loveeee

sad sad sad

a covers project with friends 

all proceeds went to AIM crisis fund over lockdown and second donation went to the Fareshare food charity

Buy on Bandcamp

Reestablishing Connection

DEC 20

EARTHEATER

The Only Exception

Artist: Eartheater
Album: Metalepsis
Release Date: 2/24/15
Hausu Mountain, HAUSMO 25
For more information, visit:
http://hausumountain.com/?page_id=1920

Eartheater - Homonyms

from the album "RIP Chrysalis" coming out on Hausu Mountain on 10/20/15

For more info:
hausumountain.com/?page_id=2282

Eartheater - Wetware

☜♥☞☜♥☞have a spoopy day☜♥☞☜♥☞

suffer with me

The Con

Call It Off

MP3 - http://bit.ly/OOMHRMX

Pop 2 by Charli XCX has been reeeeemixed

Recorded at PC Music Studios on Friday 15th Dec 2017

Image by http://tmthyl.uk

@mykkiblanco
@dorianelectra
@iamtommycash
@hannahdiamond
@agcook

Pop 5

Out Of My Head REMIX (feat. Mykki Blanco, Dorian Electra, Tommy Cash, Hannah Diamond, A. G. Cook)

brand new eyes (Deluxe) (Fueled By Ramen Webstore)

Misguided Ghosts

skool sux

Charli XCX — Out of My Head (feat. Tove Lo, ALMA, Dorian Electra & Hannah Diamond)

Brooke Candy - Oh Yeah (prod. SOPHIE)

Water can put out flames 
But nothing can stop this day
I feel a high tide in my eyes 
Brimming at the sight of you 
I feel a high tide in my chest
Ready to flood this house 
Gush down the hallway 
Crashing through the windowpane 
Wash the pain away 
Water can put out flames
But nothing can stop this day

Written and performed by Eartheater 
Produced by Acemo and Eartheater
Mixed by Kiri Stensby 
Mastered by Heba Kadry 
Cover art direction by Christian Velasquez 
Photography by Sam Clarke

Eartheater - High Tide (prod. Acemo, Eartheater)

'Truce' by twenty | one | pilots from Vessel - available now on Fueled By Ramen.

Vessel

Truce

Eartheater - Below the Clavicle
Format: DL
Cat.No. PAN 112S
Release Date: 5 May 2020 
Purchase/stream: pan.lnk.to/Clavicle
@alex-drewchin

Eartheater unveils a new single, “Below The Clavicle.” It is her first release for PAN since her 2018 album IRISIRI.

Eartheater shares the following about the track: “I wrote ‘Below the Clavicle’ when I was waiting to understand more about a situation before talking about it — when the meaning was still below the clavicle and hadn’t made it up to my head yet. The understanding was still underground — forging in my heart and gut. In my upcoming album, I thought a lot about lava and volcanoes and the formation of stone and mountains.”

Written and arranged by Eartheater
Produced by Eartheater
Guitar performed by Eartheater
Harp performed by Marilu Donovan
Chamber arrangements performed by the Ensemble de Cámara CSMA:
Cello - Laura Sorribas
Violin I - Belén Pérez
Violin II - Celia Álvarez
Flute I - María del Barrio
Flute II - Ana Navarro
Recorded by Eartheater and Santiago Latorre at Etopia in Zaragoza Spain
Mixed by Kiri Stensby
Mastered by Heba Kadry
Art Direction by Eartheater and Daniel Sannwald
Photography by Daniel Sannwald
Special Thanks to FUGA

Eartheater - Below The Clavicle (PAN 112)

(╬ Ò ‸ Ó)
https://thehyv.shop/collections/alice-glass
Щ(◣д◢)Щ

TRACK LISTING:
WHITE LIES
CEASE & DESIST
NATURAL SELECTION (Ghostemane remix)
WITHOUT LOVE (Mija remix)
SUFFOCATION (Jupiter remix)
FORGIVENESS (Jupiter remix)
BLOOD OATH (King Yosef remix)
STILLBIRTH

HEAV3N MINECRAFT MIX

KiCk i

Calor

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: https://bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - How To Fight (PAN 112)

Teenage Dirtbag ft. Dorian Electra

Cool ft. Låpsley

Teardrop ft. Lafawndah

Fade Into You ft. Eartheater

Feel ft. Isamaya Ffrench

New @parkingstone compilation: BLIST
01. piano princess - all the time
02. Meuko! Meuko! - none (live recording)
03. Deli Girls - SILENCE
04. Nkisi - phantasia
05. IDKLANG - Self-Optimize Pt. I The Mirror
06. INSIN - Kali Phos
07. Khadije - Ms. Thinking
08. Lizzitsky - Gum Massacre (C-Gen Mix)
09. Osheyack - Obfuscate ft. Jordan Tierney
10. Gabber Modus Operandi - Banci
11. Tati au Miel - Clairvoyance
12. Summer Satana - Mutation needs violence
13. ENDGAME - DRAINED
14. Van Boom & Oldyungmayn - 20965
15. whiterose - h'X
16. HDMIRROR - RE-ENTRY
17. Gabber Eleganza - Bonjour Travelers
Cover: Joe Pascale
Mastering: Lorenzo Targhetta

piano princess - all the time

Hey u x

Sheesh (feat. Grimes)

@ambient-tweets

mgmt: info@supernature.co
live: lucy@earth-agency.com
americas: sam@context.dance

Fade Into You ft. Eartheater

sega bodega