Caprice

Forged in the fire of recent studio sessions for Tiga’s next artist album, ‘Let’s Go Dancing’ is the collaboration between the Canadian producer and Audion aka Matthew Dear. An epic in all senses of the word (the full version clocks in at 9 minutes), ‘Let’s Go Dancing’ is a brilliant piece of hypnotic, primal techno.

Remixes come courtesy of some of the hottest producers of the moment: Breach, Solomun and Maya Jane Coles, alongside rising Turbo star joeFarr.

Buy it here:

12“
decks: http://bit.ly/1csIe1p
Juno Records: http://bit.ly/1hx20bP
Phonica: http://bit.ly/HqWppn

digital:
Beatport: http://btprt.dj/1ceuWAS
iTunes: http://www.smarturl.it/LetsGoDancingiTunes2
Juno Download: http://bit.ly/16AgEKQ
Boomkat: http://bit.ly/1iYNN5s
Whatpeopleplay: http://bit.ly/18lefRC
Traxsource: http://bit.ly/1hzdJcg
Stompy: http://bit.ly/1dgcnNV
Spotify: http://spoti.fi/1dXKriD
Rdio: http://bit.ly/1hzdJcg
Deezer: http://bit.ly/HPxc97

Tiga VS Audion - Let's Go Dancing (Solomun Remix)

ANDATA, thornskin - telling lies (doomr filter edit) SLOWED

We live at a time when distractions from reality are never further away than our fingertips. Our phones offer us unlimited stimulation and temporary comfort. The possibilities of technology are endless, but they also limit the possibility…the possibility to truly experience and submit to the moment.

For me, going to a club has always been about letting go of the world around me, like a vacation from the nagging realities of everyday life. In the best clubs I have been to, the people were united by a desire to experience electronic music in the purest sense; to get lost in its tension and release. No matter what was going on in their lives, it was a place where, for at least a few hours, nothing else mattered but the sheer power music had to bring people joy. And those experiences - held only by those in that room, at that moment - were almost like the reward to submitting to a secret society. At the end of the night, I could look at my friends, old and new, and without saying a single word, we'd know that what we experienced together was something special, something that would never quite be repeated again.

Some of my early clubbing experiences have stayed with me for my entire life. They are why I'm doing what I'm doing today. There is not a photo, forum thread or social media post in existence to mark their happening, but the memories, the emotions I felt, the way those nights changed my life - those things stay with me to this day.

Somewhere along the way, we as a society have lost the ability to experience those special moments. On the rare occasion that they do happen, we scramble to grab our phones in time to capture them - but those moments cannot be truly captured - and they don’t need to be broadcasted or recorded. Sometimes, the best thing we can do is fully appreciate what is happening in that room, at that moment, with those people around us. 

I think our society needs clubbing experiences where they go home with more than just a picture to post on instagram. That's why I'm starting This Never Happened - I want to create that experience for people.

At This Never Happened, we invite you into a space where the only thing that matters are the people in that room, the music and the magic that happens when those things interact. An event where the dancefloor will be a phone and photo-free space.

This experience we share together may, by 2016 standards, have never happened. But those who dare will always know - something special did happen here. 

The first show will be a return to my hometown of San Francisco on 3 June at Mezzanine. It's a venue I've dreamed of headlining for many years and the perfect place to start this new chapter. If we can make this happen - and work - together, there will be many, many more. 

This Never Happened will not just be the name of these events, but also the name of a new record label. This label will be the outlet for music, by me, that is inspired by and made for this experience. The first song I'm releasing is called "Fingerprint" and you can listen to it below.

Putting this project together with my team over the last 6 months triggered a creative spark in me unlike anything I've ever felt before, and I'm so excited for you guys to hear the music I've come up with during that time.

I look forward to building this concept with you :)

Love,
Daniel

Fingerprint

Mark Knight’s latest outing on Toolroom Records is a timeless, feel-good slice of musical hedonism that harks back to those glorious days when house was house, and nothing more.

These days, the word ‘house’ is more often than not accompanied by a qualifier: is it ‘tech’, ‘deep’, ‘future’ or one of another dozen or so sub-genres that seek to further categorize a style of music that frankly could do without it. Step forward Mark Knight to deliver ‘Yebisah’: a record that is HOUSE, pure and simple, perfectly timed to put a smile on the faces of thousands of clubbers all around the world, not least of all in Ibiza.

"Back in the day, Ibiza was about house, not tech House, techno, minimal or bass music” says Mark. “That’s why people used to congregate there. I just wanted to write a solid, uplifting house record that DJs could play peak time or at the end of their set. Ibiza has been instrumental in my DJing career and as an artist and this record is an ode to the most magical island on the planet. It’s a house cut that I hope a lot of DJs will love and recognise why it’s perfect to be played on the island."

Check out ‘Yesibah’ below in our Debut Transmission this morning..

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Mark Knight - Yebisah

8-track is available everywhere now: http://lnk.to/8-trackFA

The first in the new album series on Knee Deep In Sound!

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Buy 8-track

Cristoph - Alone

Kölsch - Grey

Grey Zone

Domino Remixes

Domino (Rework Edit)

Desire

Desire (Solomun Remix (Edit))

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