👽 Merging Y2K vibes, Trance, Breaks, 80s and 90s nostalgia. Hit the play button and get on board! 👽

“This is an alternate 1999. It is the future that never was... The future that will never be... A future that exists only in dreams caught on VHS!"    
  
"90's Trance and Drum 'n Bass meets Y2K"

VHS Dreams is the alias of UK-based, Greek-born electronic music artist George Dervenagas. Since his life-changing discovery of dance music at the age of 11, he's made the curation and creation of sounds his lasting obsession. After many years of club residencies in his home island, he got his first break as a producer with VHS Dreams' "TRANS AM". The album, a revivalist tribute to the dance culture of the 80's and his childhood love for GTA, put the artist at the forefront of 2015's Retrowave movement. In 2018, VHS Dreams pushed the nostalgia needle further with “Lost World”, a return to 90’s Ambient House music.

As his consequential first exposure to the beauty of electronic sounds reached its 20th anniversary, and our century a new decade, VHS Dreams yet again expanded on the stylistics of his trademark nostalgia. Reflecting on the euphoric innocence and optimism of a bygone Y2K world, his music explores new anthemic heights that reflect upon attitudes towards our own emerging future.

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i don’t rap, links at jazz6.onuniverse.com

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Reset With Amber Lyon covers empowering natural therapies that enable one to hit the 'reset button' in life.  Host Amber Lyon interviews inspiring individuals who have carved their own paths and are following their passions.  

Amber Lyon is a three-time Emmy Award-winning journalist, former CNN correspondent, filmmaker, photographer, and explorer.  

For more information on natural medicines and therapies please visit http://www.reset.me

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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