Sometimes we fall in
Equal proportion to how 
Much we have attained

::

Original music & haiku poetry by Bob Weathers

Equal Proportion

All sounds recorded directly from the Prophet Rev2  16-voice analog poly synth. No additional processing/EQ/effects.

House Bass

Livid Saws

YouTube version here 
https://youtu.be/KNkjA08G7PI

Patch I made the other day in the style of Penderecki

https://llllllll.co/t/disquiet-junto-project-0418-ice-nine/28144/1

This is a recording I made for the 418th weekly Disquiet Junto project — Ice-Nine / The Assignment: Record the sound of ice in a glass and make something of it. I rattled 4 cubes of ice, partially melted in a large thick glass beer stein by my microphone and passed the sounds through my Red Panda Particle pedal and OTO BIM and BAM units as it was being recorded. I further processed the recording through Ableton's Resonators, Saturator, and Reverb.

More on this 418th weekly Disquiet Junto project — Ice-Nine / The Assignment: Record the sound of ice in a glass and make something of it — at:

https://disquiet.com/0418/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0418-ice-nine/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Ice In A Glass [disquiet0418]

Let Go

Distances

Swamp

FM explorations using the Serge Dual PCO / Peak&Trough and the new "Rhythm" module - also a DSG XL and a RES-EQ (sub-bass!).

Serge Dual PCO meets Rhythm

Introduce: Nines Nieto Mazarrón (Coordinadora de Ecologistas en Acción Madrid)

La Comunidad de Madrid es un estandarte dentro de los modelos de desarrollo insostenible que propone la economía basada en el ladrillo. El consumo intensivo de territorio y de materiales, las desigualdades que se producen o la contaminación son solo el reflejo de un modelo que no se centra más que en el beneficio rápido y la destrucción del entorno.

En esta sesión recorreremos los hitos y las políticas que han hecho posible este modelo, así como las líneas de acción que pueden llevar a que no siga avanzando. El modelo de desarrollo urbano y la economía política en la que se basa una ciudad son claves para entender los impactos que se producen en sus territorios y en sus comunidades.

S.5. La Economía Del Ladrillo Y La Destrucción Del Territorio. Con Nines Nieto

LBA K7 [075-B] - Dj Bouto

As Manchester’s streets and skyline are warped by the ever-accelerating process of urban renewal, the city’s edgelands and green spaces are at risk of being swallowed by waves of property development. Not only does this raise questions about the ecology of the city, as carbon sinks are flattened and wildlife is displaced, but it speaks to broader trends pushing urban residents away from shared space, community and local identity.  

This project shines a light on these spaces and the activists, academics, and local people who have taken up the daunting fight against corporate interests in the city in the name of biodiversity, urban ecology and community wellbeing. As we are faced with crises of both environment and mental health, the role of public green spaces has become ever more crucial in the eyes of those who enjoy, nurture, and maintain them.  

As the tide of urban growth edges closer to the open boundaries of our shared spaces, the trees, wildlife and insects continue their gentle movement, unaware that these spaces are likely reaching the end of their rich lineage. If nothing else, this project documents these final days. 

This work weaves together recorded conversations, composed music and field recordings from a handful of Manchester’s urban wildlife havens. Interviewees include community activists Julie Ryan and Tara Parry from ‘Friends of Ryebank Fields’, award-winning alternative tour guide Hayley Flynn (Skyliner) and Dr Jenna C. Ashton (artist, curator and lecturer at The University of Manchester).

Commissioned by Huddersfield Contemporary Music Festival in 2020.

Edgeland

Innovative music machines designed and built in San Francisco, CA.

Livid Saws

Sequential

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