https://secretthirteen.org/stm-311-arigto/ @secretthirteen

01. Arigto - ID [unreleased]
02. Arigto - ID [unreleased]
03. Jayne Amara Ross, Frederic D. Oberland, Gaspar Claus - The Crossing I, Winter Stone & Motar [Gizeh Records, 2013] (Arigto Edit)
04. Vessel - Movement III (If the Telephone Rings I'll Be Saved)  [Paplu, 2020] (Arigto Edit)
05. Constantine Skourlis - Reality Cancelled [Bedouin Records, 2020]
06. Constantine Skourlis - Destroy False Idols [Bedouin Records, 2020] together with 
07. Robert Aiki Aubery Lowe & Ariel Kalma - Mille Voix [RVNG Intl., 2020]
08. Hiiro Issiki - Katto [Bedouin Records, 2020] (Arigto Edit)
09. B.yhzz - Embodiment Of [Intruder Alerts, 2020]
10. Foudre! Kami 神 [Gizeh Records, 2020] (Arigto Edit)
11. Toru Takemitsu - Harakiri OST [Rhino Warner, 1962] (Arigto Edit)
12. Arigto - Contorted Figures [Antonym of Gold, 2020]
13. Arigto - Contorted Figures (Tilman Robinson Rework) [Antonym of Gold, 2020]
14. Arigto & Yifeat Ziv - Persona [Antonym of Gold, 2020]
15. Arigto - Contorted Figures (Christine Ott Rework) [Antonym of Gold, 2020]
16. Liberez - Cara En La Foto, Pt. 1 [Alter, 2018] (Arigto Edit)
17. Llyod Miller, Adam Michael Terry & Ian Camp - Earthquake of the Fallen Trumpet [Fountain AVM, LLC, 2020]
18. FRKTL - To What End [Self-released, 2016] (Arigto Edit)

Arigto - Secret Thirteen Mix STM 311

Korg Volca FM CC stuff, Monologue & Yamaha A3000

AlgoCC+A3000 [unedited]

CakeLayer

DownInTheDeep 0151

20240929 AM2:30-AM3:00 Liliblue DJ Mix

Kontour Visions w. Jaundice & Anticipation [19.09.24]

Into the Void	Reflex Blue	R.A.N.D. Muzik Recordings	RM12014
Biological.       Fields Of Mist	    Ilian Tape	Biospore Farmers
Stealth Shadows	Junq	Art Mechanical	COG003
The Launcher	  Negocius Man    Microm Records	10 YEARS OF MICROM RECORDS
Muzique Noir	Transparent Sound.      Furthur Electronix	Furthur Artefacts
Returned Signal (Carl Finlow Remix)	Paul Hierophant   Exalt Records	Utopian Dystopias (Part Three)
Heart Wave	Viikatory	    Viikatory	  What The A.I. Decides
In Your Hand	Dynarec	Halloween at High Noon.    Nite Owl Series: Stasis 
Umbral (Original Mix)	    1985	     Tourian Records	Umbral
Astral Projection Spores    Fields Of Mist	Ilian Tape	Biospore Farmers
First Install.    Sync 24, Privacy	Cultivated Electronics	From the Dark Volume 2
Seoane	Synth Alien	Microm Records	10 YEARS OF MICROM RECORDS
Hadron Cascade (Larionov Remix)	KafkactrI	     ANOTHER PERSPECTIVE	    Collider Complex
Stalkers Behave   Luke Eargoggle & Rutherford	   Brokntoys	Blurred Angles
AT74 (Robot City Remix)	Atico Corp	UFC 	Cybernetic Implant
Horizonsz  	   Oscean	Tresor	Multirays
Peace Of Mind (Electrosoul)	Claro Intelecto     Delsin	Peace Of Mind
Reality	UHF	Gladio Operations	Flight To Anywhere EP
SMC2	Gustav Brovold	Portage Garage Sounds	Hyperbolic Space
The Noise Of Quasar	Negocius Man	Microm Records	Kido 軌道
The C.E.P. Riot	CEM3340	Curtis Electronix	CRTSX-0
Voice Activated	Dopplereffekt 	Clone Classic Cuts 	Gesamtkunstwerk

Traveling To My World for soundcloud

may0 dj - Traveling To My World

Elitepop is a monthly radio show by Enfant Terrible for Intergalactic FM (IFM/CBS). A new episode is transmitted every first Monday of the month on the Cybernetic Broadcasting System channel at IFM for 1 hour from 21.00h onwards… No talking... just music!

Episode 56 was transmitted January 2025 and this episode is one hour of obscure 80’s music...


