INTRO is a set, which I created solely from ambient tracks. During the process of choosing, I’ve tried to pick the ones capable of creating arrays of various moods and feelings. With this composition, I hope everyone will be able to find that little “something” he/she’s been searching for in music, and that this set helps them every step of the way there.

Artwork by Tereza Bartůňková

27.3.2020

INTRO - part/01 s/02

“The music speaks to us from beyond the visible. It channels the essence behind the illusion.”

Bookings: tajpenzo@vesselarchive.com

Segment, real name Vladimir Špata, lives in Hradec Kralove. He’s also a founder of the music party series “Come In”, which he has, together with his colleague “Citty”, recreated as a music label “Come In Records”. His name also has its mark under the “Seismic” project, which has its base in Hradec Kralove.

#ZVEN or WUNDER🐔HENNE is in: Berlin Based | Dresden Born | Kassel, Frankfurt a.M.,Berlin Formend | Hendrik Wunderlich Civil namend || 
Vita Classical piano and singing training from the age of 7y to TechnoMusic I came from the age of about 14/15y (1990/91) (progressive, Detroit, acid, dark) and I have remained true to it to this day. My starting point were The 1st. & 2nd. Mayday Event, back then in Berlin Weißensee, and the Love Parades of the early 1990s. School until A-levels in Kassel and I was wholeheartedly involved in the life cycle of one of the most beautiful German techno clubs (closed in 2002), the 'STAMMHEIM' Kassel (aka. 'Aufschwung Ost'). My main job as a project manager with a degree in production logistics, I never lost my love for industrial, fast, hard techno and so on the side (with longer breaks) I have worked as a DJ, producer, event organizer, people bringer and much more. Someone from the very beginning, so to speak, and quite well connected from then until now, but somehow never quite full-time. The main places I spent my time in during that entire period were Kassel, Mainz, Düsseldorf, Braunschweig, Ingolstadt, Wolfsburg, 1.5 years abroad, 10 years in Hamburg and now for 2 years in Berlin/Dresden, where I was born. The city I spent the most time in over now almost 4 decades combined is and remains Berlin, although I did spend some time there during my first 12 years in the GDR. 
 https://linktr.ee/wunderhenne


music fan, DJ & producer (ambient, dub, techno)

12-13.9. B2B takaDumm @ SHOTGUN FESTIVAL
26.9. DUKLA afterparty @ BarPapír (Liberec)

DARK TECHNO & TEKNO & PSYCHEDELIC (darkprog/ darkpsy/ psycore) 
DJ and party promoter
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+ CHILLOUT project Triptofunk @triptofunk
(ambient/ chill/ deep dubstep/ deep house/ deep and dub techno/ hip-hop/ scratching/ trip-hop/ atmo DnB/ hypno)

NARAKA dark psy/ core/ tekno festival:
https://www.facebook.com/Narakafest

booking & info:
https://www.facebook.com/triptofundj/
https://www.instagram.com/triptofun_dj/
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Triptofun was drawn into the world of electronic music in 2004 by listening to a DnB/jungle CD of one czech soundsystem and by his first freetekno party in 2005. Soon he discovered psytrance and since then he has been involved in both techno and psytrance subcultures. The fascination and inspiration of altered states of consciousness, music and dance continues to this day in both his musical and professional life.
He moved from making hardware freetekno to DJing and in 2011 joined the south bohemian psytrance group Kamasutra. His night sets on the mainfloor are mostly techno/ darkprog/ dark psytrance. However, as a multi-genre DJ, he obsessively selects tracks for his sets on a daily basis in genres such as deep dubstep/ bass, deep house, DnB, hip-hop/ trip-hop, garage, wave, ambient, etc., so that he can play at any time of the day according to the concept of the event. 
He has played in NZ, Australia, Latin America, England and several countries in Europe.
He has organized countless musical events both with Kamasutra and solo (Sohma records) or with other groups.

Latest Bangers: https://band.link/spiritedMagpie7

When the veil of perception thins, the unreal seeps in.
Sound becomes fracture. Time loses structure.
There is no intent, only resonance.
No creator, only presence.
No truth, only the dream.

Notzing is an ongoing exploration of altered perception through sound. Dense drones, structural minimalism, and time-stretched loops converge to dissolve linearity and summon trance.

Influenced by oneiricism and surrealism, Notzing navigates the unconscious through sonic language — sculpting frequencies, bending time, displacing space. Modular synthesis, feedback chains, and processed textures act not as instruments but as conduits for dreamlike experience.

It is a ritual practice in cycles: sonic, thematic, subconscious. There is no final form — only recurrences, echoes, and the slow drift toward the unreal.