STELLAR 🖤💙🖤🌑🌒🌓🌔🌕🌖🌗🌘🖤💙🖤

this is incredible... is it buyable somewhere?

A fictitious competition where 99 of the 100 competitors in a squiggling competition perish. Somewhat inspired by the Dancing Plague of 1518 and Shirley Jackson's short story "The Lottery".

The original version had more vocals, but a decent portion of them were scrapped for the reupload.

Sinny: percussion (shakers, caxixi, cabasa, tambourines, triangle, finger cymbals, cowbells, jam block, rototoms, djembe, vibraslap, helix bowl, The Night Cricket, brake drum, slit drum, frame drum, flexatone, ratchet, thunder tubes, xylophone, marimba, orchestral chimes); drum kit, kalimba, synthesizers, dobro, samba whistle, bulb horn, sound sticks, vase, chair, voices; synth, drum, and percussion programming

Squiggle Till You Drop

Original track:https://soundcloud.com/user-862463980/red-bricks

GODARD JAMAïCA_RED BRICKS DUB (EDA BROWN MIX)

woman

6“ Lathecut flexicard of one song by Delphine Dora

Fifth postcard of the series,
this singlesided flexi is playable on most turntables.

19 copies only
comes with one pretty little silver badge

https://mmli.bandcamp.com/album/dilatation

Delphine Dora - Dilatation

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

Field recording based composition by Alëna Korolëva, with voice of Eki Shola.

Recorded in marble quarries near Borba, Portugal, October 2022.

Strange but true fact: mining is responsible for nearly half of the world’s economy. The history of mining around the world can be read in the open scars that have been left when the sought after resource has been extracted. In these wounds, often larger-than-life pits abandoned by humans, new forms of life have gathered. Inverted Mountains is a documentary record of one of these spaces. 

Portugal’s Borba Region is rich in marble, 400 pit mines dot the landscape, all but 50 are abandoned. In 2018 a wall of one of the biggest quarries collapsed and buried five people in a landslide.

This track offers a detailed examination of sunset at the bottom of the pit, four years after the accident. Pigeons circle in the lower levels, offering a sound of wings, while starlings and swallows gather near the mouth of the pit, 50 meters above. The natural echoing acoustics of the steep walls allow each bird cry to resonate in a living delay, as if there were thousands not hundreds of birds gathering here. At the very end, the lonely bird song is echoed by a human voice, calling out in a plaintive wordless cry, the ghost of all those whose lives were lost in this forsaken place.

Inverted Mountains

Composed 2017, recorded July 2023

Bernhard Plagg - trumpet 1
Stephan Stadtfeld - trumpet 2
Lionel Speciale - horn
Vladimir Vereś - trombone
Fabian Neckermann - tuba

Sound recording in the studio of the Landesmusikakademie Berlin, 2023
Sound engineer: Benjamin Ostarek

Program Note
Tagundnachtgleiche (Equinox) was created on the occasion of a composition competition for brass quintets announced by the publishing house Furore Verlag in 2017.
At the beginning of 2023, I decided to record the piece in a recording studio and to make it available to the public. The trumpeter Bernhard Plagg was kind enough to take on the project. He put together a brass quintet, organised rehearsal dates, etc.
The composition consists of two elements that alternate or interpenetrate each other. On the one hand, composed, notated music, harmonic and rhythmic in the broadest sense. And on the other, improvised music, mainly consisting of differentiated, nuanced noises and representing a kind of random music, like random sounds in nature.

Tagundnachtgleiche for brass quintet

Gong Bath

R - Ki

Sinking into the Dark -  it is a new long-time term project started from 2019 focus on psychoacoustics, deep thinking, involving time mutations, body motion, light, the use of self-made recordings of electromagnetic waves from the outer space coming from celestial bodies, recorded at the Astronomical Observatory of Luserna (IT), in addiction with real-time reception of high frequencies waves, radio communication, wireless with the use of a variety of antennas, some of them self-made, for a series of compositional ideas for live performance.

Sinking into the Dark I -  Excerpt Live@KM28, Berlin 06.12.19

Noxin SD02 (Senglar Version)

SenSen Are Senmove & Senglar








Shoeglitch.Ink.Recordings (Creative Commons License)

Noxin SD02 (Senglar Version)

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