The warm sound of the Müller organ in the Great Church in Haarlem. 
(quote from: http://www.bavo.nl/bladen/orgelengels.php) "The (…) Müller organ dating from 1738, which is the most depicted instrument in the world. It covers the whole west wall of the church and measures almost 30 metres from the ground." 

Het warme geluid van het Müllerorgel in de Grote Kerk van Haarlem.
(Citaat van: http://www.bavo.nl/bladen/orgel.php) "De voornaamste blikvanger in de Grote Kerk is het indrukwekkende Müller-orgel uit 1738, het meest afgebeelde instrument ter wereld. Het beslaat de gehele westmuur van de kerk en meet van de grond af bijna 30 meter."

Aporee: http://aporee.org/maps/work/?loc=28620
Archive.org: https://archive.org/details/MullerOrgelGroteOfSt.BavokerkHaarlem22

The Müller Organ (Grote kerk, Haarlem, July 12th 2015)

Due for release September 2015.

http://www.skire.net/releases-shop/4590183774



Andrew Chalk & Tom James Scott - Calluna (Album Preview)

Schim

A Thrown Bridge: The music is composed to unify the visual space created by Axel Vervoordt in Palazzo Fortuny in Venice, Italy.
more info: http://www.axel-vervoordt.com/en/inside/foundation/exhibitions/proportio
CD is available, please contact Mireille through www.mireillecapelle.com/contact

Aurum

eastern europe special
 
mixed by v.s. in august 2015

saveljev — the hiss of eastern europe (2015)

Old rehearsal tape recording for a Microcosm gig back in 1996 with some recently added sounds.

Microcosm - Nanomod (1996)

Done for Ian Martin's SEER Radio Show at Intergalactic FM #4 The Dream Machine, 4th of October 2015.

A lot of care, time and effort is put into collecting the records and the selection of the tracks for all sets published here. If you find them lovable, please consider sharing and liking them. If you are a promoter or event organizer, please consider booking me: downtherabbithole [[[at]]] ordoviatorum [[[dot]]] org

IFM SEER Radio 247: We Enter The Circle At Night

Copper 7 
Cd/Lp release March 2017. De Werf Records.
Christian Mendoza + Heleen Van Haegenborgh

Copper Seven

Sebastien Crusener - Schets I

Profielfoto: Amber W.

just some stuff. I never use synths or electronica, all sounds are manipulated field recordings, classic instruments, gongs and found objects. Some of the tracks are recorded completely live (especially the longer gong tracks on location), others are seperately recorded sounds, cut and pasted afterwards. The main purpose is to combine/cut and paste sounds the way Brion Gysin did it with words.

Ik maak geen gebruik van synthesizers, alle "muziek" bestaat uit (gemanipuleerde)field recordings en opgenomen geluiden met diverse types microfonen (meestal Piëzo contactmicrofonen, een Tascam Recorder en pick-up coils). Dit is een persoonlijke interpretatie/verderzetting van de cut-up techniek van Brion Gysin, dewelke ik wil verder trekken in zowel muziek, poëzie als field recordings.

Een tweede luik is het manipuleren van instrumenten met als voornaamste de gong

Bovendien is de bal rond, het is elf tegen elf en nog een hoop clichés.

S.C.

Sebastien Crusener - Schets I

Sebastien Crusener

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