Novedades: Techno

Take Control', the latest single from UK producer Alan Fitzpatrick features the creative genius of his 10 year old son, Mylo Fitzpatrick. 

Kettle drum kicks and a rolling low end are paced by claps and a spritely swung hat line. Melodics build the tension to the first break where a female voice tells us to ‘let the music take control’. Fully responsive, nuanced acid and far away trance pads act as a brief oasis of calm before the final drop explodes from the speakers.

Premiere: Alan Fitzpatrick Feat. Mylo Fitzpatrick - Take Control

An uplifting track to stir up your emotions, and take you to a happy place...
This song will be officially released next month! Date to be announced...

Take me higher

EXTENDED MIX: https://hypeddit.com/amsterdamdancecapital/pearcemrockyabodyadc028

Pearce M - Rock Ya Body [ADC029]

The 28th release of AMSTERDAM DANCE CAPITAL. Pearce M is back with a new bangin' tune. He keeps on delivering quality as always. This piano house track combined with a solid reese bass will keep you going on the dancefloor! This track is now available for free!

FROM AMSTERDAM, FOR EVERYONE 🌐

FOLLOW Pearce M
@pearcemdj
––––––––––
AMSTERDAM DANCE CAPITAL
linktr.ee/amsterdamdancecapital

EXTENDED FREE DOWNLOAD

Pearce M - Rock Ya Body [ADC029]

Raffaele Rizzi - Kepler [Bitten]

Dj Randy - Deception

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

Alan Fitzpatrick’s We Are The Brave imprint has undoubtedly laid down seriously solid foundations. Now well into double figure, the label’s catalogue is forming into a formidable body of work with Alan’s anthemic ‘We Do What We Want’ backed up with a string of club bangers from Gary Beck, Reset Robot and Boxia, plus Fitzpatrick’s mammoth ‘El Jefe’ collaboration with Sasha, which closed out the labels 2017 release schedule in grand style.

Never one to rest on his laurels, Fitzpatrick is back in the driving seat and raring to go again. “I feel a real strong energy right now around the label and I am massively focused on pushing on from the really great start We Are The Brave has enjoyed”, he enthuses. To be fair it is not hard to see why with landmark occasions such as the highly anticipated (and totally sold out) 5000 capacity Alan Fitzpatrick’s Day Festival happening in Dublin on 17th March. After all, who can argue with that most over-used of clichés - fortune favours the Brave!

Of course, Alan’s first release of the year is a mega one. “These tracks have all been born in a different time and space, ranging all the way back in 2015 through to the end of last year. But I think together they fit well, which goes to show that like everything really, but certainly anything creative, it doesn’t make sense to rush things” says Alan

Lead track ‘Colour Of A Dream’ comes with cleverly crafted percussion and energetic claps alongside a dominant vocal, making the track instantly recognizable in the depths of any dancefloor. “I found myself looking back through old hard drives and I guess I found a lot of fresh inspiration from rediscovering music. It feels good to know an idea that has been lay dormant can all of a sudden become relevant, given the right time and space” adds Alan.

Next up, surging with fierce authority is ‘Joy Rider’ with its trademark thumping Fitzpatrick kick drum. A ravey synthetic hook line creates a gritty warehouse vibe, which is in complete contrast to the melodic, end-of-night-euphoria experience that is ‘Together Until The End’ - a truly musical work that oozes texture and emotion.

Alan Fitzpatrick - Joy Rider

Following his impressive remix for Mark Broom, label boss Luca Agnelli is back in full force on Etruria with his new ‘Raveolution’ EP.

With its 90’s flavour kicking things off and its powerful 909 groove, ‘Raveolution’ opens the release in style. ‘Forget It’ heightens the rave atmosphere with its continual rolling stabs and a sultry vocals sample.

‘No Gravity’ takes us to the dark side, with its relentless groove and deep chord sequence creating an unforgettable hook. Luca closes the EP with ‘Shimmer’, a fresh and hypnotic tool of peak-time BPM perfection. 

Release date:
Vinyl 04/06/18
Digital 29/06/18

Luca Agnelli - Raveolution (Etb048)

Patrick Mason and Rekids boss Matt Edwards return for their second appearance as SRVD with two cuts entitled ‘RAW FILES’.

