WINTERpiano

Journey among long-breathing, immersive pieces

Long long diving

Trein/Tram/Bus Dagdromen

Available here: http://louisbullock.bandcamp.com/album/one/

'One' is the first release of emerging bedroom producer Louis Bullock, a melancholy, thoughtful trek, telling of the vibrancy and sorrow in life. 

Convex pulls the listener along, yearning, striving, progressing forwards, rising upwards, then back to the start, slowing, the pace is steady, preparing for the journey ahead. 

Rise is an analysis of routine, the everyday, the weight of existing. The main lead keeps us steady footed, a reminder of how we're expected to be. In its crescendo, all melody falls away, nothing recognisable musically, only the grating, harshness that underlies reality. 

Onwards you march towards Night, an atonal dream attacked by lo-fi drums before falling into machine-like distortion. 

Icarus calls you, dual melodies developing, falling, as Icarus did in his efforts to escape. 

Troubled is the soundtrack to walking the streets at night, its the fear of people's motives, intentions, it's anxiety, thoughts that trouble you, insomnia, the shadows. 

Hollow is the reverse of Convex, starting slow, positive, uplifting. As it ends, it breathes its last, a final cry.

—

Released 13 January 2014 

— 

Album photography and design by Louis Bullock. 
All tracks produced and mastered by Louis Bullock. 

— 

I'd like to thank everybody I have met throughout my life. You have all affected me in the greatest of ways, helped shaped me, helped me grow, and I truly appreciate that, and appreciate each and every one of you. 

My music is one of the personal outlets for me to express myself from within, and I'm glad I can share this with you all, to have others to follow me along my journey, to experience the wonder, the beauty, the poetry of life, the good and bad. 

Works of mine wouldn't exist without experiences, without involvement of others in my life, without you sharing yourselves with me. 

Thank you all. 

—


Convex

Into a place where the masses elevate fools into rich heroes

TREE - #PianoDay

“TREE” is a part of a composition written for Simphonie Cinétique, a collaboration between Ólafur Arnalds and Joachim Sauter. Re-edited and mixed for release in celebration of Nils Frahm’s #PianoDay and features Nils himself on celeste.

Composed, arranged and performed by Ólafur Arnalds
Violin: Viktor Orri Árnason
Celeste: Nils Frahm

Recorded at Durton Studio, Berlin.
Mixed at E7 Studios, Reykjavik.

See more about Symphonie Cinétique here:
https://vimeo.com/70897666

TREE

Nils Frahm writes his first score for one-take feature film ‘Victoria’ and is nominated for German film prize

LABEL: Erased Tapes RELEASE DATE: June 15th, 2015 CAT.NO: ERATP071 CD/LP/DL EAN: 4050486110577

ABOUT:
Nils Frahm has always said that he’s just waiting for something real special when being asked if he would ever score the music for a film. And that’s exactly what German director Sebastian Schipper presented to him with his one-take feature ‘Victoria’. Filmed in Berlin, Victoria’s plot sees a runaway party girl, who's asked by three friendly men to join them as they hit the town, but their wild night of partying suddenly turns into a bank robbery as the music changes from techno to subdued piano sounds.

For the recording session at Studio P4 in Berlin, Frahm enlisted the help of long-time collaborator and cellist Anne Müller, violist Viktor Orri Árnason and ambient artist Erik K. Skodvin of Deaf Center on guitar.

IN HIS OWN WORDS:

Dear viewer and listener,

I’ve finally written music for a film. It took me some time to do so, as I was patiently waiting for a movie that would truly speak to me. When director Sebastian Schipper invited me to work on Victoria, I knew it was worth the long wait. Does such a strong film even need music? I realised it wouldn’t be easy to create a score that embraces these bold pictures.

Luckily we were given unusual creative freedom by approaching the movie together with Sebastian Schipper, who was keeping the production and direction to one single team. The score was recorded in a special location, the former GDR broadcasting production facilities that today host Studio P4. We simply put a big screen in the middle of the room, filled it with microphones and instruments, set the movie on loop and kept improvising on top of it together – my good friends and I.

The guest musicians started their recording session by playing a cohesive take over the course of the whole movie. This was the most interesting part of the day, since they hadn’t seen the film before. They became spectators and creators at once, intuitively recording hundreds of different cues that way. You are about to listen to some of its highlights. I hope they do Victoria and your ears justice.

With love, Nils Frahm

‘Music for the Motion Picture Victoria’ will be released by Erased Tapes on LP/CD/Digital June 15th.

‘Victoria’ won the Berlinale Film Festival prize for Best Cinematography and has also received seven nominations including Best Soundtrack for the Deutscher Filmpreis – Germany’s highest movie award, and will be released in cinemas across Germany on June 11th with plans to release it in the UK and other countries soon.

ABOUT THE ARTWORK:

The cover illustration was drawn by Stephanie Franziska Scholz based on a still from a key scene in the film, with additional design by Torsten Posselt at FELD.

