Professor Mono aka DJ Chops was one of the founding members of Team Fresh the Northern Irish Hip Hop group. 
Life hasn't been easy for him and after a ten year break he is back producing music again. He can only hear in one ear, but as a mono individual it never slowed him down in his music career. He wants to incorporate uplifting and bassy sounds to his own style of Hip Hop.
This is the next chapter.

A member of genre busting 90's psychedelic hip-hop group New Kingdom. Has worked with Tricky, David Byrne, Morcheeba, Lyricist Lounge, The Veldt, Honeychild Coleman, Bill Laswell, Micah Gaugh, Buckethead, Brain, No Surrender, CX KidtroniK, Mike Ladd, Remi Rough.

An online music curation platform centered around reposting amazing music.
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N.A.S.A. is a musical project dedicated to the spirit of collabration.  It’s the brainchild of space enthusiast, astral traveler and acclaimed entropic producer Sam Spiegel.



Hailed as a “music guru” by Rolling Stone and cited among the “world’s Top DJ’s” by The New York Times, J.PERIOD is a master of his craft: a musical storyteller whose work bridges cultures, generations and styles.

As a DJ & Producer, J.PERIOD's resume boasts collaborations with GRAMMY® winners Nas, Kanye West, Common, John Legend, The Roots, Q-Tip, Lauryn Hill, Mary J. Blige and Pulitzer Prize-winning Playwright Lin-Manuel Miranda on the Billboard #1 album, The Hamilton Mixtape.

His extensive roster of collaborators, combined with a visionary approach to musical storytelling, have earned comparisons to both DJ Khaled and Ken Burns and most recently, a prestigious post as a founding member of The Kennedy Center's Hip Hop Culture Council. “Make no mistake,” says DJ Booth, “as to the power of J.PERIOD’s impact and influence on hip hop culture.”  Music icon Questlove (The Roots, The Tonight Show with Jimmy Fallon) calls J.PERIOD “the most creative mixtape producer of all-time.”

J.PERIOD’s work has also been featured in film and TV (American Gangster, NBA Inside Stuff, The Doctor), earning an EMMY®.  His groundbreaking work as Music Supervisor for the Brooklyn Nets’ debut Barclays Center was lauded as “the new standard” for music in the NBA arena.

For more: http://JPERIOD.com

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