yawp noff a toffah

Visions

Visions (Ela Minus Remix)

This song, Half-Crazy, could be described as the tenacious offspring of the North African desert music of Mali/Morocco and the sweat and electricity of the Chicago and Mississippi Delta blues. That music is like a stem-cell, really open to going in many directions. On this track, we wired the harp through a dirty little amplifier. I played my early 40's Oahu lap-steel. Andrew uses a loping high-hat feel, and the electric bass pushes the whole thing. The lyrics got a nudge from our friend Nathan Moore--we're all half-crazy, half clear as a bell.

The Barr Brothers - Half Crazy

Ween - Buenos Tardes Amigo

Heart Like a Levee (Deluxe Version)

Like a Mirror Loves a Hammer

‘Fink’s Sunday Night Blues Dubs’ Out Now -
R’COUP’D / Stream / Download: https://fink.lnk.to/fnbd

Listen to the official playlist: http://fink.lnk.to/playlist

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Fink’s Sunday Night Blues Dubs

Black Stetson (FSNBDUB)

Wake Up Now

Mountain To Move

Frazey Ford ( Be Good Tanyas) solo debut, "Obadiah" 
iTunes - http://smarturl.it/obidiah
For more info: http://www.facebook.com/frazeyford

Frazey Ford - The Gospel Song

The Barr Brothers - Give The Devil Back His Heart

Devendra Banhart performs "Never Seen Such Good Things," from "Mala," his eighth studio album and his Nonesuch debut, due out March 12, 2013. The album took shape in Los Angeles, where he and longtime cohort Noah Georgeson produced the album together, playing most of the instruments themselves, using borrowed equipment and a recorder they’d found in a pawn shop.

Pre-order "Mala" now at www.nonesuch.com/albums/mala

Mala

Devendra Banhart: "Never Seen Such Good Things"

First taste from Atlanter. Album out 15. march in Norway. 

Atlanter - Kaktos (singel edit)

The Garden

Carolina

Pre-order Delta Machine now: http://smarturl.it/DMitunes - Available March 26. “Heaven” available now: http://smarturl.it/HeaveniTunes



Heaven

Atlanter is Jens Carelius’ and Arild Hammerø’s new band project. They play rock inspired by desert blues bands, by German krautrock and by old delta blues. All this is done with a Norwegian twist and point of view, and is perhaps best described as Norwegian viddeblues. 

Besides Carelius and Hammerø, the viddeblues ensemble Atlanter consists of Jonas Barsten Johnsen and Morten Kvam. Their debut album Vidde consists of 9 powerful, groove-based songs, all written by the band.

Arild Hammerø from the band tells us about the music and the album: Atlanter has an open-minded approach to playing music. The songs change from one concert to another, and we try to avoid a polished and rehearsed sound. I think everyone in the band enjoys this openness, that something new can happen on every song. We captured this feeling on the record too, and what brings it all together is that it is mostly based on very distinct rhythms. Playing with Atlanter is like dancing around a fire, there is an intense energy there. Our goal is for the audience to feel this energy too, so they can join in on the dance.  

About the band:
Jens Carelius has made a name for himself on the Norwegian music scene with the releases The First Songs (2008), The Beat Of The Travel (2009) and The Architect (2011). He has received brilliant reviews for all albums, especially the recent two, with mostly 5 and 6 out of 6 in most Norwegian newspapers. The Beat Of The Travel also made it onto Norwegian daily Dagbladet’s top 10 list of 2009’s best albums. Jens Carelius has sold a great number of albums, and was also the opening act on the largest stage at the Øya festival in 2011.

Arild Hammerø released his debut album Dagen Som Gryr in 2008, which was well received by the Norwegian press. “Arild Hammerø is a folk singer who protects the heart-warming legacy of folk singers Lillebjørn Nilsen and Stein Ove Berg. Sensitive, lyrical and likeable”, wrote Norwegian newspaper Vårt Land. The album Flåte by Hammer & Hersk (Arild Hammerø and Daniel Herskedal) was released in 2012 and received good reviews. Hammerø and Carelius have previously been in the band Blues Run The Game together, along with Siri Nilsen. Arild is also a regular on guitar in the electronica duo Ost & Kjex, and participates on the album Cajun Lunch.

Jonas Barsten Johnsen is a young percussionist with a Masters degree from the Norwegian Academy of Music. He is/has been collaborating with amongst others: Frøy Aagre, Bendik Hofseth, Bendik Baksaas, Disaster in the Universe, Eivind Aarset, CCTV, Adam Rudolph and Bjørn Charles Dreyer. He is also a part of the improv scene in Oslo with a focus on electronics, percussion and dance. He has played more than 100 gigs each of the last 3 years, including the most central festivals in Norway. 

Morten Kvam has played the string bass/electric bass and been an active musician in Bergen and Oslo within different genres such as jazz, rock, pop, improvisation and folk music. He has collaborated with musicians such as Siri Nilsen, Terje Isungset, Per Jørgensen, Olav Dahle, Walter Thompson (US), Kevin Dean (CAN), Arild Hammerø, klezmer band Ot Azoi, Bugge Wesseltoft, Borge & Kvam, Polkabjørn and Kleine Heine, Push and Ine Hoem. He has also contributed on all Jens Carelius’ records and Arild Hammerø’s debut album.

02. Aye

Tunng Presents...DEAD CLUB

Eating The Dead

divining the ethereal and physical in no particular order

The Barr Brothers - Give The Devil Back His Heart

Secret City Records

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