TRACK LISTING:

1 Burn With Me (Victoria Edit) by DJ Koze 2 Our Own Roof 3 A Stolen Car 4 In The Parking Garage 5 Them 6 The Bank 7 The Shooting 8 Nobody Knows Who You Are 9 Pendulum

The soundtrack opens with an edit of ‘Burn With Me’ by German producer DJ Koze. The digital Bonus Track Version features a previously unreleased track by Hamburg’s electro-punks Deichkind titled ‘Happy New Fear’ plus an additional DJ Koze track titled ‘Marilyn Whirlwind’ from his 2013 album.

PRESS:

‘Frahm's soothing electro-orchestral pieces prove especially effective, washing over the throbbing dance beats like a flood of endorphins.’ – Hollywood Reporter

‘Nils Frahm’s score is an equally flexible asset, veering from juddering electronic chaos to dreamy intrusions of piano and cello — a sonic approximation of the alternating noise in the title character’s wrecked head.’ – Variety

OFFICIAL WEBSITES: nilsfrahm.com · facebook.com/nilsfrahm · twitter.com/nilsfrahm · erasedtapes.com

Music for the Motion Picture Victoria

Our Own Roof

Buy LP/CD/DL

Nils Frahm – Our Own Roof

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Loon

Four

Buy 12"/DL

Ólafur Arnalds & Nils Frahm – Four

Jim Perkins - Fragment

This track is a rework I did for the track Dualisms by Illuminine.

Available on Tape on the label Dauw.(http://dauwlabel.tumblr.com/)
Digital: https://dauw.bandcamp.com/

Sebastian Plano's rework of 'Dualisms' by Illuminine

A festive treat from Ólafur Arnalds and the Erased Tapes team, enjoy!

A 2015 re-recording of Ljósið, originally released on his 2009 mini album 'Found Songs' – available on CD/10"/DL here: www.erasedtapes.com/store/index/ERATP017

Violin/Viola: Viktor Orri Árnason

Merry Xmas!

Buy CD/10"/DL

Ólafur Arnalds - Ljósið 2015

DL / Stream: https://fanlink.to/bb-17

zZzzZZzzZZzzZz :'(

follow DROELOE
https://www.soundcloud.com/DROELOEmusic
https://www.facebook.com/DROELOEmusic
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https://www.instagram.com/DROELOEmusic

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✨

✨ download✨

DROELOE - zZz

LNT: http://po.st/olafurLNT  
iTunes: http://geni.us/LNTolafurarnalds
Bandcamp: http://po.st/olafurBC 

Standing at the intersection where techno meets classical music, Ólafur Arnalds directs the new Late Night Tales.

“When I was asked to do the next installation of the Late Night Tales series I thought "This will be fun and easy, only a couple of days work. No problem!". Six months later, I was still pulling my hair out in some kind of quest to make the perfect mix. As someone who has never really done mixes before, I learned a lot of things along the way and the whole experience was very inspiring. I decided to approach the mix in a similar way as I would one of my scores. This is the soundtrack of my life. I included songs from many of my friends and collaborators and tried to deliver a mix that represents who I am as an artist and where my influences are coming from - both personally and musically.” - Ólafur Arnalds, March 2016

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Late Night Tales: Ólafur Arnalds

Ólafur Arnalds ft. Arnor Dan - Say My Name (Late Night Tales: Ólafur Arnalds)

For an untitled game project (re-upload with better levels)

Continued exploration of new synths I've been making.  Capturing the exploration process of those synths rather than working on full arrangements. 

The bell sound is created by timing certain notes one after the other and is caused by the intensity of the waves interfering and has to be timed within some milliseconds. 

Through the Apex Original

Dream state track. Made of improvised layers, treated and edited, of pianos and sax, drumless.

This Land

https://www.facebook.com/sebastianplano
Watch Live Video Session at: https://www.youtube.com/watch?v=fB9zsb2wy9I

Sebastian Plano - 'Indie' - Funkhaus Live Session

My new album released in Terminal Dream(https://soundcloud.com/terminaldream)

From Siberia with love <3

находки вокруг (nahodki around)

мечты в мечте / dreams in dream

Save Me Not - the new album out now: https://sebastianplano.ffm.to/savemenot

Cellist, composer and producer Sebastian Plano is best known for his unique approach to music creation: Uninterrupted nights playing and recording every single note by himself in his Berlin studio, layering each musical phrase at a time. Creating entire ensembles by oneself makes for a distinctive sound, the genre of which becomes difficult for anyone to categorize.
His recent album “VERVE” got Sebastian Plano a nomination at the 62nd Grammy Awards in 2019.

Plano began playing the cello at age 7, and writing music at 12. He later left his home city of Rosario, Argentina, driven by a strong cello-soloist career ambition. It is only after years of dedicated study in renown conservatories across the world, that he chose the path of composition instead, leaving conductors and black suits behind him.

After a well-received solo debut “Arrhythmical Part of Hearts”, which he promoted busking at San Francisco’s subway stations, he went to meet with Nils Frahm in Berlin to master his second title “Impetus”. He later released “Novel” in 2017, a 2-track EP featuring former Kronos Quartet’s cellist Jeffrey Zeigler as a guest artist. Then scoring, alongside Ben Lukas Boysen, the award-winning Playstation game ‘Everything’ and more recently, writing and performing string arrangements for British singer-songwriter Celeste. 
Sebastian Plano received a Grammy Awards nomination for his last album ‘Verve’ released on Mercury KX in 2019.