Fuck Genres is the complete opposite of following the ever-growing EDM scene. We focus solely on promoting and publishing music we like that is amusing to our ears. We don't upload based on genres, but rather on what sounds good. This varies from every genre, hence the name, 'Fuck Genres'.

Bookings : aylin@vault-sessions.agency
Remix : aylin@vault-sessions.agency

NULLUM MAGNUM INGENIUM SINE MIXTURA DEMENTIAE   FUIT

All inquiries: theunderofficial@gmail.com

HATE promotes the best electronic, techno-oriented releases.

HATE on Soundcloud is all about exclusive Podcast Series & Premieres Cycle.

Mix series, born in October 2016, includes works from artists who are involved in the development of our channel and provide the tone of HATE Collective for a long time. Past records from them you can find on our YouTube channel.

After only one year from its birth, HATE podcast series was mentioned by Telekom Electronic Beats as one of "10 Techno Podcasts Every Techno Head Should Know": http://www.electronicbeats.net/the-feed/10-techno-podcasts-every-techno-head-hear/
 
Follow us here:
https://www.youtube.com/c/HATE
https://www.instagram.com/hate_collective/
https://www.facebook.com/hatecollective/

Contact us here:
hatemusic1@gmail.com

Marsel Pegan (born March 18, 1992 in Postojna, Slovenia) comes from Sežana. At 15, he was introduced to dj equipment and later, in 2009, inspired by computer DJ software to buy his own. His strong will and interest in electronic music brought him to become more serious. As a big fan of rhythm, he quickly fell in love with techno music, with the help of which he improves and completes his own personal style. In the year 2010, he made his first official stage appearance in club Pržan (Ljubljana), followed by performances in Ljubljana, Vrhnika, Maribor and other places in Slovenia. First performance on a bigger event - Festival Lent in Maribor - was in 2012. His favourite record label is Drumcode and Phobiq, as well as artists from different electronic sub genres such as minimal, tech-house, house... For sets, Marsel draws inspiration from early artists such as Adam Beyer, Joseph Capriati, Gary Beck, The Advent and so on. In the future, he wants a break through outside Slovenia, and later establish his own label.



There are few artists carving out a legacy for themselves like Dax J is right now. The British DJ and producer from London has gone from the backroom parties to headlining raves at every major techno institution the world over, all whilst staying true to the underground with an individual style all of his own. His technical skill, pure selection as a DJ and attention to high-end sound production has placed him at the forefront of a global scene, and established him as a singular presence within modern dance music. 

Recent accolades for his unswerving devotion to his sound have included places in the top 100 DJs polls published by Resident Advisor, DJ Mag and Groove Magazine. Over the years, he’s also received nominations as Best Techno DJ, Best Breakthrough DJ and Best British DJ from Mixmag, DJ Mag and the DJ Awards. He's renowned for playing mammoth closing sets at monumental parties including 10-hour marathons in the world’s most notorious techno clubs, Berghain and Bassiani.

Also known as a prolific producer and successful record label boss, his trademark sound remains in constant rotation among the most respected DJs in dance music, a style which was first fully recognised on his highly acclaimed 2015 album, "Shades of Black". Upon its initial release on his own Monnom Black label, Mixmag named it "Album of the Month", Hardwax described it as “brilliantly banging” and it also took the coveted No.1 spot on Juno Records. 2018 saw Dax release his multi-faceted second solo album “Offending Public Morality”. The record won support across the board, including that of BBC Radio 1 who picked it as their “Biggest Record of the Week”. By the end of 2018, “Offending Public Morality” also featured in the “Top 50 Albums of the Year” lists for DJ Mag, Tsugi and Apocalypse Mag. Two more events that crowned a year of great success were his enrolment into the BBC hall of fame with the release of his debut Radio 1 Essential Mix, and Be.At.TV’s choice of his 4-hour closing set at NeoPop Festival for their “Best DJ set of the year”

sELLyPeg is following