Hey man this is amazing ! The download link is broken, any chance we can get another one ? Thanks !

Full of energy brilliant Edit playlisted this month by DJ Ness https://soundcloud.com/secousse/erick-paul-bel-carnaval-secousse-edit?in=ness-errahmani/sets/music-is-even-a-more-1

Buy: https://lnk.to/zzksoundvol4 

ZZK Records Presents ZZK Sound Vol. 4

Born out of an underground Buenos Aires party and first launched in 2008, ZZK Records has spent more than a decade at the forefront of Latin American music, carving out space for artists putting a futuristic (and often electronic) spin on classic rhythms and folklore traditions. Along the way, the label spread across the globe and helped launch a few stars—Nicola Cruz, Chancha Vía Circuito, La Yegros and Son Rompe Pera among them—but ZZK’s search for new artists, sounds and perspectives is never complete.

ZZK Sound Vol. 4 brings together a fresh crop of talent from across Latin America, along with a pair of choice selections from veteran acts Maga Bo (Brazil) and Tremor (Argentina). Compiled by ZZK co-founder DJ Nim—the label’s original A&R (and Chancha Vía Circuito’s older brother), he’d actually taken a five-year hiatus from the project prior to 2020—the compilation’s origins can be traced back to the early days of the pandemic. As the world went into lockdown, he put out a call for submissions, and within three months, he’d received more than 1000 tracks. Nim literally listened to them all, whittling the pile down to his 11 favorites, and after hearing his selections, Grant C. Dull—another ZZK co-founder, who runs the label’s day-to-day operations—couldn’t believe his ears. Nim had done it again. There were no notes, and no changes to the tracklist. ZZK Sound Vol. 4 was quickly put into production.

While previous ZZK Sound compilations were primarily focused on the club, Vol. 4 follows a deeper, more introspective path. It’s not an ambient record—no ZZK release would be complete without drums—but the hypnotic rhythms here are far more concerned with the collective unconscious than the dancefloor.
Opening with spellbinding tracks from Pawkarmayta and QOQEQA—both hailing from Perú—the compilation immediately exudes a sort of ritual magic, calling upon both African and indigenous musical traditions while tapping into modern electronic music and a uniquely Latin sense of mysticism. Sebuky, a native Ecuadorian currently stationed in Barcelona, adds a bit more low-end heft to the proceedings, and that percussive weight continues through the similarly transportive contributions of Mangle (Colombia), Cruzloma (Ecuador) and Selvagia (Perú/Argentina via México).

Elsewhere, Yoyoyo transforms the cueca music of his native Chile, Akilin enlists American rapper Bomani Armah to help him explore Afro-Venezuelan traditions and Maga Bo’s “Cadê Zé”—the first Brazilian track to ever appear on a ZZK release—is a bass-loaded (albeit undeniably spiritual) banger. Galo Vermelho (Argentina) delivers a polyrhythmic lesson in digital folklore, following in the footsteps of Buenos Aires outfit Tremor—one of the first acts ever signed to ZZK—who close out the compilation with a rousing bit of almost Lynchian revelry.

At this point, few music fans need to be sold on the appeal of Latin music, but ZZK, which has been operating in this sphere since long before the genre became the “next big thing,” is dedicated to the idea that the potency of these sounds extends well beyond the pop charts. Hopping between continents and recontextualizing rhythmic lineages that date back centuries, ZZK Sound Vol. 4 is both an arresting snapshot of Latin America’s electronic avant garde and a thrilling preview of its next wave.

ZZK Sound Vol. 4 will be released on May 20th, 2022 on vinyl and streaming platforms.

Artwork by Anabel Uyana AKA @mofractal https://www.instagram.com/mofractal/
Curated by DJ Nim
Mastered by Matias Parisi

ZZK Sounds Vol. 4

ZZK Sound Vol. 4

Galo Vermelho - Domingo Cura

Osam

Shout Sister

Marking the 15th anniversary of Dixon’s & Georg Levin’s album „Take It Personal“ under their moniker Wahoo, we proudly re-release their classic „Don´t Take It Personal (Georg Levin Edit)“ featuring Paul Randolph.
  
Originally a B-Side of the single „I’m Your Lover“, this alternative version of the album’s opener quickly became a fan favorite & was featured, among others, on Gilles Peterson’s „In the House“ on Defected.

It was not until last year when Moodymann put this version on a playlist he curated for GTA that we found out that it was not available on streaming platforms. At the end the track didn’t made it into the game but at least we got reminded that this one exists. 