Elitepop #56

Format: CD, Digital
Pre-order: 14th March 2025
Release date: 21st March 2025

This album has its origins in North and South America. As is usual with most of my music, the field recordings came first, and the modular synth sourced music followed.
The field recording for Distant Thunder was recorded outside my home on an exceptionally hot day at the end of June. I returned home from a family reunion in the mountains to 100 degrees on my car thermometer upon entering Charlotte, NC. That is not normal but unfortunately appears to be becoming the new normal. There was a massive thunderstorm nearby that never materialized directly over my home. However, the auditory part of the outlying storm was significant enough to warrant recording it. The accompanying music reflects the somber realization that we humans are causing increasingly extreme weather conditions here on planet earth. The “moon echo mix” in the track name is a nod to the impressive Hainbach plugin that AudioThing rolled out this summer. I used it on virtually every track in this song.
The field recordings for the second and third track are from a vacation to Peru the latter half of July. We traveled to Urubamba in the Sacred Valley. There is a special energy to this place that comes from the people, beautiful natural surroundings and history of the Aztecs that seemingly permeates the air. I traveled twice to hike at a nearby small town named Yucay which is where both the field recordings were made.
Yucay Part 1 (riochuelo San Juan) features the sounds of my trek next to a beautiful river that flowed past the trail. I met very few people during this hike although eventually three local dogs joined me. The lack of human interaction led to an almost mystical experience with the natural surroundings. I hope the music reflects this unusual encounter with nature and her elements.
Yucay Part 2 (via sin nombre) also includes the sound of water. Earlier that day, I had completed a strenuous and somewhat risky scramble to some Aztec tombs on the side of a mountain. Afterwards, I took respite beside a small aqueduct that ran past the short trail to a summit that included a large Peruvian flag. I was unable to figure out the name of this place hence the name of the track. Once again, there was minimal human interaction and that led to a time of quiet contemplation.
The theme of oneness with nature reoccurs again and again in my music. One explanation for this recurring cycle is I rely on natural experiences for my mental health. The musical expressions of this time outdoors are equally important to my ongoing positive emotional state.
Special thanks go to Andrea and my sounding boards Paul and Pietro. Thanks as well to all who listen to my music. 

Copyright © 2025 ROHS! RECORDS, All Rights Reserved



previews. d york - Naturally Indwelling | ROHS!

READ > https://inverted-audio.com/premiere-varuna-ratu

Delsin Records add two new chapters to their Mantis sublabel, with a double drop of 12" EPs from Varuna and Konduku continuing the series' trend of enigmatic and organic techno.

Mantis 04 (DSR/MTS04)

Varuna - Ratu [Delsin]

'Displacement Activity Vol. 3'
Steve Hadfield
See Blue Audio SBA 012

1. Reflected
2. Blossom Is a Vector
3. Ever Onward
4. Liminal Night Feeds
5. Alone, Dark

Release date: 6 November 2020

lnk.to/SBA012

See Blue Audio: ambient / electronic / beatless / cinematic / downtempo / eclectic / introspective… Shade rather than light...

Back in January 2020, Steve Hadfield released the first instalment of 'Displacement Activity', which was also his second release on See Blue Audio, when the COVID-19 pandemic was just an approaching blip on the radar. Its release also coincided with the delights and challenges of becoming a parent for the first time. Volume two followed in May as we were in the midst of a strange new world, and Steve’s music had taken on a more reflective, shadowy tone as the world grappled with confinement, and his parenting took on a higher level of intensity than perhaps originally anticipated, while all around uncertainty raged.

Ten months on and as one of the most remarkable years of modern times draws to a close, we have 'Displacement Activity Vol. 3', the twelfth release on See Blue Audio, and five tracks in Steve’s trademark fusion of ambient/modern classical and glitchy electronics. The first two volumes of 'Displacement Activity' were written prior to coronavirus as Steve was beginning to see the early signs of conflict and dark political forces, and then think about how these could be navigated through parenthood. Those warnings are turning into reality alongside the pandemic. This gives the music its shadowy feel, and it seems particularly apt that these latest tracks are being released as we approach a time when some kind of 'new normality' sits uneasily beside the fresh storm clouds that may be gathering, virus-related, social and political.

There are a range of different moods on 'Displacement Activity Vol. 3', and it was forged during a time when the pandemic inevitably casts its shadow. The opening track, 'Reflected', is a reworking of 'Reflections' from 'Displacement Activity Vol. 1', and more ghostly, beatless atmospherics, but with the same lightness of touch and sense of adventure (the original was composed before the birth of his daughter, while the new version reflects the joy she has brought).

The more uptempo, percussive 'Blossom Is a Vector' with its layers of warped piano and strings, and 'Ever Onward', which takes the mood down a notch with melancholy piano notes and electronic distortion, both retain this sense of warmth and promise. The former was composed after the family's first walk in the local park following the relaxation of lockdown, where a nine-month-old could finally see nature, but not touch it; fear of infections transmission still couldn't take away the wonder of this new experience. The latter, meanwhile, captures a time when the gripes of mild illness descend into sleep with the soothing accompaniment of improvised music.

'Liminal Night Feeds', as the name suggests, is all about the nocturnal rhythms of infants: the space between waking and sleep, breathing and movement, and parental synchronisation. The music takes on a jittery, almost illusory quality as time and space fold in on themselves.

As with the first two volumes of 'Displacement Activity', the final track sees Steve take a leftfield turn. As the mood changes to a more claustrophobic atmosphere through 'Ever Onward' and 'Liminal Night Feeds', it might be expected that this would continue inwards and downwards. In contrast, Steve flings open the window to let in bursts of electronic light underpinned by defiant beats and a pulsating bassline. It's a jagged, hesitant kind of hope – how could it be otherwise in these times – but hope, nonetheless. The future is unwritten, and we end on a note of positivity. New music, new challenges and a new optimism will surely come.

Photography: R.Cleveland Aaron.

Displacement Activity Vol. 3

'Displacement Activity Vol. 3' (preview) – Steve Hadfield (See Blue Audio SBA #012)