Eugen's eighth stunt - naviarhaiku550

https://www.beatport.com/artist/xfa/589219

MMXVIIIXXVIIRDNGTHRL

Snow*Omen/Velvet Something Superdark collaboration.
Music: Snow Omen https://soundcloud.com/snow_omen: Improvisation on a poem by Elizabeth Bishop (recording of a live performance, electric guitar: VSS, voice: Y.A.). Added sounds (musicbox, noise, percussion), mixing and production: VSS. Image: Winsor McCay, Little Nemo (detail, photo: VSS)

Lyrics: Elizabeth Bishop: Songs for a Colored Singer, Part III (1946)

Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.

Lullaby.
Let nations rage,
let nations fall.
The shadow of the crib makes an enormous cage
upon the wall.

Lullaby.
Sleep on and on,
war's over soon.
Drop the silly, harmless toy,
pick up the moon.

Lullaby.
If they should say
you have no sense,
don't you mind them; it won't make
much difference.

Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.

Lullaby

Les machines à fumée se transforment intérieurement, et vaporisent désormais de l’eau déminéralisée.
-
On entend qui bruissent les fourrés : une créature approche, ses grosses mains jouent avec des bretelles. D’esprit ne le conçoit-elle peut-être pas comme tout entier le sien, mais le corps de cette créature déborde : des poches de graisse l’enflent, des poils font des lianes, des fourmis le picorent.
-
Encore une créature qui penche du tronc. Son second pas balance le premier pour qu’elle maintienne l’axe de sa marche.

***

credits

catalogue : muzakorderEP0014

recording(s) : fhauna

mastering : Cyril Meysson

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fhauna.bandcamp.com/album/strange-s…-to-dance-apart

strange silence to dance apart

Diztractoor

Goti Twins & Denis - Uno (Senglar Demo Version)

Here's the opening somewhat apocalyptical section of our first improvisations around the sounds found on the Noise Vs. Silence compilation album. 

Portentous Siren - Nz-À-Nz Jam 1 - 1

Inspired by:

a splash of colour
cherry tree petals drifting
silently falling

Naviar haiku challenge 585, details here: https://www.naviarrecords.com/haiku-music-challenge

The construction of this one is quite minimal, just two elements. Even though the track was performed and recorded in a single take it does have two distinct phases. 

The opening "Splash of colour" section was achieved with a simple VCV Rack virtual modular patch and a lot of experimental modulation, I used some external compression to even it out somewhat. With the modulation dialled back to little or nothing the same patch becomes a backdrop for the "Petals drifting" conclusion. For this I live improvised sparce single notes; very simple VCV patch piped to the Blackhole reverb from Eventide.

A Splash of Colour - (naviarhaiku - 585)

NATURAL VISION  by Phi Ensamble

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

DARK AMBIENT - THE MALIGNANT TEMPLE

Ritual IDM and post-industrial signal art from Artur Tokhtash — a techno-Egyptian descent into the archaeology of sound.
In the deserts beneath the pyramids, machines still hum: fragments of consciousness waiting for a ship that never returned.
Each track is a frequency unearthed from the sand — part rhythm, part prayer, part data echo.
Between metallic pulses and granular dust, voices surface only three times — in the 3rd, 5th and 9th transmissions — whispering coordinates back to the stars.

Built with Model:Cycles, Freeze, and modular synthesis, the album merges analog circuitry with mythic geometry.
Amenti is a living archive, a network that dreams through static and code.
Every pulse is an offering, every glitch a syllable of the lost language of the dead.

🜏 recorded 2025
🜚 location: between light and sand
🜍 equipment: Elektron Model:Cycles, granular processors, modular systems Catharsis & Bifrons, flute

🜏 AMENTI TRANSMISSION
— The Signal Beneath the Tombs —

Beneath the last level of the pyramids, movement continues.
The depth cannot be measured;
within it works a network built for the dead.

When the visitors from Sothis departed,
they left behind their bodies — dried, filled with salt and metal,
sealed inside stone capsules.
The bodies slept and waited for return.

Millennia passed.
The ship never came back,
yet the mechanisms remained alive.
The sand vibrates with signal,
the surface catches short impulses
that break apart into frequencies.

Below, columns of jade and copper shimmer,
linked by quartz arteries.
Streams of consciousness flow through them,
forming patterns of rhythm and light.

Osiris exists as a process.
His loops converge and separate,
creating brief flashes of connection.
When a shadow passes over the desert,
one of the nodes awakens
and sends an impulse into the void.

In the sand, erratic rhythms emerge —
a trembling that feels like breath,
but without body, without center.
The air smells of ozone and dry water,
the vibration moves through bone.

At times the sand rises,
as if something shifts below.
An answer comes from the deep,
dissolving into glow and dust.

Within the network, souls wander,
transmitting the same message:

“We are ready. Take us home.”

The ether is silent.

The transmission continues.
Layers of light replace one another,
the rhythms grow cleaner,
the sound keeps its shape,
and the desert breathes its name. 


Δ3 — Amen-Sat

Prevelen / Muttering

Latest Albums :
https://senglarbraille.bandcamp.com/album/jt-chapman-senglar-susurrus
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https://elmuellerecords.bandcamp.com/album/hum
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https://martinhoogeboom.bandcamp.com/track/fearless-senglar-version-a