The small village of Tyneham, on the beautiful Isle of Purbeck, in Dorset, was once a thriving little community – that is until the British Government requisitioned it for training manoeuvres and other ‘strategic purposes’ in the run up to WWII. This was supposed to be a temporary measure, but the area remained in military possession long after hostilities had ceased, causing distress among former inhabitants, many of whom were farmed out to prefabs in nearby Wareham and Swanage. 

Tyneham was characterised by its red telephone box, a tiny parade of shops – Post Office Row – and a grand country pile which stood about half a mile away from the village: Tyneham House. The army removed the building’s oak panelling and ornate decorative details and promptly set about using it for target practice. So great was the shame expressed locally about the damage inflicted upon one of Dorset’s grandest houses that the powers that be decided to grow a copse around the remains of the structure to give the impression that it was no longer there. Despite this, a substantial part of the structure remains intact, including its Saxon hall. 

Land access around Tyneham was opened up in the 1970s, but admission to the house remains strictly verboten. Those who’ve been found around the premises, especially anyone wielding a camera, have felt the full weight of military trespass law. Tyneham today is regarded as a nature reserve by some – as a national embarrassment by others. It’s still a political hot potato, in Dorset at least.

The pastoral, wistful yet ineffably disquieting music of Tyneham House is made by artists who have previously graced Second Language releases, but who wish to remain anonymous here, save for their eponymous title. The musicians are happy, however, to let it be known that these recordings have been around for some years (many of them complied from old cassettes) and that they take inspiration from the 1960s/’70s/’80s work of the Children’s Film Foundation – a body who really ought to have made a film about this mysterious West Country curio. At least now we have its endlessly poignant soundtrack. 

This release was beautifully illustrated and printed throughout by award winning artist Frances Castle of Clay Pipe Music.  The cassette of bonus material : A: A School Holiday, 1977 
B: May Day, 1981.

This is SL015/Pipe003

www.secondlanguagemusic.com
www.claypipemusic.co.uk

Tyneham House (bonus cassette tape)

Sun Kil Moon - War On Drugs: Suck My Cock

Sun Kil Moon - The Weeping Song (Nick Cave and the Bad Seeds cover)

Mosaik

Zero


The small village of Tyneham, on the beautiful Isle of Purbeck, in Dorset, was once a thriving little community – that is until the British Government requisitioned it for training manoeuvres and other ‘strategic purposes’ in the run up to WWII. This was supposed to be a temporary measure, but the area remained in military possession long after hostilities had ceased, causing distress among former inhabitants, many of whom were farmed out to prefabs in nearby Wareham and Swanage. 

Tyneham was characterised by its red telephone box, a tiny parade of shops – Post Office Row – and a grand country pile which stood about half a mile away from the village: Tyneham House. The army removed the building’s oak panelling and ornate decorative details and promptly set about using it for target practice. So great was the shame expressed locally about the damage inflicted upon one of Dorset’s grandest houses that the powers that be decided to grow a copse around the remains of the structure to give the impression that it was no longer there. Despite this, a substantial part of the structure remains intact, including its Saxon hall. 

Land access around Tyneham was opened up in the 1970s, but admission to the house remains strictly verboten. Those who’ve been found around the premises, especially anyone wielding a camera, have felt the full weight of military trespass law. Tyneham today is regarded as a nature reserve by some – as a national embarrassment by others. It’s still a political hot potato, in Dorset at least.

The pastoral, wistful yet ineffably disquieting music of Tyneham House is made by artists who have previously graced Second Language releases, but who wish to remain anonymous here, save for their eponymous title. The musicians are happy, however, to let it be known that these recordings have been around for some years (many of them complied from old cassettes) and that they take inspiration from the 1960s/’70s/’80s work of the Children’s Film Foundation – a body who really ought to have made a film about this mysterious West Country curio. At least now we have its endlessly poignant soundtrack. 

This release was beautifully illustrated and printed throughout by award winning artist Frances Castle of Clay Pipe Music.  The cassette of bonus material : A: A School Holiday, 1977 
B: May Day, 1981.

This is SL015/Pipe003

www.secondlanguagemusic.com/www.claypipemusic.co.uk



A: A School Holiday, 1977

B: May Day, 1981

02. Ape (2018 home demo)

Taken from the Total Black album, The Pleasure Garden

The Pleasure Garden

The Oriel Window

An exclusive interview by Brandon Spivey with Wim Mertens, the Belgian multi-instrumentalist and composer. Recorded in August 2012.

The Cerysmatic Factory Wim Mertens Interview [factoryrecords.org]

An Obscure Relationship (Rough Mix)

Independent record label based in London.  2009 - present day.

B: May Day, 1981

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