Full doomload here : http://gestrococlub.org/Sampler28.htm

Vaatican Sampler N°28

AVIS UPCHURCH - "Church Of Noise" (Out sept, 2013)

Ratchet

Cosmic Sermon

Krafty

Ice Ridge of Noltia

Asymptotic Freedom I - for six electric guitars

This is the first version of the piece (Asymptotic Freedom II – is going to be a one-hour long piece and performed in different rooms of the same building). 

The piece is created in close collaboration with my friends, wonderful musicians Chris Moy, Ruben Mattia Santorsa, Francesco Palmieri, Samuel Toro Pérez, Giuseppe Mennuti and Alejandro Tentor.

Special thanks to Yaron Deutsch for his support and curation of the project.

The project is commissioned by the studio la Muse en Circuit, Darmstädter Ferienkurse and Wittener Tage für neue Kammermusik.

Elena Rykova - Asymptotic Freedom I [six electric guitars] - headphone mix (2020)

Aranyhíd means "Golden Bridge"

Very excited for my new release Napló on Light At The End label.

Out in June 19th.

https://latelabel.bandcamp.com/album/late-07-napl

LATE 07 : Napló

Aranyhíd

Kjam NK

Animal 20 09

Roland TR drum machines have impacted music for over 40 years—and they're as influential now as ever. Based on the much-loved TR-8S, the compact and affordable TR-6S has the same speaker-pummeling, window-rattling, body-moving sound of its bigger sibling. Elevate your drum tracks, make beats on the go, and experience the joy of hands-on production. With the TR-6S, the sound of classic tracks, today's trends, and tomorrow's hits are always within reach. 

- Six-track version of the TR-8S in a compact and affordable package 

- Detailed circuit models of the Roland TR-808, TR-909, TR-606, TR-707, and more 

- Large preset sample library with support for custom user samples 

- FM sound engine for futuristic tones 

- Mix and match sounds for exotic hybrid drum kits 

- Advanced sequencer with sub-steps, flam, step-loop, motion recording, and more 

- Runs on four AA batteries or USB bus power 

- Also functions as a high-quality USB audio/MIDI interface

TR-6S Rhythm Performer - Song Demo "Booby Trap"

As Manchester’s streets and skyline are warped by the ever-accelerating process of urban renewal, the city’s edgelands and green spaces are at risk of being swallowed by waves of property development. Not only does this raise questions about the ecology of the city, as carbon sinks are flattened and wildlife is displaced, but it speaks to broader trends pushing urban residents away from shared space, community and local identity.  

This project shines a light on these spaces and the activists, academics, and local people who have taken up the daunting fight against corporate interests in the city in the name of biodiversity, urban ecology and community wellbeing. As we are faced with crises of both environment and mental health, the role of public green spaces has become ever more crucial in the eyes of those who enjoy, nurture, and maintain them.  

As the tide of urban growth edges closer to the open boundaries of our shared spaces, the trees, wildlife and insects continue their gentle movement, unaware that these spaces are likely reaching the end of their rich lineage. If nothing else, this project documents these final days. 

This work weaves together recorded conversations, composed music and field recordings from a handful of Manchester’s urban wildlife havens. Interviewees include community activists Julie Ryan and Tara Parry from ‘Friends of Ryebank Fields’, award-winning alternative tour guide Hayley Flynn (Skyliner) and Dr Jenna C. Ashton (artist, curator and lecturer at The University of Manchester).

Commissioned by Huddersfield Contemporary Music Festival in 2020.

Edgeland

Innovative music machines designed and built in San Francisco, CA.

Krafty

Sequential

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