Name: Lisandro Meza, Public Enemy & M.I.A-Bring the Noise (CUMBIA-BASS-MASHUP) by Selectorchico™
Duration: 3 min 31 s
Description: Lisandro Meza: El Hombre Feliz & Public Enemy : Bring the Noise (3/4 75 Bpm · 4/4 100 Bpm) * M.I.A: Bring the Noize - BASS MASHUP & add production por - by Selectorchico™

Composition pour piano MIDI - composición para piano MIDI - MIDI piano composition - 1984, real. 2005.
Traduction du titre: "Comme une peau de pierre". Translation of the title: "Like a skin of stone".

Como una piel de piedra

Lisandro Meza: El Hombre Feliz & Public Enemy : Bring the Noise (3/4 75 Bpm · 4/4 100 Bpm) * M.I.A: Bring the Noize - BASS MASHUP & add production por - by Selectorchico™ 

Lisandro Meza, Public Enemy & M.I.A-Bring the Noise (CUMBIA-BASS-MASHUP)

Two hours of rare German-language Cod Reggae and Bogus Riddims in the mix.

Earl Orlog's "Fake Music For Occupied Beaches - Vol 1" – Obscure German Plastic Reggae

Taken from Eliane Radigue 's Biogenesis © Metamkine 1996

http://www.discogs.com/Eliane-Radigue-Biogenesis/release/253649

This 1973 piece by Eliane Radigue stands out on surface level as being very unlike her work before or after this period. The sources are essentially acoustic and a far cry from the technology she most often sought: with a stethoscope and a microphone, she recorded the heartbeats of her son, her pregnant daughter, and the rhythms of her yet to be born grandchild.It was during this time that Radigue was truly immersing herself in the ARP synth, and shortly prior to her brief sabbatical from music to further hone her interest in and devotion to Tibetan Buddhism. Though seemingly in contrast with her penchant for waveforms, the resulting pulses stir at a pace all too familiar from her electronic work. As with her ARP creations, her role here is to never interfere, merely to seek out the waves and allow them to do as they wish.



Eliane Radigue – Biogenesis

Guit. Vladimir Guicheff Bogacz

(Grabación en vivo del estreno)

...une terre nouvelle...(1981), Fabrice Lengronne

from the album , BOOK 3, by UNIVERSAL PRODUCT
An audio interpretation of the Northern Lights, in a Dub style.

AURORA BOREALIS

From  my talk at “Remixing Heritage: Music Making in Diaspora”.
An event hosted by EUME and AL.Berlin
And curated by Diana Abbani and Yaktan Türkyilmaz.

Rasha Hilwi | “Remixing Heritage: Music Making in Diasporas”

Citing the novel by Chinua Achebe, political prisoner Mumia Abu Jamal notes: “We see outside our doors, our windows, a world we did not know, that now exists. A silent, unseen disease gives vent to massive unease and unleashes unprecedented fear… A pandemic came to visit the world’s richest country – and things fall apart.”

Mumia: Things Fall Apart

⚑ 
Selectorchico™ 

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Nandy Cabrera (Växjö, 1978)

https://soundcloud.com/ritmirumori
https://boilerroom.tv/q-a-selectorchico/
http://ladiaria.com.uy/articulo/2014/2/la-marcha-tropi-punk/
http://couvrexchefs.com/en/selectorchico-club-subtropical-interview/

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Montevideo, 
∞

Lisandro Meza, Public Enemy & M.I.A-Bring the Noise (CUMBIA-BASS-MASHUP)

Selectorchico™

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