From my 2008 album Sublimation. <a href="https://en.wikipedia.org/wiki/Superparticular_ratio">Epimoric</a> drone music with spectral rhythms. Made with Csound and blue. First posted <a href="http://mysterybear.net/article/30/unstill-light">28 October 2008</a>. The album is available on <a href="http://mysterybear.bandcamp.com/album/sublimation">Bandcamp</a>.

Acquire

Unstill Light (from "Sublimation", 2008)

One minute in the life of Partick Library, Glasgow. Recorded 23 November 2010 as I passed the time in the reading room while my son was at nursery.  Traffic passing on Dumbarton Road can be heard in the background.

As a contribution to the Bibliobeep and Disquiet Junto projects, I chose a segment from around 15 minutes of continuous recording that included a decent quota of beeps and voices, as well as an excellent demonstration of nose-blowing.

Library photo: https://www.flickr.com/photos/ilike/2147363588/

More on this 127th Disquiet Junto project — “Record the sound of your library — and then maybe make something of it” — at:

http://disquiet.com/2014/06/05/disquiet0127-libraryshhh/

More on the Disquiet Junto at:

http://disquiet.com/?p=16588

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

More on Zoè Benoit’s “bibliobeep” art project at:

http://conference.ifla.org/ifla80/librarians-worldwide-call-beeps

Photo associated with this project via:

http://goo.gl/UJhtQr


Partick Library [disquiet0127-libraryshhh]

02_MR-0798_Peter-Brötzmann_Sonny-Sharrock_Elbo-Room_12-2-1989

Improvised, multi-tracked composition for Ondes for iOS, on a morning of dense freezing fog. Effects via Korg MiniKaoss Pad at the time of recording and Valhalla VintageVerb.

Sketch: Ondes In Fog

Carl Sagan saying the word "billion" in the first episode of Cosmos, stretched to one hour.

NOW AVAILABLE on the album "Stretching Exercises": 

https://johnkannenberg.bandcamp.com/album/stretching-exercises

1 Hour Sagan Billion

Single-sided 12" released late November

300 copies

DIAGO26

info@diagonal-records.com

DIAG026 Not Waving 'Get Serious'

Taken from the Otoroku LP 'Live at Cafe Oto' (ROKU017)

https://www.cafeoto.co.uk/shop/category/oto-roku-releases/
 
Okkyung Lee - Cello
Bill Orcutt - Guitar

Otoroku is proud to present the full recording of the first meeting between Bill Orcutt (USA) and Okkyung Lee (South Korea).  Individually these players have focussed on an idiosyncratic approach to their chosen instruments and technique. Okkyung is one of the most singular voices to compromise the cello’s ‘classical’ origin, whilst Orcutt has spent many years developing a unique abstraction of traditional guitar blues.
 
Live at Cafe Oto is an uncompromising combination of these individual elements and an ecstatic improvised assault of mind and sense.

180 gram vinyl. Matte sleeve with artwork by Bill Orcutt. Limited edition of 500 copies. 

Okkyung Lee / Bill Orcutt  - 6:55

Tabs Out: Laser Focus #13

Tabs Out: Laser Focus #13 - Poor Little Music

American Society for Acoustic Ecology (ASAE): Listening to the Future Symposium. 

Andrea Callard
Chad Clark
Viv Corringham
Jamie Davis
Michelle Nagai

Live performance for the radio program Something Else hosted by Philip von Zweck
WLUW-FM 88.7 – Chicago Sound Alliance

Photo: Indiana Dunes National Lakeshore/(ASAE) soundwalk location

Callard, Clark, Corringham, Davis, and Nagai

This is my submission for Disquiet Junto 0060. See http://soundcloud.com/groups/disquiet-junto/info for more information about the Disquiet Junto in general, and about this project in particular. This is also part of the SoundCloud Audiobiography project, for which see http://blog.soundcloud.com/2013/02/06/audiobiography.

I decided to record my voice with live processing that included a drone element and that would add something to the sound of my voice in some way. The processing consists of a Moogerfooger Ring Modulator, a Koma BD-101 delay, and an Ekdahl Moisturizer reverb. The underlying drone is produced by the BD-101 feeding back at a very short delay. This drone is augmented toward the end of the track by easing the entire effects chain into a feedback loop. Everything was done like, with no post-processing other than trimming the end of the track. This was the final take, number thirteen.

Callard, Clark, Corringham, Davis, and Nagai

Chad M. Clark