FΔM 
TEXT ME +1 (626) 469-5267

https://keychain.club/deorro

Insta/Twitter: @DEORRO

Management:
berman@prodigyartists.com
ben@prodigyartists.com

Bookings:
UTA | North and South America
ben.hogan@unitedtalent.com
​
Primary Talent | EU
paul@primarytalent.com
​
UTA | Asia
david.gordoni@unitedtalent.com

UTA | Rest of World
ben.hogan@unitedtalent
carlos.abreu@unitedtalent.com

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

'Piano' is out now everywhere! ➡️ https://AvB.lnk.to/PianoYA

Armin van Buuren has been a global ambassador for electronic music for over thirty years, with a Grammy nomination, five #1 spots in the DJ Mag Top 100, and nine full-length artist albums to his name. Through his exemplary productions, groundbreaking live
shows (e.g. his new ‘THE ORB’ world tour) and his weekly A State of Trance radio show (44 million listeners from over 80 different
countries), event series and album series, he cultivates a massive global following.

Armin van Buuren headlines tens to hundreds of shows per year at leading festivals and venues around the world, including Electric Daisy Carnival (Las Vegas, New York), Ultra Music Festival
(Miami), Lollapalooza (Chicago. Berlin) and Tomorrowland (Belgium, Brazil), plus residencies on Ibiza and in Las Vegas, and his own A State of Trance events in Rotterdam, London, Mexico and beyond. 

As a producer, Armin van Buuren has joined forces with the biggest artists in dance music and beyond, from Hardwell, David Guetta and Martin Garrix, to Moby and Jon Bon Jovi. In June 2025, he released his ninth studio album, ‘Breathe’.

Armin van Buuren is also the co-founder of Armada Music, the world’s biggest independent dance music label.

Alison Wonderland architects a world of her own design as its chief author, creator, and voice. The Sydney-born and Los Angeles-based singer, songwriter, producer and DJ first emerged in 2009, and since then her sound has quietly inched towards mainstream ubiquity as the sonic sorceress received the “Highest Female DJ Billing Ever at Coachella” label, captured #1 on the Billboard Top Dance/Electronic Albums Chart twice consecutively, headlined sold out arenas around the globe plus headlined stages at the biggest festivals in the world, and to date has clocked upwards of 500 million streams.

Agents Of Time is the project of Andrea Di Ceglie and Luigi Tutolo. A revered two­man live act, DJs and masters of their sound in the studio. 
Since starting their journey together as Agents Of Time, the two Italians have combined their talents and shared influences to become a globally in­demand dance act, releasing on a number of leading labels along the way. A much­loved debut 12” on Correspondent in 2014, ‘Polina’, marked them out as an exciting new name in the realm of emotional, melodic techno and kickstarted their touring career. 
A hardware­heavy, improvisational live set spanning house, techno and acid is at the heart of what they do. The two members perform around a square table, facing each other, translating a symbiotic energy through the machines and communicating through instinct and gesture. A complex, unique and unpredictable dance between human minds and analog equipment that invariably creates moments of magic. Their live set was partly inspired by an expert of the craft in Mathew Jonson, and it is telling of Agents Of Time’s success that they now count Jonson as a collaborator. ‘Repeating Patterns, Numbers and Letters’, Agents Of Time’s first studio collaboration with Jonson came out in March 2019, following live shows together at Rex Club (Paris) and Movement Festival (Torino). 
The adventurous spirit and heady sound palette is channeled into house, techno and more obscure selections. 
Their work in the studio is a free­flowing ritual, an extension of what they do on stage. ‘Spread The Word’, their debut album came out Stem Records in 2014 and was followed by hit EPs for Maceo Plex’s Ellum Audio, their own label Obscura and Curle Recordings. A relationship with Tale Of Us and multiple appearances at Afterlife events has also led to Agents Of Time signing to Afterlife with the stunning ‘Dream Vision’ EP and 'Paradigm' on the Realm Of Consciousness compilation. 

The Agents Of Time are taking careful steps and showing themselves to be gifted, versatile performers with each one. Whether on record, on stage or at an any event, count on a high­quality output, finely balanced between experimentation and a straight dancefloor vibe.

#131 DJ in the world for DJ Mag, Alessandro Xiueref, better known as ASCO, is an Italian DJ and Producer who in the past years has drawn the attention of the most important labels and artists of the dance scene.  
Discovered by artists as Sander Van Doorn and Blasterjaxx he made tens of releases on Spinnin’ Records including a collaboration with the Dutch duo and played at Spinnin’ parties like Spinnin’ Hotel in Miami. His signature sound has not gone unnoticed also by Don Diablo and Hardwell that released his music on Hexagon and Revealed.  His iconic track Fuga released on Doorn, has been synched by GoPro for their annual Year in Review adv. 
ASCO's productions have been played at Tomorrowland, Ultra Music Festival Miami, EDC Las Vegas, AMF and supported by Martin Garrix, David Guetta, Tiesto, Armin Van Buuren, Dimitri Vegas & Like Mike, Don Diablo, Hardwell, Nicky Romero, Steve Aoki, Afrojack, Alok just to name a few.  
ASCO travelled the world with shows in USA, India, Nepal, Thailand, China, Japan playing in clubs such as Illuzion Phuket, Playhouse Chengdu, Playhouse Chongquing, Catwalk Guangzhou China - all Dj Mag Top 100 Clubs and all over Europe including Balaton Sound Festival in Hungary, and Electrolapse in France. 
His  brand CAOS is a new concept that includes a record label, his radio-show, live shows and a clothing line.
In 2022 ASCO launched his project Symphony of CAOS, a unique and immersive experience that touches multiple arts for a one of a kind show. Accompanied by an Orchestra, a classical Choir, theatrical performances, ballet dancers and many guests for a total of more than 90 artists on stage.

10 weeks, 10 songs, 10 cities
https://linktr.ee/Fredagain

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