Still sounding fresh & genuinely soulful, the song’s lyrics could not have been more timely as a mantra for this day and age: „Whatever comes around, don’t let it get you down, you’re on solid ground - don’t take it personal.“

Wahoo Feat. Paul Randolph - Don't Take It Personal (Georg Levin Edit)

AMPLITUDES invite Maison Blanche (House Of Underground) - Dimanche Café N°034

1. Familiar Stranger (Day)
2. Familiar Stranger (Night)
3. Way To LA (Day)
4. Way To LA (Night)
5. Mandy
6. Mandy (Power Boy Mix)
7. New Moon Boy (Day)
8. New Moon Boy (Night)
9. Travelers

BJ Smith: Guitar, keyboards & percussion 
Paul Murphy: Bass, keyboards, percussion & drums 
Holger Czukay: Guitar, French Horn, vocals & bells
U-She: Vocals 

Produced by Paul Mudd Murphy
Extra production on Familiar Stranger/New Moon Boy night mixes Conrad McDonnell
Travelers mixed by Conrad McDonnell

Bison - Travelers LP/CD Clips

Bongo Joe invites Vincent Bertholet's Swiss orchestra Orchestre Tout Puissant Marcel Duchamp. 

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
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Outsiders: Bongo Joe Records w/ Orchestre Tout Puissant Marcel Duchamp @ Kiosk Radio 04.09.2024

La Super Onda - Jaime Delgado Aparicio

Not much to say about this one, no idea who the artist is, nothing on the internets... He's from Haiti I think.  Bought the record from the excellent Invisible City recordshop guys, who found stock copies in a warehouse in Trinidad i think. It wasn't cheap, but the tune is an absolute monster of a track, somewhere between zouk kompa disco and psych... After a millionth listen it's still growing in me. Whovever you are, massive props to you Erick Paul.

www.secousse.tv

Erick Paul - Bel Carnaval (Secousse edit)

Enjoy our back to back set recorded at the beautiful island of Obonjan dating august 2017. 
A celebration of the good life, a soundtrack for the vacating soul..

Premiered on the the Adriatic coasting show on Yammat FM.

Your Name & Matija Duić @ Obonjan Island August

Artist: Gay Marvine
EP Title: Bath House Etiquette Vol.2
Label: Bath House Etiquette
Cat: BHE-2


Gay Marvine presents 
Bath House Etiquette Vol.2


A
33 RPM

1 Don't Call The Preacher         5:46  122 BPM
"Love Hangover", Dianna Ross, ,1976

Hypnotic mix of a hypnotic classic. The music references jazz from before WWII and the beat includes second line rhythms, some of Dianna's best vocals, so sultry, almost invoking Bessie Smith. This record has been used since its inception to take people to another plane, where time is eternal, and you are right there in the middle of the groove. This mesmerizing mix highlights the timeless facets of a timeless classic.

2 I Need You Bassgroove         7:13    123 BPM
"I Need You (unreleased Tom Moulton mix)", Sylvester, 1980

This is about as Gay Marvine as it gets. First it was a song, a single, even has another remix single released years later, but still this mix never was officially released. Presumably the original source is a reel to reel, recorded to acetate, later recorded by someone who that acetate was not made for and unofficially released as a "promo mix". A very memorable string pattern and wonderful groove from Sylvester highlighted in a monster bass groove with a glorious arrangement by the legendary Tom Moulton, and edited and remastered by Gay Marvine for your ears and dancefloors here.

B
33 RPM

3 Disco Daily        5:06       130 BPM
"Daily Disco", Yello, Claro Que Si, Raplh, 1981

One of those kind of incredible groove pieces with a slightly wavering pattern that makes you want to climb the walls, driving the energy of the dance floor over the edge and into their minds. Kind of like Yello's take on Pink Floyd's "On The Run", reshaped and remodeled from the original release on the Resident's label.

4 Emerald City           6:04   123 BPM
"Emerald City Sequence", Quincy Jones etc, 1978

Psychedelic symphonic soundtrack disco at its finest. One part of a 3 color sequence, Gay Marvine has highlighted an often forgotten Quincy Jones classic from the original soundtrack to the motion picture of the Broadway musical The Wiz, and transformed it into a psychedelic disco masterpiece.


A1 Don't Call The Preacher

Remix of the A.J. Holmes and the Hackney Empire for Ghetto Bassquake records.

http://ghettobassquake.com/release/fraudian-slip-feat-kastro-produced-by-radioclit

Fraudian Slip ft. Kastro (Uproot Andy Remix)

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Erick Paul - Bel Carnaval (Secousse edit)

Secousse

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