingly defined by instant access and digital saturation, K-Files stands
intentionally apart — a slower offering. A return to physicality, to process, to the tactile rituals of listening, selecting, and playing music with care.

K-Files is a sublabel for those who play records not just to move bodies, but to open space. A
platform for sonic evolution, variation, and perspective. A place where dance music is not pinned down — but opened up.

Each record will be released exclusively on vinyl.


K-FILES 01

K-FILES01 -  Sebastian Mullaert  - K-FILES01 PREVIEW

http://thump.vice.com/en_us/track/bwanas-remix-of-francesca-belmontes-are-you-will-haunt-you-to-the-next-life

Francesca Belmonte - "Are You" (Bwana Remix)

Marc Romboy - Hypernova (Stephan Bodzin Remix)

Sorry I Am Late

Sorry I Am Late (Summer 2016 Version)

SEBASTIAN MULLAERT - ALL THE KEYS ARE HERE EP [APOLLO RECORDS]
Release Date: 23/06/17

“Close your eyes, open your hand, fall.. 
Rest in this Presence; See
And let the keys be played in the endless space of You”
- Sebastian Mullaert

Apollo proudly presents the ‘All The Keys Are Here’ EP, Sebastian Mullaert’s beguiling debut on the label following collaborations with Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, as well as releases for Hypercolour, Drumcode, Mule Musiq and Kontra Musik. 
While most well-known historically for his widescreen melodic techno as one half of Minilogue, Mullaert’s compositions for ‘All The Keys Are Here’ draw on a lusher, more organic palette of sounds, thrumming with intimate inner vibrations. Originating from piano based improvisations, these four musical excursions embrace simplicity through repetition and sparse arrangements that make for an ecstatic, enveloping listening experience.

Sebastian’s studio sessions and live performances take influence from his Zen spiritual practices and meditative techniques, with inspiration provided by the serenity and simplicity of the forest close to his home studio in the majestic Röstånga woods (next to Söderåsen National park)

“I really believe that when someone is perceiving art, that person is in a way equally creative and part of the creation as a person playing an instrument, or performing or composing the song. Because it’s in this very moment in the consciousness where the experience of the art is taking place...” – Sebastian Mullaert 

Sebastian's strong desire to explore new sonic territories is rooted in his background as a classical violinist and pianist, which he had set aside to explore the deep and meditative potentialities of the dance-floor / techno music. 

A recent highlight of this evolution was his 2016 live collaboration with the Tonhalle Orchestra Zurich in Switzerland (known for their boundary pushing work on bridging the divide between classical and electronic). As part of this memorable event, a number of Mullaert's tracks were orchestrated and reinterpreted for a six-piece chamber group, (harp, piano, violin, cello, clarinet and French horn). Indeed two of the tracks featured on ‘All The Keys Are Here’; “Every Moment I Am” and “Earth Blossom” were part of the concert repertoire. 

‘All The Keys Are Here's shimmering sonic panoramas perfectly summarise this exciting new chapter in Sebastian Mullaert’s ongoing musical journey and partnership with Apollo.

LISTEN FULL EP HERE

Sebastian Mullaert - Every Moment, I Am [Apollo Records]

This track came from a visual collaboration with a mathematical artist who works under the name Cornus Ammonis. He creates simulations of pattern formation, using ideas originally created by Alan Turing in his attempts to explain and model the mathematics of living systems. These systems create beautiful warping interacting layers of simulated substances, and we thought this visual effect could lend itself well to an imagined alien planetary surface with some unknown form of geological process - molten landscapes. You can see that here - https://vimeo.com/217964169

It's a slowly evolving hypnotic visual process, so the music has the same form, with a repetitive syncopated two note motif playing under a gradually developing chord structure which becomes ever more layered. It's all about atmosphere and sitting back to let it wash over I think, it's not a sharply defined piece, and it needs to be given some time to develop, but hopefully the result is worth the time you give it.

I used my usual Prophet 8 for the chords, and then layered over some Absynth pads later on, with a Moog Sub 37 bass coming in much later for the main punctuation point, even though that’s a fairly subtle change, I love it when that rumbling low harmony finally arrives after you think it never will. I used some percussive sounds from Felix’s Machine’s sample pack for this, and plenty of semi-generative detailing with Max for Live tools mainly.