Not confined to a single art form, Patrick Mason is a young creative at the forefront of Berlin’s art, fashion, dance music and LGBT scene; an influential club kid who developed a friendship with Matt Edwards after a chance meeting in Panorama Bar, resulting in numerous studio sessions and improvised live sets. Joining forces in 2018, the pair adopted their SRVD moniker – an alias inspired by New York’s vogue scene – before dropping their debut release on Rekids, playing at various clubs (notably Panorama Bar), not to mention an unforgettable performance at Boiler Room x Pornceptual.

‘The Yard Man’ presents rattling drums, piercing vocal chants and a tormenting melody that SRVD has been destroying dancefloors with over the last year. On the flip, ‘Brotha’ presents a compelling groove as a shuffling rhythm joins abrasive synths and Mason’s penetrating voice.

SRVD - The Yard Man

Out now on Rekids: https://lnk.to/REKIDS145

Radio Slave’s momentous ‘Another Club’ receives two thumping remixes from SRVD and Charlotte de Witte.

‘Another Club’ was the 100th release on Rekids and dropped as the label celebrated a milestone ten years. It unquestionably became one of Techno’s biggest tracks ever made. Two years later, the landmark production receives outstanding remixes from two of the genre’s most salient artists: NovaMute producer Charlotte de Witte, who’s just collaborated with Chris Liebing on her newly launched KNTXT imprint, as well as the ever-impressive Patrick Mason and Radio Slave who team up again as SRVD.

Charlotte de Witte’s remix of ‘Another Club’ marches forward with pounding 909 style kicks, hooking acid hits, fleeting voice samples and haunting pads. SRVD’s remix then uses the vocals as stabs, adding tension with rave inspired synths, buzzing keys and splashing cymbals, while locking it all together with thundering drums and sub frequency rumbles.

Radio Slave - Another Club (Charlotte De Witte Remix)

DCR483 – Drumcode Radio Live – Roberto Capuano studio mix recorded in Barcelona⁣⁣
⁣⁣
Drumcode Radio Live this week is a studio mix from Roberto Capuano recorded in Barcelona.⁣⁣
⁣⁣
01. Hunter/Game - Lost⁣⁣
02. Brisboys -Shoot Thru (Marcelo Demarco Remix) ⁣⁣
03. Sincronism - Don’t leave me⁣⁣
04. Secret Cinema,SAMA - Diviner⁣⁣
05. Drunken Kong - Viper⁣⁣
06. Moox - Body⁣⁣
07. Rudosa - Descendants⁣⁣
08. Roberto Capuano - Segment⁣⁣
09. Fatima Hajii,Spartaque - Sinergy⁣⁣
10. Lander B, Oscar Escapa - Groza⁣⁣
11. Luca Morris, Mozzy Rekorder - Sunburns⁣⁣
12. Pan-Pot - Confronted (Anfisa Letyago remix)⁣⁣
13. Roberto Capuano - On Your Skin

DCR483 – Drumcode Radio Live – Roberto Capuano studio mix recorded in Barcelona

Label: Connections Records
Beatport: https://www.beatport.com/release/potency/2771788
Spotify: https://open.spotify.com/track/1lV6cAyNpiFz0JZwt4Wlrr
Soundeo: https://soundeo.com/track/abel-meyer-potency-original-mix-12485358.html

Now available on Spotify, Beatport, YouTube Music, Deezer and best online stores.

[ENG]
"Potency", a new sonic adventure from argentinian techno producer Abel Meyer,  brings a melody with a highly memorable bassline and incessant pad synth that emerge from the deepest groove to impact directly in the mind. This techno track combines some elements from Progressive House and Melodic Techno without lose the energy on the way. 

[SPA] 
"Potency", una nueva aventura sonora del productor argentino de techno Abel Meyer, trae una melodía con una línea de bajo muy destacada y un sintetizador de pad incesante que emerge con un groove profundo para impactar directamente en la mente. 
Esta pista techno combina algunos elementos de Progressive House y Melodic Techno sin perder la energía en el camino.

www.connectionsrecords.com

Potency

Abel Meyer - Potency (Preview) [Connections Records]

Kölsch makes his debut on Drumcode, as an Adam Beyer favourite gets his classy remix touch.

