https://www.telegraph.co.uk/music/artists/mica-paris-interview-lets-not-talk-about-oppression/

Ongoing Vibes 47

Ep on bancamp: 
https://caycaleb.bandcamp.com/album/summrerryday

Cay Caleb sc:
https://soundcloud.com/caycaleb

See Dee X Cay Caleb - Summrerryday

plzzzz

〰️〰️〰️〰️ | 018

Video: http://www.youtube.com/watch?v=ca9cxelkQbY

Buy the Full Package:

Beatport:
www.beatport.com/release/so-sweet…ca-paris/1158827

iTunes:
itunes.apple.com/gb/album/so-swee…aris/id703367733

Juno:
www.junodownload.com/products/cuban…et/2296169-02/

Cuban Bros feat Mica Paris - So Sweet (Clementino Remix) {FREE DOWNLOAD}

(Ripped from YouTube for Soundcloud listening. I have zero rights to this track. Please don't sue me.)

Mica Paris - Should've Known Better

track from the "Dots And Thoughts" EP.

https://longlivebao.bandcamp.com/album/dots-and-thoughts

Mauricesax & Bao - Nite Owl

Breaking Point

Breaking Point (Remix) [feat. Victoria Monét]

Messy

Sounds Good

Nobody But You

Conversations From A Payphone

Mixed Signals

Counting Thunder

Back on 74

Back On 74 (Full Crate Remix)

Ruby

Footwork

Bandcamp Ep link: https://caycaleb.bandcamp.com/album/summrerryday

Cay Caleb sc:
https://soundcloud.com/caycaleb

5 - See Dee X Cay Caleb -  Interlude (it's Alright)

4 - See Dee X Cay Caleb - Sum4u w/ Nali

3 -  See Dee X Cay Caleb - Wanna

2 - See Dee X Cay Caleb -  The Waters

1 - See Dee X Cay Caleb - Liquor Store (intro)

▶ Soulection ~ The Sound of Tomorrow
▶ Download / Listen ~ soulection.lnk.to/SireneEdits

Discover S!RENE:
@manlikesirene
instagram.com/manlikesirene

Discover Soulection:
soulection.world

Production: S!RENE
Mix: S!RENE
Bass: JAEL
Master: Killing Skills
Artwork: James Neilson

''I believe in the power an edit or remix has. To elevate a record to a place where the way it was intended by the artist gets shifted totally.''

''But by doing so, bringing out some specific parts into a brighter light. In that way keeping the respect of the original track but just adding or taking parts away and putting my own ‘sauce’ there.''

''The Sade edit being switched to a ‘Dub’ drum pattern, the added keys, switch off the bass. The references of the Little Simz’s edit including samples of Kendrick Lamar Fela Kuti and Tyler the Creator. The match between Cleo Sol and Erykah Badu in two songs that were recorded years apart. The “Ostavi Trag” reference in the Solange edit.''

''All of these things are why I love making edits. I feel a record is never “finished”. Where the vision of the original artist for a record ends, it creates a start for a producer like me who hears something new. Not better or worse, just new with the intent to add something extra to this beautiful world of music.''

''When I finished making the edits I wanted to showcase that I brought all of these women who make their own style of music into one project. In a place which is a safe space to me. A reflection of my home and all the things I hold dear in music.''

''DJ’ing, producing, playing instruments, my inspiration sources, Soulection, the people around me. These influences all made the EP and James showcased this perfectly.''

FREE DL

Is It A Crime

The release last autumn of Reel People’s first full studio album in 10 years was, it’s fair to say, a moment. Retroflection stylishly recreated soul, disco and boogie classics behind the collective’s formation nearly 20 years ago and exposed its rarefied DNA like never before. Now band leader Oli Lazarus widens the collective, inviting the world’s finest producers and remixers to add their funky splices to the Retroflection blueprint. Retroflection Remixed, featuring Mousse T., Osunlade, DJ Spinna, John Morales, Atjazz, Terry Hunter, Sebb Junior, Scott Diaz, Da Brownie, Tall Black Guy, Matt Cooper’s OUTSIDE, BusCrates and Art Of Tones, is a majestic rebooting of the soulful flow that swept us away in 2018.
	
Art Of Tones get’s his sparkly mitts on Don’t Stop The Music, swaggering synth ‘n’ bass riffs further underlining Angie Stone’s classy strut through Yarbrough & People’s 1980 hit, whilst Buscrates – true to the name of his remix – pumps irresistible funk bounce into I’m In Love, a truly lowdown re-skinning of Reel People’s Evelyn ‘Champagne’ King tribute where Navasha Daya’s vocal sounds sassier than ever.

Osunlade eases us in with an elegant re-interpretation of Reel People’s Pleasure cover Joyous, deep throbs of electronica and rippling percussion carrying loops of the vocal and that iconic sax solo to stunning new heights – or depths. Similarly, Atjazz dims the lights and intensifies the mood for his take on Twilight. Where Reel People played impressively close to Maze’s original, Atjazz treads to shuffling jazz drums, double-bass and piano. The build of parts is spine-tingling stuff. Matt Cooper and his outstanding OUTSIDE project also take on the mantle of Joyous, and serve us a full fat disco jazz funk odyssey.

There are a number of uptempo treats too. Take Sebb Junior’s snappy piano-house routine for the Mica Paris-fronted I Want To Thank You – a sparkling turbo-charge to Alicia Myers’ early Eighties gospel-R&B vibe – or NYC mix legend John Morales’ ecstatic nine-minute mirrorball twirl of Geraldine Hunt-anthem Can’t Fake The Feeling complete with epic drum and vocal (Daya once again) breakdowns. Respected UK house DJ-producer Scott Diaz gives the Sharlene Hector-led cover of Side Effect’s Always There greater guitar-licked urgency but without compromise to the song’s soulful poise and power, and revered Chicago veteran Terry Hunter is a match made in heaven for Tony Momrelle, who soars through the former’s soulfully-charged remix of Buttercup (Carl Anderson’s mid-Eighties, Stevie Wonder-penned gem) with all of its funky drums, b-line twists and warm musical arrangements. German maestro Mousse T. hands us a nostalgic rework of Teena Marie’s I Need Your Lovin’  featuring the female powerhouses Vulu Malinga, LaDonna Harley-Peters and Sharlene Hector.

Elsewhere, South African talent Da Brownie dresses Reel People’s peppy, Omar-fronted update of Skipworth & Turner treasure Thinking About Your Love in sharp, finely-detailed deep dance threads, and Detroit star Tall Black Guy (TBG) sprinkles considerable amounts of summer samba magic over Momrelle’s other Retroflection outing Can We Pretend - a stunning re-awakening of the Bill Withers and Jose Feliciano collabo for the second time in mere months. There’s room yet for DJ Spinna to expand the reaches of Keep It Up (Anthony David’s luscious rendition of Milton Wright’s deep-soul bomb) with another of his transcendental space-funk remixes. Mind-blowing.

Retroflection Remixed

I Want To Thank You (Sebb Junior Remix)

Pre-Order

Reel People feat. Mica Paris - I Want To Thank You (Sebb Junior Remix)

SanFranDisko DJ friendly edit of the Frankie Knuckles mix.
Ignore the intro piece I had to put at the beginning of the track.

Buy Here

Never felt like this before -  Mica Paris - SanFranDisko Edit

Spotify

They Know

Body born in Paris, Soul raised by Detroit.
Contact: sydcamara07@gmail.com