After Cornus Ammonis had created a load of stock video sequences using his models, I then passed the footage on to Morgan Beringer (who created the awesome Unbounded video from Emergence). Morgan applied his trademark processing style to the previously raw footage in order to blend and layer, and make the whole visual have a lot more smooth movement and rich organic feel. Sorry that's not a very technical description of what he did, but hopefully you'll know what I mean when you see it!

The artwork is by Colin Droz, using Chromosomal folding images created by Mikhail Spivakov, Csilla Varnai and Andy Lomas as part of the wider Chromos EP which this track is part of - links to the rest of the project here:

From the Chromos EP - released 26 May [MESH]
Stream/Buy 'Chromos' MaxCooper.lnk.to/Chromos
Subscribe to Vimeo: vimeo.com/maxcooper/
Follow on Spotify: MaxCooper.lnk.to/FollowOnSpotify

Molten Landscapes [Mesh003]

björk : virus (matthew herbert's fever mix)

First released in 2000 as a 7" on the Bad Jazz label, then on the CD version of Solvent's Morr Music album "Solvent City" in 2001, now also available on the 2008 retrospective "Demonstration Tape" (2-CD/digital).

A Panel of Experts

Bookings:
alma@lb-agency.net
ralf@vdhaardt.com (Classical Ensemble Requests)

Management: niko@starling.works

Music and more:  https://linktr.ee/sebastianmullaert

When you listen to Sebastian Mullaert’s music you will feel something enchanting, a resonance that delivers truth, integrity and reminds us to simply be. The Swedish artist has a distinct approach to life, as well as music, which is centred around tranquillity, stillness and the convergence of Zen meditation, nature and creativity. Known for his work as one half of Minilogue, Sebastian is also an accomplished solo artist with new material ready to roll. As an artist that is constantly evolving he has taken a bold new direction in his sonic exploration, immersing himself in the neo-classical scene and joining forces with one of the top 10 philharmonic orchestras in the world - Tonhalle Zürich. Working with great care and innovation he has created a truly immersive audio-visual performance experience, combining a mesmerising integration of electronic and classical instrumentation, with a visual art installation based on breath taking nature landscapes shot from a helicopter perspective. With such an innovative approach he aims to bridge the gap between classical and electronic music and introduce a whole new generation to the neo-classical concept. 

Sebastian's deep connection with music can be traced back to his formative years; from playing the organ and violin as a child, to performing in orchestras, string quartets and pop band, progressing into electronic music in his late teens. Discovering house and techno in the mid-nineties was the catalyst behind a revolution in his life, he set out on a new musical pathway, to promote the simplicity of being. Throughout the late nineties he experimented with electronic sounds, forming cult duo Minilogue with a friend and releasing with Crosstown Rebels, Traum Schallplatten, Wagon Repair and more, plus two albums via Cocoon – ‘Animals’ (2008) and ‘Blomma’ (2013). In 2014, the duo decided to take a break and invest their time in solo projects and Sebastian has since been hard at work cultivating a collection of new music already snapped up by hugely influential labels such as R&S sub-label Apollo, Drumcode, Hypercolour and Minus.

Sebastian Mullaert’s live performances are awe-inspiring, combining technical wizardry with energy, atmosphere and euphoria, you only have to watch his “Interpretations” performance for XLR8R or Boiler Room appearance for examples of his prowess. Recognition of his aptitude has led him to perform at institutions and festivals such as Panorama Bar - Berlin, Labyrinth Festival - Japan, Fabric - London, Concrete - Paris, The Block - Tel Aviv and Blackmarket - NYC. 

Sebastian’s collaborative work runs parallel to his solo endeavours and he has teamed up with several figures in the techno world to produce some unforgettable releases. Collaborators include Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, and releases have come via underground platforms such as Hypnus, Mule Musiq and Kontra Musik. He also produces under the alias Wa Wu We, offering a serene, understated take on the techno aesthetic. Furthermore he is involved in the new Be Yokai project, a trio formed of Sebastian, Douglas Holmquist and Kristoffer Ström. The three men formed a natural alliance, finding their flow after several sessions together. Their first EP is signed to Hypercolour sub-label Space Hardware, with a live show and more music in the pipeline.

Sebastian Mullaert is already established as a potent force in the world of electronic music. Serious about reminding people to BE on the dance floor, or in the comfort of their own home, the music he makes is deep, progressive and utterly unique. Whatever the future holds, you can be sure he will continue to channel the infinite energy that surrounds us into every facet of his life.