RA : www.residentadvisor.net/dj/ahma
FB : www.facebook.com/ahmalille

Bookings/Mgmt Worldwide:
Agustín Lopez
agustin.lopez@industriaworks.com

NA
Devin Landau
dlandau@tbaagency.com

México
Lalo Rojas
lalo@caballeros.tv

Europe / UK
nevan@klsbookings.com

groove digger, producer and dj.
former resident at radio @lemellotron.
part of @coquelicot-records family.

"Hot 4 U" available on @sengileywax 2x12" vinyl:
Deejay.dee : clck.ru/36ZwBS
Decks.de : clck.ru/36gKuc
Redeyerecords : goo.su/TFgrzRI

"Château Rouge EP" (Coquelicot Records) available on vinyl:
kuronekoMedia.lnk.to/ChateauRouge

"Back Home" available on @chatnoirfr "House de France Vol. 2" vinyl:
https://chatnoirrec.bandcamp.com/album/house-de-france-vol-ii

Thanks for sending your tracks, please send them to our Trackstack Inbox here > https://tstack.app/stereoproductions/send

For booking enquiries please contact: 
melissa@armige.com


Stereo Productions is a House Music Records Label established in 1999. It was founded and owned by DJ Chus, a legendary house music DJ and producer with over 30 years of professional experience. Stereo represents the most influential Spanish electronic music label, focusing on new, world-class talent. Its cutting-edge music is transmitted worldwide; the Iberican Sound is the group's hallmark.

 The label boasts a diverse repertoire of dancefloor, underground, and chart-topping hits, showcasing the talent of industry giants and fresh, new voices. Stereo Productions, a recipient of several music awards, stands as a testament to its recognition in the industry. Today, Stereo Productions is a beacon in the international dance music scene, fostering strategic marketing relationships with organizations worldwide.
 Stereo prides itself on being a trendsetter in the industry. They are a professional team that provides high-quality music and poignantly delivers to their countless fans the underground essence of Iberican Electronic Music.

Artist, DJ, Producer, musician and record collector ... since 1980.

Releases on: ZYX, Blanco Y Negro, Best Record, DWA (Dance World Attack), Private Records, Disco Modernism, Flashback Records, Fresh Colour, Giorgio Records, Lusso Records, Special Groove Records,  Analog Language, Vintage Pleasure Boutique, Extravaganza Publishing Srl, Forest Jams, Mordisco records, Italo Moderni, Around My Dream Records, Disco Evolution, Magic Sound Records, Tonight Records, I.D. Limited, Fonogrammi Particolari, Mannequin Records, Pardonnez-nous, SP Records, No More Pop, Opilec Music, Radio Cosmos, Disco Segreta, Mecanica, Bordello A Parigi, Vielspaß, Archivio Fonografico Moderno, Mond Musik, Nadanna, Cyber Dance, Viewlexx, Moustache, Roller Disco, Red Laser, Flight Recorder, Rebirth Records, Panama Racing, Flexx, Mothball, Wuff records, Cargo Records, Centre Neptune, Magic Waves, Medellin Mixage, Space Sound Records, Maschina Records, I Am Private/Universal Music, Lucky Harvest Music Company, Paper Bag Records, Emerald & Doreen, CrunchyFrogDK, Power Dance.

Flemming Dalum, also know as King of the cut, discovered his musical journey at an early age. An interest based out of curiosity for electronic synthesizer legends emerging while he grew up. With his first synth, the Korg Polysix, a lifelong passion was born. He started playing in bands in 1982, experimenting with electronics and the new world of sounds and possibilities. At the same time he started experimenting with records and discovered a natural talent for mixing and blending synths with records, creating his own unique world of sound. In mind that the CD wasn't invented, neither was the HD recorder, the heart in Flemmings set-up was a simple cassette recorder. An invention that should soon add yet another angle to his musical universe. With snappy skills and imagination, the cassette soon became his most important instrument taking him to the next level. The world of mixing. With sampler, echomachine, decks, synths and a beloved cassette recorder, the first true mixes came out of his studio already in 1983. Mixes with so much detail, soon giving him the legendary name "King of the cut". In the same year, 1983, Flemming stumbled across Koto "Chinese Revenge", a discovery that should soon lead Flemming into a brave new world matching his own, with synths and electronics being the heart of the music. The passion became strong and shortly after the Koto discovery, brought him to his first trip to Milan, Il Discotto, Discomagic, Non-Stop, Merak etc. to investigate the Italo phenomenon in detail. The following years Flemming visited the Italian distributors 11 times which later proves to be one of the major reasons to the fact that he has one of the worlds most complete collections of Italo and Disco. Through the years, the synths has been replaced with computers and equipment matching the urge for mixing. Something that has kept the true Italo spirit alive and made Flemming Dalum a legend in mixing today.

SeeYouInHell is following