Name: Nicholas Britelli - Niamos (Dvbtune Mix) by Sequencist
Duration: 53 s
Description: Inspired by the last part of Andor episode 7, Star Wars. I created this mix. Great soundtrack by Nicholas Britell

Dystopia Unchained (Isaac X QWERTY)

Digital Chaos

Heart Beam

⬇️ Free Download: https://bit.ly/3qDqFp8

❤️ Please Subscribe: http://bit.ly/2tIpRFw

🎶 Composer: AHOAMI


➤ You’re free to use this song in any of your YouTube videos, but you MUST include the following in your video description (Copy & Paste):

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Song: Tunetank - Battle For The Future (No Copyright Music)
Music provided by Tunetank.
Free Download: https://bit.ly/3qDqFp8
Video Link: https://youtu.be/9tZ1ddoPO-w
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❓ FAQ:

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🖌 Artwork by Josu Solano: https://www.artstation.com/jsolano

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#tunetank  #freemusic #copyrightfreemusic

46

FREE DOWNLOAD

AHOAMI - Battle For The Future (Epic Intense Battle Music)

Inspired by the last part of Andor episode 7, Star Wars. I created this mix. Great soundtrack by Nicholas Britell

Nicholas Britelli - Niamos (Dvbtune Mix)

Lyrics:

woke up in a psychward

when they found me tried to hold me down

forced these pills

down my throat

now i take em by the lb

T  . E . A - Trebel

Breathe

Like the Jason Voorhees of podcasts, the Auralnaut's Podcast has been resurrecting once again. What does Jason have to do with The Running Man? Absolutely nothing. There just isn't an appropriate metaphor to be found in the sci-fi dystopian world of Ben Richards, because once he kills something, it stays dead. Join Zak and his guest comedian Liz Miele as they decide if The Running Man holds up by today's standards.

Mind Control

Episode 25: The Running Man with Liz Miele

Take a step into the chill/jiggy side of rap for a seccc

rule number one ft JUSTOMOBBIN

wondering what if | untitled project 001 sessions | ambient atmospheric psyche drone horror WIP | shifty 3.1 rs 95 bpm take 1 81225

Never—no, never—could they have imagined it.
That an encounter with an extraterrestrial civilization might come to pass. Yes, the probability existed. But it seemed so infinitesimal, so distant, that it belonged more to dream than to calculation. Humanity lifted its gaze to the stars, convinced that if such a day ever arrived, it would be written in the heavens.

And yet…

The worst nightmare took shape.
Yes, a civilization existed—alien, monstrous, and all too real.
The encounter came, but not where we expected.

No… not in the firmament.
Not in the frozen infinity of space.

But beneath our feet.
Beneath the Earth’s crust.

It was there we found them.
A swarming immensity, ancient and foul. The air reeked of damp stone and rotting flesh; the ground quivered beneath the innumerable stirrings of their bodies. In the dark resounded the chittering of their limbs, the wet rasp of their breath, the obscene scraping of flesh against stone. Even the most battle-hardened souls felt their minds split, for to gaze upon those shapes—nameless, writhing, obscene—was to stand at the very threshold of madness.

And this discovery… tolled the death knell of mankind.

For we then understood that we had never been the masters of this world.
That our empires, our religions, our sciences were but fragile ornaments resting upon a treacherous surface.
Since ages older than ocean and mountain, beneath the weight of stone and fire, the true sovereigns had slumbered. Their memory already haunted our myths: Hades, Tartarus, the underworld—forebodings repressed, disguised as legend.

We were but a fleeting dream, an illusion of autonomy.
And already, in the bowels of the earth, something stirs.
The true masters awaken.
Their hour is not to come—
it has come.


==============

Jamais, non jamais, ils n’auraient pu l’imaginer. Qu’une rencontre avec une civilisation extraterrestre puisse advenir — certes, la probabilité existait. Mais elle paraissait si infime, si lointaine, qu’elle relevait davantage du songe que du calcul. L’humanité levait les yeux vers les étoiles, persuadée que si ce jour devait survenir, il serait écrit dans le ciel. Et pourtant… Le pire cauchemar prit corps. Oui, une civilisation existait — étrangère, monstrueuse, et bien réelle. La rencontre eut lieu, mais pas là où nous l’attendions. Non… pas dans le firmament. Pas dans l’infinité glaciale de l’espace. Mais sous nos pieds. Sous la croûte terrestre. C’est là que nous les découvrîmes. Une immensité grouillante, ancienne et fétide. L’air empestait la pierre moite et la chair en décomposition ; le sol vibrait sous le fourmillement innombrable de leurs corps. Dans l’obscurité résonnaient le cliquetis de leurs membres, le râle visqueux de leur respiration, le frottement immonde de chairs contre la roche. Même les âmes les plus aguerries sentirent leur esprit se fendre, car contempler ces formes — innommables, grouillantes, obscènes — revenait à marcher au seuil même de la folie. Et cette découverte… sonnait le glas de l’humanité. Car nous comprîmes alors que nous n’avions jamais été les maîtres de ce monde. Que nos empires, nos religions, nos sciences n’étaient que des ornements fragiles posés sur une surface trompeuse. Depuis des ères plus anciennes que l’océan et la montagne, sous le poids de la pierre et du feu, les véritables souverains sommeillaient. Leur souvenir rôdait déjà dans nos mythes : Hadès, le Tartare, les enfers — autant de pressentiments refoulés que nous avions déguisés en légendes. Nous n’étions qu’un rêve fugace, une illusion d’autonomie. Et déjà, dans les entrailles de la terre, quelque chose remue. Les véritables maîtres s’éveillent. Leur heure n’est pas à venir — elle est venue.

The Hour of the Depths

LIVE FROM THE ASYLUM OF THE FORGOTTEN SUN” is six tracks of electric psychedelic metal: hand-forged riffs melting through space-time, cosmic synths, and radioactive distortion to overload your neural pathways.

Get Yours

GRVYRD-S0L

シンセティックなハーモニー。

ruzzza.me@gmail.com // ihm.1507@gmail.com

Nicholas Britelli - Niamos (Dvbtune Mix)

Sequencist

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