One half of dj duo/mercenary group, Den of Snakes.

With beginnings in early-nineties Midwest rave culture, Sir Fice has an appreciation and deep understanding of techno's history. Influenced early on by Plastikman's "Sheet One", Sir Fice's techno sound has organically progressed from the funky and hard techno of the late 90's, through modern minimal to the refined sound of today merging contemporary digital sounds with analog thump. With 15 years of experience behind the decks, Sir Fice's aggressive mixing style distorts the line between classic and contemporary. His sets span the realms of deep, funky and drugged up house to dark and mental and full on techno. Sir Fice has played alongside techno heavyweights Richie Hawtin, Steve Bug, Maetrik, Ambivalent, Barem, Derek Plaslaiko, Acid Circus, Dilo, Punisher, Robert Armani and more.

As a promoter, his industry roots run just as deep having commandeered several Event Promotions projects over the past decade, most notably with Milwaukee's AudioTribe collective, PROJEKT MKE and Projekt INTL. AudioTribe's successful two-year run of their 'HomeBrew' events laid the groundwork for projekt mke, a collaboration that specialized in bringing world class, boundary pushing techno, house and minimal to the Midwest. Now rebranded as Projekt INTL, the collaborative's efforts have a broader vision for the future of Contemporary American Techno Culture, through national and international promotion and events, a podcast roster of international artists and a passionate goal to raise the profile of avant-garde Techno & House Music in North America.


When Nick Wilson takes over the decks at a party, it’s obvious, as his tall thin shadow stands over six and a half feet tall. Hence his moniker ‘Bones.’ As a regular fixture and respected member of the Denver dance music scene for more than 20 years, Bones has earned a reputation as one of the most well-rounded DJs Denver has to offer. 

Playing everything from downtempo and house, to tech-house and hip-hop, his unique selection of music and fusion of genres has put him in line-ups with the likes of Lee Burridge, Carl Craig, Danny Howells, Miguel Migs, Jimpster, and many others.

Curator of weird noise and rhythm and founder of Bleepsequence netlabel. Might melt your brain.

Other projects:
Bitlegs (vgm edits)
Untethered (improv techno collab with Vasculator)
burst_error (live streaming stuff)

Music is love!

I am a Mexican, rescue mama, and wife. I love animals, camping, road trips, and music.

<a href='http://gigs.gigatools.com/u/minilogue' target='_new'>minilogue's Upcoming Gigs </a>Saturday 08 February, 2014 <a href='http://www.trouwamsterdam.nl' target='_new'>Trouw, Amsterdam, Netherlands</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Blomma

Everything comes in its own time: a wordly wisdom that Marcus Henriksson and Sebastian Mullaert aka Minilogue take for granted. Since their foundation in the year 1997 they emerged to one of the most respected and hard to pigeonhole electronic music acts world-wide. And that not only because in each of their artistic expressions you can feel their effortless passion for what they do - whether live or magnetized on a medium. Also because they do not stick to any stylistic niche to mark their territory. House, techno, ambient, trance, and lately jazz are equal parts in their creations.

The most effective bunched proof for their musical universalism was marked in 2008 with the release of their debut album „Animals““ on Cocoon. Since then a string of Ep’s on labels like Mule, Wagon Repair, Traum Schallplatten, and their own imprint Minilogue continued their story in sound in which everything is made out of the present moment. Also the jazz infused album „Bring Out The Imps“ that they recorded under the alias IMPS with two jazz musicians and a heartfelt collaboration album with the Japanese producer Kuniyuki entered their discography.

And between all their work they constantly performed their intense improvised live shows all around the globe. Privatly they formed themself a life far beyond the big city lights, out in the Swedish woods in the north of Malmö. Here they live a life where the inner gets the outer and where their way of creating is far away from Zeitgeist zones in which musical trends pass by like seasons. In the past five years they met every now and then when it felt like hooking up in the studio, jammed on their equipment without a clear goal in mind and recorded each unique moment that was guided by the experience of the single day of life that marked their souls when they came together. In past months they went through the archives of their creative comments on our time, that been born in moments where time was not on the agenda. In that time just music called the tune and as a result of this pure form of conversation between two souls their second album „Blomma“ emerged.

The title of the album isn’t just a name. The Swedish word „blomma“ represents two meanings in one: to bloom and the flower. The flower and the blooming are deeply tied to each other - as for Minilogue the process of making music and the temporary result of the process is one too, the album title matches perfectly with their aim of beeing aimless. Out of this attitude towards making music again a heterogeneous longplayer arose that does not work like a regulary formatted club music album. It comes in two parts that both have two faces within themself which are constantly shifting: dance oriented rhythm parts and airy layered ambient atmospheres – always intensely tuneful, musical, and shapely.

All eight tracks underpin the wisdom that says that in the moment of deep creativity you disappear. Because no ego can be heard and all grooves, melodies, field-recordings, samples, and chords work like a single colour of a musical painting that is full of versatile electric elements und unnatural sounds. Sounds that only evolve if those who create them are far away from knowing that they create. A state of mind that Minilogue bound on a double album that is just there to let the music speak. That is why again you can’t see their faces on the cover. Instead pictures of the nature that surrounds them in their everyday life stimulate the fancy of the listener while his ears get lost in a gentle amalgamation of rhythm and sound that conveys the impression that it just flew through the bodies of both while their extremities instantly used each instrument around – from the computer to the synth, from percussions to piano.

Nothing you can hear on the album is edited or post produced – it all sounds exactly like it was when the atoms of these two individuals danced together. The result is a record with no real beginning or end. An album that tells unconscious an epic story about the path it took to make it. With each atmospheric turn it blooms like an unreal sound fairytale which leaves much space for the listeners individual imagination. You can dance to it, you can ease, you can loose your feeling towards time and space. Whatever happens – in one moment suddenly Minilogue are very close, even if they are not present.

Since being introduced to electronic music back in the early 90's, David has been hooked. At the age of 15 he started DJing and playing out at local underground events and raves around the Southern California area. You would've found him spinning various styles from house, acid, & techno to hardcore techno.

After years of DJing he then decided to learn to produce his own music, which landed him his first releases on labels such as Monoid, Stimulus, 4 Track & local label Droid Recordings. Since being associated with local event production group Droid Behavior in 2003, you can find him as a resident at the infamous Interface warehouse events as well as a regular producer for Droid Recordings. Over the years his music has gained worldwide attention and onto the playlists of many big players which eventually led him to gigs at some of the worlds biggest clubs including Berghain in Berlin and Fabric in London. He is also now regularly touring all over the world in Australia, Japan, Mexico, Canada, Central & South America, all throughout Europe and the U.S.A.

In early 2011 he started a project called 'Truncate' which focuses on the deeper, and more raw side of techno. His Truncate releases have been gain support from big players such as, Ben Klock, Marcel Dettmann, Chris Liebing, Speedy J, DVS1, Luke Slater, Ben Sims and many more.

With his heavy remix, production and touring schedule there is no slowing down in the near future for David as he continues to shape his own sound, putting Droid Behavior and Los Angeles on the techno map

SEQUENCE is following