Drumcode set the standard with its first release of 2019, recruiting Amelie Lens to deliver an electrifying re-rub of Adam Beyer’s ‘Teach Me’, a fitting highlight to mark the label’s 200th release back in January. As we hit the business end of the year, another Beyer vintage gets the remix treatment as Kölsch adds to his outstanding discography with a maiden DC contribution.

First released back in 2015, ‘What You Need’ was the perfect marriage of deep groove-licked techno and slinky smooth synth lines. Retaining the exotic riff of the original, Kölsch builds tension and euphoria in equal doses as melancholic chords build up in intensity before dramatic string sequences enter the game. It’s the kind of end-of-night soundtrack that’ll make even the most hardened raver go a little misty eyed and a classic addition to the Drumcode catalogue.

Buy all

Adam Beyer — What You Need (Kölsch Remix) — Drumcode — DC214

EXCLUSIVE FREE DOWNLOAD of "Pan-Pot - Confronted (Pan-Pot Basement Remix)" – available till Sunday 10th November 8 pm CET: bit.ly/PP-confronted

BUY: fanlink.to/pp-confronted-rmx

Digital: 22nd November 2019
Vinyl: 6th December 2019

1: Pan-Pot - Confronted (Pan-Pot Basement Remix)
2: Pan-Pot - Confronted (Frazi.er Raw Remix)
3: Pan-Pot - Confronted (Farrago Welcome To Goa Remix)
4: Pan-Pot - Confronted (Pan-Pot Up In The Air Remix)
5: Pan-Pot - Confronted ([ Wex 10 ] Bigroom Remix)
6: Pan-Pot - Confronted (Anfisa Letyago Stranger Remix)
7: Pan-Pot - Confronted (Pan-Pot Paradise Remix)

Ten years ago, Berlin’s Pan-Pot put out the Confronted EP on Mobilee, a landmark release centred around the title track, eleven and a half minutes of slow-burning techno. A decade later, the Second State dons have decided to celebrate their classic track with a reissue that reflects their evolution. Featuring three remixes from Pan-Pot themselves, Tassilo Ippenberger and Thomas Benedix have also recruited four of the scene’s hottest talents for a diverse, comprehensive remix package that reimagines the source material for today’s dancefloors.

Opening up the remix package, the “Basement” remix by Pan-Pot adds barking synths and snatches of vocal FX in a murky, offbeat edit of the classic. Glaswegian rising star Frazi.er delivers a “Raw”, lean techno tool with subtle tweaks like the crystalline synths piping through the mix and aggressive, springy bass that charges in mid-way through. Farrago, a Lenske favourite from Belgium, takes the listener on a weirder journey built around bounces, bleeps and discombobulation – it’s by far the most foreign departure on the EP and it lives up to the “Welcome to Goa” title.

The “Up In The Air” remix by Pan-Pot removes the pounding kick and turns the mood tribal with steel drums and rubbery, muted basslines. It’s a housier cut well suited to wonky wigouts. French newcomer [ Wex 10 ] takes care of the “Bigroom” remix, ushered in by an outsized, unapologetic kick soon joined by the original’s ominous chords and the cool, detached female vocal. [ Wex 10 ] picks up the BPM, adds some snare rolls and turns in a fist-pumping version for festivals and superclubs. Up-and-comer Anfisa Letyago, from Naples by way of Siberia, sends a rippling acid synth through the mix like lightning in a hi-NRG alternative perfect for trancier sets in her “Stranger” remix. The word “crazy” is set on an electrifying loop, commanding ravers to give in and let go.

Closing the remix EP, the “Paradise” remix by Pan-Pot goes in the opposite direction, opening with bird calls and idyllic chiming synths before moving into breaksy territory. Surprising and strangely dreamy, it completes a richly varied remix package that breathes new life into a beloved classic.

@pan-pot
@frazi_er
@frrgo
@wex-10
@user-anfisaletyagodj
@mobilee-records
@secondstateaudio

BUY HERE

Pan-Pot - Confronted (Frazi.er Raw Remix)

Pan-Pot - Confronted (Pan-Pot Basement Remix)

Second State is the platform Pan-Pot calls home, acting as a label through which they can release tracks, host events, showcase fashion and present visual ideas to Techno lovers and dance-floor soldiers  from all over the world.

Pan-Pot - Confronted (Frazi.er Raw Remix)

Second State

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